6u532b

A silver lining of the fact that this overly condenses or totally omits several arcs and developments that are vital to the plot is that this movie does away with most of the putrid fanservice that plagues the first half of the show, and we don’t have to deal with as much filler. Still pretty crazy that some people have gone into this thinking it was in any way a substitute for watching the first half of the series.

It’s a great tension filled thriller for quite some time, but the final act is so weak that it drapes a sour blanket on the entire film. Hartnett is a really great protagonist, hitting every note he needs to, and the concert setting is extremely engaging. Mostly held back by the plot relying on one too many coincidences that don’t feel earned and M. Night’s daughter’s awful performance, though to be fair, her material is really lackluster at best.

Anti-capitalism personified in the form of a woman living a nightmare. The world is a zero sum game, destroying any and every sense of community there is. Marion Cotillard is nothing short of spectacular.

It’s actually criminal how unbelievable the ensemble is in Bodies Bodies Bodies, a visually gorgeous murder mystery that always keeps you guessing and never disappoints. Maria Bakalova and Rachel Sennott in particular are giving truly special performances.

First arc 3 stars second arc 5 stars

Watched on Thursday May 22, 2025.

It’d be an understatement to call this film moving. Grave of the Fireflies, in the last twenty or so minutes especially, manages to be a deeply special experience. It’s simple and effective. Sensitive subject matter, sensitive movie. It doesn’t need more than that to create an unforgettable experience led by equally memorable characters. Finding out that director Isao Takahata doesn’t consider this an antiwar film was quite the shock, but it’s also about abuse, poverty, and familial bonds in general. Incredible movie.

Rating: 8/8

A film that sets an unnerving tone right away and delivers completely. There’s almost constant tension and no filler, making it easily worthwhile.

Rating: 6/8

Doesn’t feel exceptionally different from the MCU formula (until you get to the Russo bros’ directed post-credits scene), but the chemistry between cast makes this a solid enough team building movie. I can’t believe I live in a world where The Sentry finally got adapted into the MCU, and I can’t believe how well it went. They took a character criticized his whole comic book lifespan for being boring and turned him into the most human character in the franchise.

Rating: 5/8

Simultaneously useless and also really good? The filmmaking is really immersive and it looks gorgeous in 35mm film. But at some point it does feel a little valueless, even if it’s really funny. Didn’t even really think about Selena Gomez’s character being racist until a guy on the train mentioned it after the screening.

Rating: 6/8

An overly sappy mess. Every line is ripped off a Pinterest board, the score is generic sad piano, and the plot is directionless. It feels like when shooting every scene, Mike Flanagan was like “this’ll make ‘em cry!” Uh, no. I feel nothing. Every time there’s a branch where this movie can go in an interesting direction, they go the opposite way. No idea why.

Rating: 3/8

Jaw-dropping. I’ve never seen a movie utilize IMAX this well. My favorite movie of the decade thus far. Ryan Coogler said in an interview that he wanted audiences to walk out of this feeling like they had a full meal—as in, they just watched a movie where they felt like the people involved truly cared about the medium. I didn’t just feel that way walking out, but while I was watching as well. The visuals, performances, score(!!!), costumes, sets, and more. An amazing exercise in grandiose filmmaking. I wish all blockbusters were like this!

Rating: 8/8

Sean Baker’s magnum opus (although I have still yet to see a couple of his movies, so I’ll add a “for now”). A movie that meditates in melancholy under the lens of childish wonder and hardcore realism, and a scathing critique of capitalism. Life in eternal purgatory with constant incentives to act against your own interests and against the interests of others.

Rating: 7/8

It carries a lot of value as a production, with an engrossing score and some moments of incredible cinematography. On top of that, the acting is also tremendous, but some of the plot lines and dialogues are flat out uninteresting, and the film can never turn its repulsiveness into something profound, feeling a bit shallow as a result.

Rating: 6/8

A lame imitation of other movies and artists, but it’s so small and microbudget that I can’t even bring myself to hate on it.

Rating: 4/8

Just kind of a big nothing burger. Short, 30 second bursts of entertainment offset by mind melting stupidity. Juxtapose the two and you get a pile of nothing.

Rating: 3/8

Such a cool hyperlink movie made with so much love for the films that made it possible. Every chapter is so compelling, all the lead characters are easy to root for, and it’s so stylish. Just about every frame is so easy to get lost in, with the whole thing feeling so distinct and standing out in the best way possible.

Rating: 7/8

Being incredibly earnest is this film’s biggest strength and weakness. Its sincerity results in powerful moments at times and cringe at others. But the film gets especially better toward the end, and it’s mostly thanks to the three lead performers. Ferreira, Leguizamo, and Stewart are all totally believable in each of their roles, making you feel like you’re part of their world.

Rating: 5/8

So disgustingly boring. Has no idea what tone to go for, the CGI gets horrible at the end, and opens up plot lines and drops them (what happened to the unicorn lore they start to talk about?). Every performance sucks besides Jenna Ortega who’s trying to carry the movie on her back. I genuinely got sad watching her actually commit to this while everyone else just showed up for the paycheck. She’s the only part of this movie worth watching.

Rating: 2/8

Way funnier and way more clever than I expected. Everyone is doing solid work here, especially Hechinger, who excels as the sympathetic lead that gets bullied by a group of idiots.

Rating: 7/8

Watched on Wednesday March 26, 2025.

Caught like 95% of it but not gonna rate bc I missed like the first 13 minutes

At the very top of the list of the dumbest movies I’ve ever seen. This movie doesn’t need to happen, and its only merit is in being unintentionally funny. But it can’t even maintain that forever, getting completely stale and having super boring stretches. I have no idea how this is getting positive reception from the crowds that have seen it so far.

Rating 2/8

So bad

Watched on Monday February 24, 2025.

First 2/5ths or so is pretty bad, rest is good. Some seriously on the nose and overly expository dialogue gets irritating really quick, but this definitely maintains the feel of a King adaptation. Great committed performance from Theo James.

Rating: 5/8

So incredibly stupid, like truly nonsensical. But it’s so silly that you can’t help but laugh along with it, at least I couldn’t.

Rating: 5/8

This review may contain spoilers.

Decent slice of life stuff that’s not too great yet remains solid, but the principles are too questionable. Every black guy in the movie is aggressively obnoxious, the main characters randomly sit down and have a conversation about how black people are terrible and shouldn’t be trusted, and then the movie climaxes with a black guy and an ethnically ambiguous guy robbing our sympathetic main character. Weird stuff.

Rating: 4/8

Just about everything with this movie feels so incredibly forced, especially the dialogue; despite that, it grows on you as it goes, but it just has too much domestic drama trash that I hate for me to give it three stars.

Rating: 4/8

Sometimes you just gotta throw around the “best movie ever” label to accurately describe how you feel about a movie. This is one of those times. Felt the same way for 5 years.

Best movie ever.

Deliciously fun over stylized action held together by a serviceable story and good performances. Could do without some of the training familiarities, but Egerton is so good that he makes everything work. And enough has been said about the Free Bird scene, but it really is that good.

Rating: 7/8

“When most people go to the movies, the ultimate compliment is for them to say ‘We didn’t notice the time !’ With me, you see the time . And you feel it . You also sense that this is the time that leads towards death. And that’s why there’s so much resistance. I took two hours of someone’s life.” - Chantal Akerman

*Three in this case. The ultimate test of will. I definitely think Chantal Akerman was a cinematic genius, The Meetings of Anna remains one of my favorite films, and it’s still in my top four. I understand the aspirations here. At the beginning of the film, I felt like it gave a voyeuristic vibe. I didn’t think we should be watching this. It was so immersive that I felt like an invader on Jeanne’s life. Then I felt angry due to the film’s repetitive nature. Then I felt like I reached a point of acceptance that that’s what the film is, and I could deal with it. And this cycle repeated about three times while watching. Again, I ire what Akerman went for, but the effect just does not work with me.

Nailed the ending, though.

Rating: 4/8

Not just boring. Monstrously boring. Almost none of Captain America: Brave New World can produce any type of response, as it just offers nothing. How can one even write about the movie? It’s literally just a pile of nothing. People say this movie tries and fails to be a political thriller but I’d say it doesn’t really try at anything. Just poorly imitates other MCU movies. There’s one scene in this movie that feels sincere.

Rating: 2/8

A bit of a useless movie. Cliches placed one after another but with performances of songs to break them up, and there’s nothing immersive about this movie. Chalamet and Barbaro are great, but what else is worth writing home about? Making a character driven movie with no sense of interiority is a recipe for banality.

I also can’t believe “we broke up, ?” is a real line in this movie.

Rating: 4/8

Not rating because of the environment I watched it in, but if I did I would give it 4 stars. Amazing performance from Hathaway and the documentary style shaky-cam is immersive.

This review may contain spoilers.

The beginning of the film insists on immersing you in the family’s intimacy with one another, to mixed success? The presentation isn’t disorienting enough to hook me for extended periods, and the dynamics of the household don’t feel like something I haven’t seen done before in a more dedicated manner. Then, when the movie builds silent tension at the home invasion and really kicks into gear, we get to see it peak (for the time being). The film does eventually drop this in favor of a sort of middle ground between the family dynamics and silent tension, to solid success.

But the ending… it’s such a successful, devastating gut punch that for a few minutes you’ll be convinced you watched the best movie ever. You could give writers Murilo Ha and Heitor Lorega, and director Walter Salles one hundred years, and they’d never come up with a better ending.

Rating: 6/8

This review may contain spoilers.

Leans into fanservice at a good rate. Focuses on the hedgehog conflict the most, making it the best of the three. A surprise is that there are some really good lighting choices during interior scenes. Not a fan of Gerald being alive or being evil. Also not a fan of Eggman in this movie, or all of the end credits scene. And I don’t always like idiot Knuckles. But it was still pretty enjoyable! I liked Shadow and despite the animals not being animated the best you get used to it quickly.

Rating: 5/8

Got the opportunity to watch this in a theater. Didn’t feel like this was as bad as everyone says, but it wasn’t very impressive either. It’s quite ambitious, so I can’t fault it too much. The musical numbers aren’t all good, but all the choreography at least is, besides Zoe Saldaña’s ridiculous dance during El Mal. Still, there aren’t so many musical numbers as to become annoying. Gascón gave a great performance; everyone says Selena Gomez’s Spanish is egregiously terrible, but given that I don’t speak the language I can’t tell. I’ll take everyone’s word for it.

I think it falls in interest level near the middle, and peaks around the beginning. The psyche of Gascón’s character is compelling throughout, but it’s not focused on enough. When the movie narrows its focus to the domestic, I think it’s at its best.

Rating: 5/8

A devastatingly harrowing piece that prioritizes visceral reactions over anything else, and the incredibly inventive POV style of filmmaking is the perfect way to do that. It gets a bit repetitive in the middle stretch in the reactions it wants, but there was no better way to stick the landing than the pitch perfect ending that exists now. A film about trying to be human in a society that actively revels in your dehumanization. It addresses this dehumanization in a way that feels simultaneously both subtle and overt. I’ll be thinking about this for a long time.

Rating: 7/8

Heartbreaking story of a woman with so much pent up trauma that it manifests in constant verbal abuse toward everyone around her, including vicious treatment of her husband and son. It doesn’t provide all the answers, but proposing the questions, particularly with utilizing incredible performances from literally every single cast member is more than enough.

Rating: 7/8

Even though this contains amazing performances from the three leads and discusses some very thought provoking ideas, I can’t get past a kind of boring production value and familiar elements in the first half or so that keep it from reaching that next level.

Rating: 6/8

One of the most scathing criticisms of the patriarchy I’ve seen in recent memory, maybe ever. Saim Sadiq’s small scale drama captures intimate and oppressive feelings incredibly well, always keeping us close to the characters in all settings and immersing us with camera work that allows us to absorb the characters’ moods, managing to provoke strong emotions while still feeling real, even if it’s not always coming off as unpredictable, including the sometimes overly expository dialogue.

Rating: 7/8

Delivers on its premise! Aubrey Plaza does a lot of things in tune with her celebrity persona and it results in a very good performance. It works as a commentary influencer culture and desperation for validation, but there’s something missing here, something attention grabbing that isn’t there that could’ve elevated this film further.

Rating: 6/8

A sweet movie that displays the power of solidarity emboldened by a great Ryan Gosling performance. I think it could’ve been a bit better if it was more ambitious in any respect really, but I still liked it.

Rating: 5/8

A supremely stupid movie from start to finish, with a seemingly infinite amount of nonsensical elements, but strangely, it remains just watchable enough to sit through, mostly thanks to a couple standout scenes and some fantastic tone-setting lighting. Somehow, these elements offset the total dumbness in pretty much everything else.

Rating: 4/8

Intense gloom produced by gorgeous cinematography make I Saw the TV Glow easily the vibe check. There’s so much to unpack, and everything is so clearly intentional while brandishing the appearance of being so unsolvable on its surface that it piques curiosity in a Lynchian manner. But unwrapping the film’s themes show that it’s universal in the visceral emotions it explores, while remaining an incredibly personal piece.

Rating: 7/8

A fun movie. Nothing in this is really eye popping, but it gets to hilarious territory a few times, particularly whenever Jesse Plemons is on screen and stealing whatever scene he’s in. This being a film about insecurity was an unexpected but welcome development!

Rating: 6/8

So many thoughts that built up throughout the whole film that I can’t, or won’t, compile them. To put them into a short summary, this is a film with so much to say about liberation and the lack thereof, and Kristen Stewart is absolutely incredible as Princess Diana. It takes a lot to make a plot surrounding the British royal family interesting, but Larraín pulls it off. Intentional cinematography combined with naturalistic performances make it incredibly immersive. And the film’s best quality is that it only gets better as it goes on.

Rating: 7/8

Watched on Monday December 16, 2024.

Watched on Thursday December 12, 2024.

Personal favorites. Always a work in progress. Includes every film I’ve given 5 stars.

1. The Social Network
2. Taxi Driver
3. Chungking Express
4. The Meetings of Anna
5. Avengers: Endgame
6. 12 Angry Men
7. GoodFellas
8. Cure
9. Moneyball
10. Spider-Man 2

...plus 85 more. View the full list on Letterboxd.

These are probably the 10 films I’d send in, a few movies would definitely contend with Brokeback for that last spot though but I feel pretty confident that I’d submit the first 9. Roughly ordered in likelihood of my opinion changing on whether or not I’d submit them, not totally definitive ofc.

• The Social Network
• Moonlight
• Taxi Driver
• Chungking Express
• The Meetings of Anna
• Finding Nemo
• Little Women
• A Nightmare on Elm Street
• The Godfather Part II
• Brokeback Mountain

Not definitive

1. Killers of the Flower Moon
2. Past Lives
3. Poor Things
4. Barbie
5. The Holdovers
6. Maestro
7. Oppenheimer
8. The Zone of Interest
9. American Fiction
10. Anatomy of a Fall

I can’t believe I hadn’t made this yet

1. Spider-Man 2
2. Spider-Man
3. Spider-Man: Homecoming
4. Spider-Man: Into the Spider-Verse
5. Spider-Man: Across the Spider-Verse
6. Spider-Man: No Way Home
7. Spider-Man 3
8. The Amazing Spider-Man
9. Venom
10. Spider-Man: Far From Home

...plus 1 more. View the full list on Letterboxd.

Don't know why it took so long for me to decide to make this

1. Avengers: Endgame
2. The Avengers
3. Avengers: Infinity War
4. Captain America: Civil War
5. Black Panther
6. Spider-Man: Homecoming
7. Captain America: The Winter Soldier
8. Iron Man
9. Spider-Man: No Way Home
10. Guardians of the Galaxy Vol. 2

...plus 18 more. View the full list on Letterboxd.

The “Best Movies of All Time” list on the website TheTopTens

1. Forrest Gump
2. The Godfather
3. The Dark Knight
4. The Shawshank Redemption
5. The Empire Strikes Back
6. Pulp Fiction
7. The Lord of the Rings: The Return of the King
8. Back to the Future
9. Star Wars
10. Avengers: Infinity War

...plus 140 more. View the full list on Letterboxd.

Movies I want to eventually rewatch, and if I’m satisfied after rewatching them I’ll remove them from this list. In no particular order

• The Shining
• The Fugitive
• Persona
• 2001: A Space Odyssey
• TÁR
• Carol
• The Fabelmans
• Raiders of the Lost Ark
• Return of the Jedi
• Star Wars: Episode I – The Phantom Menace

...plus 17 more. View the full list on Letterboxd.

First Showdown I've participated in in a long time

1. The Social Network
2. Taxi Driver
3. 12 Angry Men
4. GoodFellas
5. Moneyball
6. The Lord of the Rings: The Return of the King
7. The Godfather Part II
8. The Lord of the Rings: The Two Towers
9. Star Wars
10. Little Women

Don’t know why I haven’t made this sooner

1. Shazam!
2. Wonder Woman
3. Zack Snyder's Justice League
4. Aquaman
5. Justice League
6. Man of Steel
7. Wonder Woman 1984
8. Batman v Superman: Dawn of Justice
9. Suicide Squad

Movies with titles I am a big fan of. Not ordered.

• The Silence of the Lambs
• Pulp Fiction
• Eternal Sunshine of the Spotless Mind
• Raging Bull
• Guardians of the Galaxy
• The Dark Knight
• L.A. Confidential
• The Shape of Water
• The Shawshank Redemption
• X-Men: Days of Future Past

...plus 56 more. View the full list on Letterboxd.

Letterboxd has RWBY on it so why not

Favorite houses, I guess. Kind of a lackluster list.

• The Shining
• Parasite
• Knives Out
• Iron Man
• Up
• Ready or Not
• Psycho
• The Favourite
• Incredibles 2
• Batman Begins

2020 is subject to change

• The Hunt
• Joker
• Black Panther
• Star Wars: The Last Jedi
• The Birth of a Nation
• Fifty Shades of Grey
• The Interview
• Blue Is the Warmest Color
• Zero Dark Thirty
• Shame

...plus 11 more. View the full list on Letterboxd.

M O N E Y B A L L
O
N
E
Y
B
A
L
L

Genuinely curious if people will exclude it by saying the A’s weren’t underdogs irl

1. Moneyball
2. the Titans
3. Miracle
4. Rocky
5. Creed
6. The Karate Kid
7. Ford v Ferrari
8. Coach Carter
9. Major League
10. Glory Road

...plus 3 more. View the full list on Letterboxd.

Will update when I can think of more

1. Avengers: Endgame
2. Interstellar
3. The Jungle Book
4. Doctor Strange
5. Spider-Man 2
6. Avengers: Infinity War

If two films from the same year have the same Metascore, they will both be listed.

For films in the early 70's and such that don't have Metascores, I'm not including them.

• Jojo Rabbit

  58

• Bohemian Rhapsody

  49

• Darkest Hour

  75

• Lion

  69

• The Revenant

  76

• American Sniper

  72 - shares score with The Theory of Everything

• The Theory of Everything

  72 - shares score with American Sniper

• The Wolf of Wall Street

  75

• Les Misérables

  63

• Extremely Loud & Incredibly Close

  46

...plus 44 more. View the full list on Letterboxd.

1. Little Women
2. Marriage Story
3. Parasite
4. The Irishman
5. 1917
6. Once Upon a Time... in Hollywood
7. Ford v Ferrari
8. Joker
9. Jojo Rabbit

In no particular order

• Uncut Gems
• Little Women
• Avengers: Endgame
• The Irishman
• 1917
• Parasite
• Marriage Story
• Knives Out
• Once Upon a Time... in Hollywood
• The Farewell

From my favorite poster to my least favorite

Updated for The Irishman’s new poster

1. Joker
2. Jojo Rabbit
3. Little Women
4. Parasite
5. Marriage Story
6. The Irishman
7. Once Upon a Time... in Hollywood
8. 1917
9. Ford v Ferrari

Currently goes back to 1970.

If two films from the same year are listed, they share the same score.

• Parasite

  96

• Roma

  96

• Lady Bird

  94 - also shares the same score as Dunkirk

• Dunkirk

  94 - shares the same score as Lady Bird

• Moonlight

  99

• Spotlight

  93

• Boyhood

  100

• 12 Years a Slave

  96 - shares score with Gravity

• Gravity

  96 - shares score with 12 Years a Slave

• Zero Dark Thirty

  95

...plus 44 more. View the full list on Letterboxd.

Making after the showdown ended but who cares

Haven’t seen Baby Driver yet

1. Guardians of the Galaxy
2. Black Panther
3. Pulp Fiction
4. Spider-Man: Into the Spider-Verse
5. Whiplash
6. GoodFellas
7. La La Land
8. Guardians of the Galaxy Vol. 2
9. Inside Llewyn Davis
10. Call Me by Your Name

1. Captain America: The Winter Soldier
2. Up
3. Forrest Gump
4. The Incredibles
5. Rocky
6. John Wick: Chapter 2
7. Creed
8. Spider-Man: Into the Spider-Verse

I should watch more black and white films, and I didn’t know whether or not to include American History X so I just did

1. 12 Angry Men
2. Psycho
3. Casablanca
4. Sunset Boulevard
5. American History X
6. Rear Window
7. To Kill a Mockingbird
8. Double Indemnity

1. The Social Network
2. The Lord of the Rings: The Return of the King
3. The Godfather Part II
4. Forrest Gump
5. BlacKkKlansman
6. Casablanca
7. Moonlight
8. No Country for Old Men
9. Slumdog Millionaire
10. The Silence of the Lambs

...plus 6 more. View the full list on Letterboxd.

Favorite movie endings. I did this for the Showdown. Maybe some will come to me at other times.

1. The Shawshank Redemption
2. There Will Be Blood
3. Whiplash
4. The Usual Suspects
5. Coco
6. Avengers: Endgame
7. The Godfather
8. Avengers: Infinity War
9. John Wick: Chapter 2
10. The Best of Enemies

...plus 7 more. View the full list on Letterboxd.

Same as my 2010s list but 2000-2009. If there was one Oscars show where every movie from 2000-2009 was eligible.

• Spider-Man 2

  Best Picture
  Best Sound Editing
  Best Sound Mixing
  Best Adapted Screenplay (Alvin Sargent)

• There Will Be Blood

  Best Lead Actor (Daniel Day-Lewis)
  Best Cinematography

• Eternal Sunshine of the Spotless Mind

  Best Lead Actress (Kate Winslet)

• The Dark Knight

  Best ing Actor (Heath Ledger)

• Pan's Labyrinth

  Best Foreign Language Film
  Best Production Design

• A Beautiful Mind

  Best ing Actress (Jennifer Connelly)

• The Lord of the Rings: The Return of the King

  Best Costume Design
  Best Director (Peter Jackson)
  Best Makeup and Hairstyling
  Best Original Score

• the Titans

  Best Original Screenplay (Gregory Allen Howard)
  Best Editing

• Finding Nemo

  Best Animated Film

• 8 Mile

  Best Original Song (Lose Yourself)

...plus 1 more. View the full list on Letterboxd.

I haven't seen all of these films. I can't go just off of my opinion, since I'm not going to be in the majority for so many. But these are what would've won the Oscars, taking everything into consideration, if I was the only voter.

• BlacKkKlansman

  Best Picture
  Best Editing
  Best Adapted Screenplay

• Avengers: Infinity War

  Best Lead Actor (Robert Downey Jr.)
  Best ing Actor (Josh Brolin)
  Best Visual Effects

• The Favourite

  Best Lead Actress (Olivia Colman)
  Best ing Actress (Emma Stone)

• Spider-Man: Into the Spider-Verse

  Best Animated Film
  Best Original Song (Sunflower)

• The Hate U Give

  Best Cinematography

• Black Panther

  Best Costume Design
  Best Production Design
  Best Original Score

• If Beale Street Could Talk

  Best Directing (Barry Jenkins)

• Roma

  Best Foreign Language Film
  Best Original Screenplay

• Vice

  Best Makeup and Hairstyling

• A Quiet Place

  Best Sound Editing

...plus 1 more. View the full list on Letterboxd.

List order is based on how disappointed I was. Keep in mind I still liked some of these films.

1. V for Vendetta

   Expected: Great

2. Spotlight

   Expected: Great to hall of fame level

3. The Godfather

   Expected: Possible favorite film

4. Jurassic World: Fallen Kingdom

   Expected: Very good film

5. If Beale Street Could Talk

   Expected: Possible favorite film

6. The Wolverine

   Thought it’d be great

7. Doctor Strange

   Expected: Great film

8. Batman Begins

   Expected: Great to hall of fame

9. The Amazing Spider-Man 2

   Expected: Good to very good film

10. Avengers: Age of Ultron

    Expected: Hall of fame film

...plus 4 more. View the full list on Letterboxd.

I’ll skip a year if I didn’t like my favorite from that year enough to be my favorite. List is dating back to 2000 at the moment.

• Avengers: Endgame
• Avengers: Infinity War
• Lady Bird
• Captain America: Civil War
• Mad Max: Fury Road
• Interstellar
• The Wolf of Wall Street
• The Avengers
• Moneyball
• The Social Network

...plus 9 more. View the full list on Letterboxd.

For “The Guest” showdown

1. Captain Marvel
2. Spider-Man 3
3. Spider-Man: Far From Home
4. Zombieland
5. X-Men: First Class
6. Young Frankenstein
7. Pulp Fiction
8. Guardians of the Galaxy Vol. 2

1. The Wolf of Wall Street

Best production design in films

1. Black Panther
2. Star Wars
3. The Lord of the Rings: The Return of the King
4. The Lord of the Rings: The Fellowship of the Ring
5. The Lord of the Rings: The Two Towers
6. The Empire Strikes Back
7. The Favourite
8. Pan's Labyrinth
9. Interstellar
10. The Dark Knight Rises

...plus 3 more. View the full list on Letterboxd.