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“Know you can take care of yourself, but it sometimes helps to have friends with influence. Something you will learn.” —Peter Ferdinando as Dennis Spencer—

•••MEN’S MENTAL HEALTH AWARENESS MONTH•••

💎 TRULY HIDDEN-GEM. UNDERRATED. A MASTERPIECE. ABSOLUTE CINEMA ❤️ 

I’ve seen a lot of prison films with chaos, violence, gang wars, and personal struggles. But “Starred Up” feels completely different. It’s intense and raw. Really! Truly didn’t expect a prison film to hit this hard emotionally. The script is so bold and out of the box. It’s full of violence, but it balances brutality with vulnerability in a way I rarely see.

What shocked me was how the film used “group therapy as a storytelling tool”. Those scenes where the inmates sit in a circle, led by Rupert Friend’s character, hit me harder than any fight or scream. It wasn’t just about “healing”. It was about “control, pain, ego, and survival”. Honestly, I honestly hink those scenes were the heart of the film. 

Jack O’Connell delivers one of the most intense performances I’ve ever seen. What an explosive performance! Every second he’s on screen feels like something dangerous. I couldn’t take my eyes off him. And Ben Mendelsohn, playing his father, that’s the emotional damage really hit me. He is so broken, and so scary all at once. Their relationship is complicated, and I really like how scrip explored that.

What’s wild is that I’m also still watching “Loudermilk” right now, which uses the same “circle therapy” tool, but in a different tone. That made me appreciate “Starred Up” even more. Both stories show how powerful it is when people sit down and actually confront their pain. One makes you laugh, the other leaves you shaken. ☹️💔

By the end, I felt like I had just been through group therapy myself. And honestly, I kind of needed that.

“Maybe with good luck we'll find what eluded us in the places we once called home.” —Jeffrey Wright as Roebuck Wright—

—Before THE PHOENICIAN SCHEME—

I really wanted to enjoy this one, but it just didn’t land the way Wes Anderson’s other films usually do for me. Visually, it’s stunning. Every frame is wonderful, with his usual precision. But as the stories went on, I felt more impressed than actually connected. The anthology format made it harder to care, and even with all the details, it didn’t have the heart that made The Grand Budapest Hotel so memorable. 

Benicio del Toro was the highlight. His performance as the troubled artist added some real emotion to a film that often felt more concerned with style than feeling.

“I’m submitting a complaint, exercising my rights as a citizen, that makes me a criminal? [Argentinas>English]”—Ricardo Darín as Simón Fischer—

Six stories, one theme : Mix of madness, revenge, dark comedy, absurd tragedy, and satisfying chaos. 

DAMN! 😭
I didn’t expect “Wild Tales” to be “super wild” journey. This movie turns small people problems—because money, injustice, and ego—, into explosive and darkly funny stories. It’s like “Triangle of Sadness” or “Freaky Tales”, but wilder and even more out of control. And yes, this is a total hidden gem.

This movie is made up of 6 segments : Pasternak, The Rats, Road to Hell, Bombita, The Deal, and Till Death Do Us Part. But, the two most memorable segments for me are Road to Hell and Till Death Do Us Part.

In “Road to Hell”, a “head-to-head” between Diego (Leonardo Sbaraglia) and Mario (Walter Donado) in the most intense and ridiculous bridge show I’ve ever seen. And “Till Death Do Us Part” follows Romina (Érica Rivas), a bride who finds out her groom Ariel (Diego Gentile) cheated—during the wedding. Their performace was messy, emotional, and completely unforgettable. 💯🔥💥

This film completely stunned. The direction, the pacing, the writing are brilliantly. The cinematography keeps things visually tense and the music perfect too.

It’s smart, chaotic, and relatable.

“I just feel like the universe is like taking a grip and it’s easing me apart, like my torso is being levered apart with tremendous force and the emptiness of galaxies is just like rushing in.” —Cory Michael Smith as Venn—

Big Succession Fan ☝🏻
My expectations were high
——————————————————————————
Jesse Armstrong’s Mountainhead feels like an another version of the world he explored in Succession, but this time with tech billionaires and an AI theme. The premise is pretty good—a satire comedy about AI and digital future. But sadly, this one didn’t hit as hard as I hoped. The concept is solid, but the execution is too complicated.

The vibe brought me right back to Succession —cold settings, tense music, and that same feeling. A few strong moments, and some beautiful Succession-like atmosphere. I felt nostalgic right away. It made me miss the show, but again… not enough.

At least, the performances help carry the film. All four actors are talented. Steve Carell and Ramy Youssef are impressive. But still, I struggled to fully get into it. The third act is ridiculous, and I’m a bit tired of the whole storyline.

Honestly, I was really excited for this because of the cast and Armstrong’s team. But in the end, it just didn’t connect with me. 

Disappointed.

“We live and die in the shadows for those we hold close and for those we never meet.”—Tom Cruise as Ethan Hunt—

•••after more than two weeks of avoiding spoilers and trying to find the right time—work schedule priority, I finally watched it•••

First of all. Let’s talk about my special cameos—“MINDHUNTER” and “TED LASSO” mentioned here! 
Hannah Waddingham (my Ted Lasso’s queen!) and especially Holt McCallany (my Detective From Mindhunter!). Seeing them in this franchise? Loved it. Just… perfect! 🫶🏻

Alright,
I thought “MI: The Final Reckoning” is a tribute and a love letter to this franchise—maybe even Tom Cruise’s “last dance” as Ethan Hunt. From deep underwater dives, holding my breath through tight spaces, getting trapped in a submarine, to hanging on a moving plane—every single scene hit my expectations. Truly emotional weight this time. 🥺

What impressed me most was how well this film connects the entire Mission: Impossible journey. The callbacks to MI 1, 2, 3, and threads from Ghost Protocol, Rogue Nation, Fallout, and Dead Reckoning, it all connected here. Like what Marvel did for AVENGERS: Endgame, this movie gives longtime fans a true emotional nostalgic. ❤️

Tom Cruise proves once again that he is Ethan Hunt. Hayley Atwell is brilliant as Grace. She is smart, fast, unpredictable. Ving Rhames [🥀], Simon Pegg, Esai Morales, Angela Bassett, etc,. And if this is the end of the ride for Ethan Hunt… then all I can say is :

Thank you, Mr. Tom Cruise. Thank you for his impossible stunts, his commitment, and thank you for making each mission unforgettable.

What a cinema, HUNT!

“You could just write your own rules. You know, write something that's as interesting as you are.” —Ryan Gosling as Sebastian—

🍿•••before summer season takes over, this was the way I needed. A little dance and A REMINDER WHY I LOVE MOVIES•••🍿

La La Land—rewatch it and still feels like falling in love and heartbreak all at once. I smiled through the songs, got lost in the colors, and found myself swaying with the rhythm of every scene. Ryan Gosling and Emma Stone’s chemistry still feels effortless—like they’re not acting, just love each other. Then, that rooftop tap dance… Still magic! ❤️
The cinematography dances with them and the music wraps around me like a memory.

And when that ending came, it crushed me all over again. It reminded me about the kind of beautiful pain. 💔

Same film, same feelings, just deeper this time.

“Last time I seen my brother. Last time I seen the sun. And just for a few hours.. we was free.” —Michael B. Jordan as Stack/Smoke—

[This was my last movie for May, and honestly, what a way to close the month.]

Ryan Coogler really cooked with this movies. The concept feels fresh. The execution feels even fresher. His style, his direction, and the care he puts into telling a story with depth. It’s emotional and a perfect blend of action and soul. 

Now the cast. Michael B. Jordan is just too good. He looks cool like always, but here he plays two different characters—and both of them feel so different. That’s real talent right there. And then Hailee Steinfeld. She brings beauty, elegance, and power. She feels calm but strong, and she gives the story a soft but deep emotion. Next, Miles Caton. That voice is so f*cking smooth and charming, he fits right into the vibe of the film. And then there’s Jack O’Connell as Remmick—he’s scary in the best way. His face, his eyes, the way he moves… it’s creepy and intense. He makes the movie feel dangerous.

Visually, the movie is stunning. The cinematography is beautiful with wide landscapes, rich colors, and moody lighting that fits the story perfectly. The music and dance scenes really stand out. And I gotta say, the vampire makeup is on point. It looks great without being too much. It’s just creepy AF. 

If I had one issue, it’s the vampire backstory. The film gives small hints, but never fully explains where they come from or how it all works. It feels a little grey, like it’s being saved for later.

And now I know why—Sinners 2 is confirmed. So maybe that mystery will finally get answered in the next one. I’m definitely looking forward to it.

Best 2025 HOROR MOVIE— so far.

“I’m sorry I got you into this. You’re all here because of me. Melanie was my family, but you’re my family too. So I’m gonna save Megan, kill Hill and then get us the f*ck out of here. I’m done with death.” —Ella Rubin as Clover—

Alright. 
It’s got Barbarian vibes mixed with Happy Death Day and Triangle, time loop, death-reset chaos. Nothing new, but the way it’s done is still feels fresh.

The plot moves fast, almost too fast, but it still feels clean. No time wasted. The acting is kinda off at times, especially Max, like bro, are you okay? But somehow that awkward energy fits the vibes. And the jump scares? I thought they work. Not just cheap ones, some actually got me.

Weird, fun, creepy, horror☠️

“Something smell’s good. That is the exotic aroma of danger. But if you’re here and I’n not dead, is this a date?”—John Krasinski as Luke Purdue—

Guy Ritchie is BACK, baby! 

After rewatching “Snatch” a couple of days ago (still a certified banger by the way), “Fountain of Youth” finally drops and I was more than ready for this one. Guy Ritchie is doing his thing again—very Ritchie, very fun.

The reason I watch? Easy: the cast and the director. John Krasinski is the main man here. Natalie Portman s as Charlotte—his sister and a museum curator—smart, stealing scenes. Their sibling chemistry works, not too forced, but warm enough. Also, Eiza González shows up to bring some heat to the action sequences—the fight scenes were kinda basic. Not bad.

The plot? Classic treasure hunt setup: ancient maps, family secrets, traps. It’s like Indiana Jones spirit but in Ritchie’s style. The editing is fast, the soundtrack hits, and the camera editing is cool.

Fountain of Youth is fun, breezy, and made with just enough heart to keep me in it. It’s not Snatch-level iconic, but it’s a good time with a good cast and a director who still knows how to keep things cool without overcooking it.

“You worry about getting me what I want, I'll worry about myself.” —Benicio Del Toro as Javier Rodriguez—

First of all, Benicio Del Toro is the heart of this film. He barely speaks sometimes, but I feel everything through his eyes—especially after his partner gets shot. That moment hit hard. Easily one of the best performances I’ve seen. No surprise he won an OSCAR for it.

I didn’t expect Traffic to be this deep. Thought it was just another crime drama, but turns out it’s a serious, complicated look at the drug war. It’s not easy to follow at first—three storylines, a lot perspective, different languages. But once I got into it, I was hooked.

Michael Douglas also stood out. His character goes from being a powerful government guy to just a father trying to save his daughter. The way his story ends—quiet, personal, and real.

Carlos Ayala’s part was a bit hard to follow, but he had this strong presence that made me curious. Meanwhile, Helena’s character goes through a wild change—from innocent to totally in control. She’s sharp and cold, and it works.

And the ending? Not a cliffhanger, not exactly happy either—but it works. It’s like each character finds their own kind of closure, even if it’s messy or incomplete. Like life.

Definitely not an eazy film, but worth to watch.

btw—Too yellow omg 🤣

“Imagine. A box of useless shit, souvenirs. I am not giving Morag a shoebox again; and I’m not losing two divers today.”—Woody Harrelson as Duncan Alcock—

Alright, the final third arc really hits me—emotional stuff.

There’s a strong emotional vibe running through this film, especially in the scenes where Woody Harrelson and Simu Liu are waiting—hoping—for a response from Finn Cole. It’s literally a life-or-death moment, and the entire crew feels like they’re holding on to the meaning behind the title: Last Breath.

Yeah, the plot’s pretty basic and honestly a bit too fast in getting to its climax. And than, this film skips giving me proper backstories for the other divers—only Finn Cole gets the spotlight. It’s a bit of a miss, but the main emotional still lands well by the end.

What really carries the whole thing is the chemistry between the characters—it’s the true heartbeat of the film.

tbh. This is my fav genre ❤️
It reminds me of Ron Howard’s film and series Thirteen Lives.❤️

“Getting hit by a car hurts. Getting thrown out of a window hurts. Getting set on fire really hurts. But… none of it ever hurt as much as not being with you.” —Ryan Gosling as Colt Seavers—

Just rewatched The Fall Guy—this time the EXTENDED VERSION—and WOW, it completely hit my expectations 🔥

Coming back to this action-comedy with 20 extra minutes (a solid 2.5 hours)—totally worth it. One major reason? Seeing Ryan Gosling casually play a Taylor Swift song in his car; LOL 😂—and yes, that happened. But seriously, this version gave me everything I wanted: more chaos, more stunts, more heart.

The cast? Perfect. Ryan Gosling, Emily Blunt, Aaron Taylor-Johnson, Hannah Waddingham, and that surprise Jason Momoa cameo at the end—they all carried this movie effortlessly. 

Sure, the plot isn’t anything revolutionary, but the way it blends action, comedy, and romance is just so well executed. It never once feels like “just another action flick.”

And let’s talk about the soundtrack. Yes… THE SOUNDTRACK. Absolute fire 🔥 It absolutely makes the movie. “A Man Without Love”? Perfectly paired with Gosling’s whole “literally me 😎” energy. Every track adds a heartbeat to the scenes, making them hit just right.

This film just gets what entertainment is supposed to be. And this extended cut doesn’t just add runtime—it adds joy. The Fall Guy fully embraces the fun, and I was all in.

“…, because I’m broke. You wouldn’t know anything about that. My life sucks. I’m a frickin’ loser. There, I said it.” —Jason Momoa as Garrett—

Honestly… I didn’t feel anything special. It’s entertaining, fine, not terrible, but not great. The story is super basic—forget five minutes later, simple. The jokes?—Sorry to say but it’s all flat. I mean, I tried to laugh, but most of them just didn’t hit me. maybe this is the nostalgia movie. At least.. the visual effects is pretty cool.

“I didn’t read ‘em. I’m depressed enough as it fucking is.”—Lucas Hedges as Robbie Hayes—

What I love about this movie is how real it feels. It’s about pain and anger—that’s hurt. The story is dark, but it’s weirdly funny too. Like laugh and then feel bad for laughing. The small-town vibe really warm. Everything feels personal, like I’m right there in the middle of it. s McDormand are powerfull. Sam Rockwell’s chaotic cop arc hit hard. Woody Harrelson adds soul to the mess.

It’s messy but beautiful.
What a powerful movie ❤️

“I don't care if he's got fucking hazelnuts. I want a gun that works, and I'm gonna tell him.” —Stephen Graham as Tommy—

What hits me again on this rewatch is the wild plot, dry British humor. Guy Ritchie’s style chaos never gets old—still one of the most stylish-crime comedy ever. Statham cool, Pitt wild, Stephen Graham innocent, and Benicio del Toro smooth as hell, etc. The dog, the diamond, the gangsters, the boxers—complete chaos! It felt messy

Always worth a rewatch ❤️

“ —What about ‘The Untouchables’? —I don't rate that at all. —Despite the ‘Academy Award’? —That means f*ck all. It’s a sympathy vote.” —Ewan McGregor as Mark Renton ft. Sick Boy—

From the first scene, Transpoitting throws me into the mess—Renton running, that wild “Choose Life” speech, and suddenly deep into a world of drugs and chaos life. Smart direction, smarter writing—Danny Boyle. The script just.. genius IMO. Wild but controlled. Love it! 

Satire, but brilliant. And that line about The Untouchable Academy Awards? Hilarious and kinda true. The comedy—Super dark, super smart. I was laugh at the most messed-up moments and then feel weird about it—and that’s exactly the point. That toilet scene? Unforgettable 🤢🤮

It’s just… RAW! 

"You do realize that there are dozens of people on the plane looking to kill you, right? And I'm the only person that needs you alive." —Josh Hartnett as Lucas Reyes—

Okay! Josh Hartnett is back again 🔥
The movie feels like ‘Bullet Train’ but in the sky—fast, loud, stylish, and kinda dumb in the best way—let’s call it Bullet Plane! 

It’s wild ride, funny, bloody, tense, stylish. 
Hartnett totally carries the movie. He’s cool, confident, and honestly, super fun to watch. Ever since Trap (2024), I’ve been waiting for his real comeback, and this feels like it. Dude’s still got it. Also, this movie doesn’t try to be deep or serious. It just wants to entertain—and it really does. Great pacing, cool action. I was smiling and cheering the whole time 🙌🏻

And that ending—definitely teasing a sequel. And yes, I’m 100% so excited.

“All you need is good people. Just good people [>English].” —Jürgen Prochnow as Captain Lieutenant 'Der Alte'—

Funfact :
[I watched ‘Das Boot’ after catching a wild recommendation from Tom Hanks (yes, Tom Hanks playing a late-night video store guy!) in Freaky Tales (2025)—he told Pedro Pascal to watch it, so I took that personally. And man… what a recommendation 😭 Absolute hit my expectations.]

Trust me. I was not ready for the emotional rollercoaster this film dragged me through. It’s tense, claustrophobic, raw. I feel the pressure in my chest from the moment they dive, and it doesn’t let up. Every silence feels dangerous. Every explosion shakes my heart.

“There’s this one moment—Werner looking at that photo? He’s already halfway broken, and that shot just crushed him. I can see the despair in his eyes. That scene hit me hard.” 

The cast? Full of tears. 
Everyone feels real. 
Jürgen Prochnow as the Captain “Der Alte,” Herbert Grönemeyer as Lieutenant Werner, and our MVP : Klaus Wennemann, the Chief Engineer—Amazing performance, truly intens.

The ending? DAMN! Broke me till now.
Thought it was over—relief. Then no—the hope. Then it slaps me with reality. 
Just brutal 😭💔

It’s not just a war film—it’s psychological warfare.

***I watched the full 3.5-hour director’s cut and honestly? It felt like I couldn’t breathe. Claustrophobia turned cinematic.***

“It’s not impossible. Nothing’s impossible. If anything in this life is certain, if history has taught us anything, it’s that you can kill anyone.”—Al Pacino as Don Michael Corleone—

Two legends, two timelines—one rises, one falls.
‘The Godfather Part II’ hits harder than the first.

I didn’t expect to love this film more than the first, but I really did—It’s more emotional, more painful.
Al Pacino gives a chilling performance as Michael, a man who wins every battle but loses his soul. He delivers one of his coldest performances ever. Robert De Niro as young Vito is pure charisma. Quiet, cool, calm, dangerous. He nailed the screen without needing many words. Idk but his performance here reminds me of Christian Bale in ‘American Psycho’—mix of charm and hidden danger.  I’ve seen De Niro in ‘Taxi Driver’ and ‘Heat’—where he fight with Al Pacino. But here, as young Vito Corleone? Pure class. 

He deserved that Oscar-Best ing Actor🏆

By the end, I’m not cheering. I’m just…speechless. That last shot of Michael sitting alone in silence?🔥
It’s not just about crime,
It’s about FAMILY 💔

This film hurts in the best way.
Heartbreaking!

“… hate is baggage. Life’s too short to be pissed off all the time. It’s just not worth it.”—Edward Norton as Derek Vinyard—

More than just being brutal, it’s about how people can change. Edward Norton is seriously amazing in this movie—just as great as he was in Fight Club (but yeah, Fight Club still tops it for me). 

The movie brings up some heavy, sensitive stuff—racism, hate, and violence. Some scenes are pretty intense (I was low-key shocked at the prison shower scene), but that’s the reality it wants to show.

Norton’s performance as Derek really pulls me in. The way his character changes throughout the film is so strong and believable.

Definitely not an easy watch, but a powerful one.

“…, only don’t tell me you’re innocent. Because it insults my intelligence. Makes me very angry.” —Al Pacino as Don Michael Corleone—

[Let’s start with this] : 
To be honest, I’ve been trying for years to avoid spoilers of what The Godfather is really about. I just wanted to experience it. And WOW ! About a quarter into the movie, it finally hit me—this is why it’s a masterpiece.

Al Pacino’s character arc in The Godfather is one of the most powerful I’ve ever seen. Michael Corleone starts as soft-spoken son—transformed into a cold person at the end. Damn! And that final moment when Al Pacino explodes at his wife? PEAK CINEMA.

The core conflict is so interesting, so tense, and so incredibly well-built. It’s political, personal, and never lets you go. I really love it. Every bit of it—The pacing and the dialogue. And the acting? Pure amazing. I’ll be watching Part II very soon.

Dark, political, tragic, powerful, unforgettable ❤️

“Hold on! No f*ckin' way! You f*ckin' notice this? I got f*ckin' shot! I got f*ckin' shot in the face! I went and got the f*ckin' money. I got shot f*ckin' picking it up! I've been up for thirty-six f*ckin' hours! I'm taking' that f*ckin' car! That f*cker's mine, you f*ckin' asshole!” —Steve Buscemi as Carl Showalter—

Yeah! Joel Coen and Ethan Coen again! 😭❤️
You’re seriously my fav directors. “Inside Llewyn Davis”, that one is actually in my top 4 Coen-Brother films on Letterboxd. Might just it soon. 

So cozy to watch from start to finish, just visually soothing. No wonder Fargo’s color grading felt familiar—Inside Llewyn Davis mentioned. And the opening music? Totally eyegasm. That melancholic score + the quiet snowy town—It all blends perfectly into the film’s atmosphere—cold, but beautiful. 

This one is got all the dark-comedy-drama, a messed-up kidnapping, blood, tension—but what really hooked me was the script. The dialogue is smart but chill, never trying too hard. And the humor? Super low-key but seriously funny. s McDormand nails it, no surprise. And man, Steve Buscemi, William H. Macy, and Peter Stormare? They absolutely killed it. Great script + amazing acting.

Oh, and the snowy views? So good. Just makes everything look cooler—but warm. 

Loved it! ❤️

“Part of me was afraid of what I would find and what I would do when I got there. I knew the risks. But the thing I felt the most, much stronger than fear, was the desire to confront him.”—Martin Sheen as Capt. Benjamin Williard—

Just amazed—i can’t believe something this realistic and intense was made in 1979. I don’t think this is just about a war movie. There’s something deeper, more madness, and good purpose.

The first hour is straight-up war chaos, especially in the way Captain Willard delivers his thoughts. It feels like every line is loaded with meaning. And when Colonel Kurtz finally shows up, he’s more like a cult figure than a soldier.

Every part of the film—cinematography, sound-design, make-up—is next level. It all blends in perfectly with Coppola’s vision. The Director really knew what he was doing.

A wild journey!
Memorable ❤️

“I missed our music. Not us. And you don’t love me, okay? You love the past. And it was great—it was. But it’s gone now. It’s time to grow up, Chris.” —Carey Mulligan as Nell Mortimer—

Another folk music movies—yup, still into it.
After A Complete Unknown, this one came at the right time. Still got that charm. Kinda like The Banshees of Inisherin but more beachy vibes. The landscapes?—Breathtaking. The coastline, the waves, the quiet beaches, the sunsets—so damn pretty and peaceful. Warm and melancholic. ❤️

It’s about “memory and innocence”. Tom Basden plays the emotionally character, Carey Mulligan is quietly heartbreaking, and Tim Key? Man’s a mystery—so innocent. Unreadable. But unfortunately, the emotional punch don’t always land.

Not Inside Llewyn Davis level, but pretty good.
Chill and worth a watch.

“I need more morphine, man. It’s not enough. I’m telling you, it’s not enough.” —Joseph Quinn as Sam—

One place, One mission.
Two squads, Two wounded soldiers.

A24 Alex Garland’s movie! Truly intense.
It definitely reminded me of Saving Private Ryan—but let’s be honest, “SPR” still stands on another level. Spielberg’s film had an emotional weight and sharper character. Warfare 2025 isn’t quite there, but it does have its own edge. It’s tighter, more focused, more about the ticking clock than the war itself.

The cast lineup?—Gorgeous and talented. Will Poulter’s leadership are awesome. Joseph Quinn as Sam is raw—his pain, especially during that moaning moment, hits like a punch.D'Pharaoh Woon-A-Tai as Ray brings steady, quiet strength, especially when he tends to Sam. That emotional beat? Totally got me. 

The tank bomb at minute 40? Brutal. The “Inaudible moment”—pure tension 😭 And the “Morphine morphine morphine” chaos was wild—made my chest tighten.

Well..
The set-up is simple, but the tension? It builds fast and hard. The sound-design and editing are just spectacular! Some beats felt familiar—war tropes we’ve seen before—but there’s heart in this.

“Listen to the click. Just listen to the click. You know, those shit’s not real. The click is real. The click is real. That’s good. Here.” —Jeffrey Dean Morgan as Ed Deerman—

Negan—sorry, Jeffrey Dean Morgan—is back! He shows up not with a baseball bat this time[☠️😂]but playing Ed Deerman, a retired security guy who teams up with Jack Quaid—who plays a man struggling with intense hallucinations—to solve a kidnapping case. Wild combo, but it works.

The movie’s got a cool concept, solid pace with 90 minutes duration and honestly? It’s executed pretty well. Nothing too groundbreaking, but it keeps me interest. Jack Quaid is seriously great here—this might be one of his best performances. And Morgan? Total pro. The chemistry between them is the soul of the film, and it really carries the whole thing.

“Cops? Useless HERE. As always.”

With themes like “Mental Health and Human Trafficking”, Neighborhood Watch still feels like a solid, underrated thriller. Definitely a 2025 thriller I’d recommend!!!

“I found myself in a pretty messed-up situation not long ago, and somebody I really trusted ended up being somebody totally different. And for a long time people were getting hurt. Really good people were getting hurt, and I.. I stayed silent and I didn’t say anything, and then I finally did.” —Brandon Sklenar as Henry—

Doesn’t do anything new—but honestly, it’s delivered in a way that still feels fresh. The concept feels good enough and entertaining. The story surprised me more than I expected. It seemed predictable at first, until it wasn’t—in a good way. It balances tension, romance, and light thrills.

Meghann Fahy as Violet is absolutely stunning and effortlessly charming, while Brandon Sklenar as Henry brings charisma and warmth that makes him a perfect match for her. Their chemistry glows on screen ❤️

And that ending landscape? Gorgeous! I couldn’t stop staring. I liked this one more than I thought I would.

“Well, well, well. Now that’s extremely interesting. This is a terrific piece of information. This could change my life.” —Benedict Cumberbatch as Henry Sugar—

🏆 ACADEMY AWARDS FOR BEST SHORT FILM (Live Action)

Wes Anderson does it again—with stunning property sets, stunning color composition, and magical touch that only he can deliver. His loyal actor (Ralph Fiennes, Dev Patel, etc.) returns, but Benedict Cumberbatch steals the show—super engaging and nails the role in every scene.

The storytelling is stylish, but sometimes it talks more than it needs to—like reading a beautiful illustrate book out loud for too long. Still, Part 1 (Henry Sugar) and Part 4 (Poison) are clear standouts—tense and brilliant. The other part/segments, while slower, are still rich with Anderson’s style.

Loved the cinematography—The Grand Budapest Hotel vibes—and amazing frame that every scene feels like a painting. Hard not to appreciate the effort, even when it gets a bit slow.

“Every decision, every day. But I failed you both. And you don’t seem to need the things I thought I was giving you.” —Paul Rudd as Elliot—

Entertaining? A bit. 
Memorable? Not really.

Death of a Unicorn is totally A24 nonsense—mostly empty. Jenna Ortega’s cool as ever, Paul Rudd does his charming chaos, and Will Poulter gets a chance to shine. It ends up with a weird joke and no punchline. Fun at times, but forgettable fast.

“Bob, I’m here. You’re not alone. We’re here. You’re not alone. [DAMN! That really triggered me!😭] ” —Florence Pugh as Yelena Belova—

—[What the hell, Marvel?!!
Normally, I came for action, not to unpack trauma. 
But now I’m crying over a superhero’s backstory.]—

MARVEL IS BACK!!!
Thunderbolts* truly hit me harder than I expected. Every single cast : Florence Pugh as Yelena Belova; Sebastian Stan as Bucky Barnes; Julia Louis as Valentina Allegra de Fontaine; Lewis Pullman as Robert Reynolds; David Harbour as Alexei Shostakov; Wyatt Russell as John Walker—The New Avengers member gave a phenomenal performance—no weak here. 

I was surprised that the film talked about mental health in such a deep way, especially through Bob/Sentry. His story really made me cry multiple times. It was that powerful.

The comedy was perfectly timed, never overwhelming the emotional beats. And the action? It reminded me of the intense and realistic action in Captain America: The Winter Soldier—real, strong, and satisfying.🔥

Also, that scenes of realm-jumping dark void reminded me so much of Moon Knight! Oscar Isaac a.k.a Marc Spector 🤝🏻 Lewis Pullman a.k.a Bob Sentry. Yeah, it gave that kind of vibe — emotional and intense.

F4 i’m coming!!!!

“Sedikit demi sedikit engkau akan berteman pahit luapkanlah saja bila harus menangis.” —Prince Poetiray as Don—

Jumbo is a beautiful and emotional film. The animation and emotion makes me feel truly alive. The facial expressions are so powerful—they speak more with her eyes than words. A unique love story, full of heart and love.

Makin Maju Animasi Indonesia ! ❤️🤍

“…, I’m just a movie guy. I don’t know much about sports, but it’s pretty obvious the brooms are coming out tomorrow. Can’t win ‘em all I guess.” —Tom Hanks as Hanks, Late Night Video Store Owner—

Classic Movie Here!! ❤️

Set in 1980s Oakland, Freaky Tales is wild and chaos. It tells four connected stories—this is the unique concept. Pedro Pascal are cool. He kills it in Chapter 3.—my fav part— It’s the most intense part of the movie. Absolutely real and full of emotion.

Honestly, the film is strange and not always clear—but it keeps me watching. Far from perfect (it’s messy IMO), but that’s what makes it cool.

‘Hey, So what’s number one?’ 
Tom Hanks owes me☠️

“No, no, no. The real crime is that this city is full of poor people, but The laws are made by rich people for rich people. It’s sick!” —Bill Skarsgård as Eddie Barrish—

This movie doesn’t just build suspense—it traps you in it’s tension. Bill Skarsgård delivers a brilliant performance (yes, a Pennywise’s performance without the makeup 💀), while Anthony Hopkins truly steals every scene he’s in.

It’s not just about survival—it’s about love, sacrifice, and the bond between a broken father and a lost girl. Their connection gives the chaos real weight, making every second hurt ❤️

Love the concept!
CLAUSTROPHOBIC from start to finish.

“I’m going to be honest with you, alright? She will not get out of this f*cking city alive. Not without my help.”—Tom Hardy as Walker—

Despite Gareth Evans being known for brutal action, the film feels slow and stuck. The family subplot between Walker, his wife, and his son feels unfinished. It’s a shame the plot gets messier. A wasted opportunity.

On the bright side, the brutal, bloody fight scenes are a definite highlight. Tom Hardy gives a solid performance, although he sometimes feels like a little too close to Eddie Brock from Venom (😭)

“Hey! Y’all need a pilot?” —Mark Wahlberg as Pilot Darly—

Mark Wahlberg’s performance isn’t bad—he actually shows some solid emotion. The story is really basic and feels like it’s building up to a twist… but it doesn’t quite get there. Still, the tension works well enough to keep things engaging.

Nothing special, that’s all.

“You’re on the payroll too?” —Jason Statham as Levon Cade—

Just like most Jason Statham movies, the fight scenes are cool, but the story is pretty weak. There are a lot of plot holes and things that don’t really get explained. It gets boring at times, but still kinda fun to watch if you just want some simple action.

“If I were you, I’d keep my eye on doc. He seems pretty upset.” —Clint Eastwood as Frank Morris—

Unlike The Shawshank Redemption, which is full of emotion and friendship, this one is cold and silent. Still, it builds strong tension. The ending doesn’t give answers, but it leaves a deep feeling—like freedom was possible, even in silence.

Clint Eastwood 🙏🏻💯🔥

“Go on, kid. Blow your whistle. Nah, really. Give it hell. I won’t hurt you. [blows weakly]. Go outside. Catch your breath.”—Jacob Fortune-Lloyd as DS Whiteman—

Think 11.22.63 (James Franco’s Series), but with a British style and a bit of Dark (Jonas Kahnwald’s Series) time-travel madness—that’s what Bodies bring to my mind. 💯

One dead body. Four different years—1890, 1941, 2023, and 2053. Four detectives are trying to figure out what the hell is going on. It’s full of sci-fi twists, emotional drama, and good mystery that kept me thinking from start to finish.

DS Whiteman’s story was the most emotional for me—strength, powerful, and full of struggle. Easily my favorite timeline. And Stephen Graham?—As always, He was on another level—intense every time he showed up. MY FAVOURITE ACTOR!!! 🔥

The line :
“Know You Are Loved.” At first, it’s just a message—but by the end, it’s everything.

WHAT AN AWESOME SERIES! ❤️

“Do you know what it’s like to wait your whole life to meet someone? Someone who changes everything? Who finally gives your life meaning? —Jack Quaid as Nathan Caine—

Well, Novocaine blends action and comedy with the full of absurdity. The action is wild, the jokes feel rushed and don’t always hit.—imo.

Jack Quaid (yes, from The Boys Series) did it well.

“The world doesn't know it, but they're counting on you. Good luck, Ethan.” —Henry Czerny as Eugene Kittridge—

Finally made it to the latest (and nearly final) chapter of one of the biggest action franchises out there. A bit late, maybe—better late than never.

The action hit hard. Knowing that Tom Cruise really did that motorbike cliff jump without a stunt double— That man is unstoppable.

Grace (Hayley Atwell) and Gabriel (Esai Morales). They bring something fresh to the story and balance out Cruise’s performance so well. But… poor Ilsa. I didn’t expect that. It hurts to see her go, and it’s kinda sad that her death is used just to give Ethan more reason to keep going.

I’m just glad I got to be part of this amazing franchise. Seeing Tom Cruise run, jump, crash, and fly through all of that action-pack at 62 y.o—it is just insane. Respect it 🙏🏻

Anyway!
That Final Reckoning trailer just dropped and… WOW. It looks absolutely cinema! All of the vibes and tension—it’s like they’re going all out for the grand finale. And with a $400M budget? Fantasic!
I’m hyped already.

Hopefully the final chapter delivers everything we’ve been waiting for. 

🎬❤️ Final Reckoning. May 23. In cinemas.❤️🎬

“That’s the job. You don’t get to choose when it stops.”—Henry Cavill as August Walker—

First time watching this (or maybe second or third—I’ve started it before but never finished), and… I get the hype now!! It’s 2.5 hours long but never feels slow—full of action, a surprising emotional twist, and Henry Cavill absolutely adds a fresh and intens level up to the franchise. That’s why it’s a favorite for so many people 🔥

The emotional moment hit when Julia appeared near the end. Didn’t expect that—it broke me a little. And Henry Cavill? Born to play this role. So f*cking intimidating! And that bathroom fight? One of the most iconic Punch-Vill scenes!! 🎬

Also I couldn’t believe that rooftop run-scene—knowing the funfact that Tom Cruise broke his ankle mid-jump and finished the scene. DAMN! Absolute legend!

Fallout doesn’t just impress—it connects. ❤️

“Shoes. Shoes, please.” —Rebecca Ferguson as Ilsa Faust—

Effortless. Iconic. But not without her heels. ❤️

Alright. 
This is my first watch, and honestly? This is better than Ghost Protocol. Also noticed something fun: It gave me the same feeling as the jump from Die Hard 2 to Die Hard with a Vengeance—still the same universe, same chaos, but everything feels more cleaver, smarter, and more fun.

Rebecca Ferguson’s introduction as Ilsa Faust, kicks everyone’s ass in heels, and makes you question her loyalty to Ethan Hunt.

Tom Cruise? Love, death, charming
Gets in a brutal car crash, and still same? Okay. Superhuman. LEGEND!

Next mission: Fallout!

No mask.
No backup.
Just pure chaos and one panic scream :

“More fan! More fan! More fan!” —Jeremy Renner as William Brandt— 🤣

Even on a rewatch, Ghost Protocol still has me holding my breath. No matter how many times I’ve seen it. From the chaotic prison break to that insane Burj Khalifa-climb?—still give me anxiety and feel like a nightmare.

And Tom Cruise? 
Carrying the whole movie on his back—risking his life so we don’t have to think about plot holes. 👑

And Sawyer?—LOST SERIES FANS, STAY STRONG— 
Damn! Dying in 5 minutes? Still hurts.

“I get it. It’s all punishment. Our entire life’s a goddamn punishment. All for pressing that button when I was five.” —Robert Pattinson as Mickey 17 aka Mickey Barnes—

Die, wake, repeat.

Happy Death Day but in space and more sadness. Mickey dies for the mission—Tree grows stronger with each loop. But Mickey? He just grows more lost. It’s about being used, and then slowly forgetting who you are—Pure tragic! So sad!

Robert Pattinson carries all that weight with this quiet sadness. He becomes every version of him. The anger, the fear, the scariest—it’s all there in his eyes. I can feel that pain. He doesn’t just die—he suffers, clone by clone, day by day. What a performance, Pattinson.

Give that man another Oscar, please. 👑

“Look, all brothers don’t know how to shoot guns, you racist motherfucker!” —Samuel L. Jackson as Zeus—

Hey!
No—Yippee-ki-yay!—again? ☠️

Just finished the Die Hard trilogy with Die Hard: With a Vengeance and I’m honestly surprised by how much this story got me.

The pacing? Awesome. 
The riddles? totally Sherlock-core. 
It really gave me Sherlock vibes—especially the chemistry between John McClane and the villain, Simon. He is literally the Moriarty-type—intelligent, smart, smug, always one step ahead, and fun-evil!!

And let’s talk ‘bout Samuel L. Jackson as Zeus—What a perfect match for Bruce Willis. Their chemistry, the way they solved the riddles, and the phone booth scene?—Pure tension! Absolute cinema!

Compared to Die Hard 2, this one is way more engaging, more exciting, and just smarter. It totally deserves the higher rating.

4/5—Sure, no “Yippee-ki-yay,” but I’ll still give you four stars. 

“The only people that go to this much trouble are professionals, not luggage thieves and not punks!” —Bruce Willis as John McClane

Yippee-ki-yay, Airport edition!

Did I enjoy the “Just like the first one, but in an airport” vibes? POSITIVE!
John McClane is back and the universe said:
“What if we gave him less space and more snow?”
Oh come on, dude. McClane deserves a break, and I deserve a sequel where he finally gets one.
Unlogic, irrelevant plot, but 100% Bruce Willis’s vibes. And the villains are totally jacked.

There’s a snowstorm, there’s gunfire, there’s an explosion, there’s an iconic line—
Yippee-ki-yay—
BOOM.
FIRE.
HEART.

This movie doesn’t make sense.
But it explodes so loud 🔥❤️

3.5/5— kept 4 for the ✨cinematic chaos✨.

“After you get where you’re going, take off your shoes and socks. Then you walk around on the rug barefoot and make fists with your toes.” —don’t ask me who came up with that—

Yippee-ki-yay!
So yeah, I watched Die Hard because President Cal Bradford (aka James Marsden in Hulu’s Series called: Paradise Season 1) told me to. I know, I’m that easy to persuade. But honestly? I just needed to hear that line with my own ears. And yup—it totally delivered. 🔥🎬

Turns out he was right—Die Hard slaps. 
This isn’t just an action movie—it’s the action movie!
Bruce Willis climbs through vents, with a tank top, while Alan Rickman’s Hans Gruber is the kind of villain who steals the scene. Peak villain vibes.

Explosions. Christmas. A Skyscraper? It’s iconic and classic! And—Die Hard kinda reminded me of Heat—they both have that raw, cool energy.

4.5 stars because McClane didn’t get a pair of shoes the entire film. Justice for his feet 🙏🏻

“Now I don't mind what you two did. You saved lives. But don't ever fuck with my marriage again.” —Cate Blanchett as Kathryn St. Jean—

Wow!
Can’t believe that Michael Fassbender and Cate Blanchett deliver powerful performance! REALLY LOVE THEIR CHEMISTRY. Naomie Harris, Regé-Jean Page, and Pierce Brosnan were remarkable good actors.

Overall this “Black Bag” is worth to watch, especially for those who enjoy psychological thrillers. The film is strength rests in the precision and depth of its dialogue, which drives the narrative forward.

“Yes, it was an accident, Petey. But you are not a mistake. I’m so glad you’re here with me. You’re very precious to me.” —Theo James as Hal Shelburn—

Adam Scott > Theo James 
Severance > The Time Traveler Wife

Well, now, I just want to know how the Monkey did it. I mean “THE NIGHTMARE” 🔥

And yes I cried more than once! 😭

Stephen Graham Supremacy 💯
ONE TAKE SHOT like BOILING POINT 🔥🤯❤️
What an unbelievably show. 
Really amazing acting. 
Truly impressive

1. Stand by Me
2. Superbad
3. The Shawshank Redemption
4. Shaun of the Dead
5. The Banshees of Inisherin
6. The Lord of the Rings: The Fellowship of the Ring
7. The Lord of the Rings: The Return of the King
8. Hot Fuzz
9. Dead Poets Society
10. The Nice Guys

...plus 10 more. View the full list on Letterboxd.

Men’s mental health in film — clone list from George Carmi

• Ad Astra
• Aftersun
• Another Round
• Beginners
• Blade Runner
• Blade Runner 2049
• Bo Burnham: Inside
• C'mon C'mon
• The Conversation
• Cool Hand Luke

...plus 32 more. View the full list on Letterboxd.

1. Adolescence
2. The Ballad of Wallis Island
3. Mickey 17
4. Thunderbolts*
5. Black Bag
6. Warfare
7. The Gorge
8. Drop
9. Locked
10. Jumbo

...plus 25 more. View the full list on Letterboxd.

• Thunderbolts*
• Captain America: Brave New World
• Kraven the Hunter
• Deadpool & Wolverine
• Guardians of the Galaxy Vol. 3
• Ant-Man and the Wasp: Quantumania
• Thor: Love and Thunder
• Black Panther: Wakanda Forever
• Doctor Strange in the Multiverse of Madness
• Eternals

...plus 5 more. View the full list on Letterboxd.

1. Top Gun: Maverick
2. Triangle of Sadness
3. RRR
4. Everything Everywhere All at Once
5. The Batman