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Look, this movie has some bizarre pacing, cute albeit entirely unnecessary callbacks to previous films, way too many characters to balance (very funny for the character you gave nothing to do to say out loud "there's nothing for me to do"), and a general unmistakable sense that they did not plan out what to do next before finishing the previous film.
BUT the climax was one of the most insane things I've ever seen onscreen and it made my palms…
bleak as hell. my 5-year-old asked me "how many minutes are left?" before lilo and stitch even met for the first time.
his trailer reviews:
- The Bad Guys 2: “no”
- The Smurfs: “never”
- Superman: “is he a bad guy?”
- Elio: “I saw this on YouTube” (?)
- Zootopia 2: “What DAY in November?! We should go to the movie theater every day just to check.”
The first hour: “here’s what’s you missed on Glee”
The following hours: HOW THE FUCK IS THIS EVEN POSSIBLE THIS SHIT IS THE GREATEST ACTION SET PIECE IN THE HISTORY OF MAN NOT EVEN NATHAN DRAKE SURVIVING THIS SHIT
When examining the history of fashion in film, audiences tend to gravitate towards elaborate Victorian style outfits of period piece cinema or the immaculate dresses worn by Hollywood’s Golden Age. We overlook the complexity and difficulty of pulling off contemporary costume design, mainly due to our familiarity with the styles of the time. By undermining the significance of these outfits, we fail to see how they drive character development, and if done correctly become more timeless and culturally relevant than any…
The awards for the Short Film Competition of the Accessible Film Festival 2025 #EFF2025 were presented at the Award Ceremony held at the Goethe-Institut Ankara. Hosted by Ege Kayacan, the event welcomed festival ers, representatives from the Delegation of the European Union to Türkiye, embassies, Ankara Metropolitan Municipality, jury , film crews, of the press, and numerous guests. The ceremony was made accessible with sign language interpretation, live audio description and English translation.
Not since Watergate have we seen such a rapid fall from dominance as with the Marvel Cinematic Universe. Just five years ago, it was the biggest force in pop culture—so untouchable that fans dismissed Martin Scorsese’s “theme park” criticism outright. Yet with a string of flops and a messy dive into television, the MCU’s momentum has all but vanished.
For Pride Month, on Tue 3rd June - Funeral Parade Queer Film Society is proud to present The Times of Harvey Milk, Rob Epstein’s powerful portrait of a pioneering gay politician and a tireless advocate for LGBTQ rights.
"Recent monster movies are full of images of big cities being destroyed. In the old monster movies, it was much scarier to have them land in ordinary fishing villages. It's much more frightening to have your house destroyed than a big city."
Vamos a hablar de una historia en tres partes. Primero, de una escritora precoz que arrasó en Francia. Después, de un reputado director que decidió adaptar su novela. Por último, de una directora canadiense que ha debutado por todo lo alto.
It's official: From June 27 to August 24, 2025, the Freiluftkino Frankfurt is entering its twelfth season - and yes, we're returning to the courtyard of the Old Police Headquarters! Our favorite place, which with its morbid charm and urban magic is made for great films in the open air!
us this week for The Salt Path, the true story of a married couple who embark on a 630-mile trek around the coastline of southwest England after losing their life savings. Led by Gillian Anderson and Jason Isaacs, this affecting drama considers what the true meaning of home is.
We are proud to be collaborating with an inspiring range of co-curators to bring you the 9th edition of Cinema Rediscovered and touring programme as part of Other Ways of Seeing, a development opportunity ed by BFI, awarding funds from the National Lottery.
Alice Wu on the twenty-year legacy of her taboo-tackling rom-com, Saving Face.
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