memories of safety in the arms of a seat bigger than yourself, idle awareness of a moment ing. preoccupied maybe, but inhaling and exhaling seconds, stasis, the certainty in a moment. a snapshot of the temporary mundane which, fortunately or not, cannot contain an entire life. i may enjoy thinking about this more than watching it but the vacuousness of its spaces and the stimuli within will linger for a long while—i have sat in this chair as many people

every single archive
compressed into a second
all with us here
as i wake you up

really really hot. has the dream of being 35 with a stable career and prepping and hosting psychosexual dinner parties with your coworkers ever been realized this succinctly? did i even know i needed that until watching this? i don’t really know but god do i desperately #needthat. plot is fodder for mind games but who cares, spies are sexy and so is doing anything for the person you love

how strange the moon seems! she is like a woman rising from a tomb. she is like a dead woman. one might fancy she was looking for dead things.

among many other things that sing for me here, i’m just such a slut for exploring the evolution of digital texture; from the first moment seyfried’s reflection caresses an ipad screen as she video phones her aging mother i moved upright and remained there through its 720p aughts opera recordings, 90’s vhs home videos, and vertical iphone footage. but to reduce this to just its formal successes would be a disservice to the sweeping emotion wrung out by egoyan and seyfried (with assistance from oscar motherfuckin wilde and richard strauss ofc)—this is the kind of contemporary work i long for from auteurs from the pre-big tech era of north american cinema, bursting with ideas on every aspect of our confounding modern life (iphone, podcast, airbnb, cancelations, etc) that aren’t really driving the film but inserted with tact and respect for its audience. but all of that is second to the gaping, twisted crevice of a heart at the center of it, a backdrop as seyfrieds’ sense of self crumbles. revival and tribute are just excuses to rip wounds wide open and allow infection to grow within, subversion is a merging of identities. thought about the shrouds a lot during this in its attempts to grapple with the present with a head in the past (and their exceedingly canadian auras lmao). the lesbian subplot had me rolling

kinda like peep show in space until it kinda becomes veep in space

they’re bringing the body out!!!!!!! woooo!!!!!!!!!!!!

i love being so deeply unfathomably in love your wife Milla Jovovich and edgy 12 year old boy sensibilities as much as the next queer person, and genuinely adore anderson’s Monster Hunter (2020) and Pompeii, but the lack of narrative momentum or coherency here and deeply ugly look just completely alienated me outside of a few choice bits. i like the american industrial/twisted catholicism/fairy tale aspects of the dystopian landscape here, but the piercing brown sludge-like look of every shot, largely captured in the most frustratingly shallow focus for budgetary reasons, really was unbearable for the headspace i was in watching it. while theoretically i liked the particular mix of aesthetic influences in this, a lot does feel owed to mad max fury road, and as that films’ own prequel learned last year, if you make people think about one of the best looking films of the 21st century without matching up to it you’re gonna catch some flack. this shit really got under my skin though, like it is 100% my deep hatred of the trend of shallow focus as cg masking but i know WS is more of a stylist than this, his last movie looked great, he should not have a film that has me thinking about Zach Snyder’s self-shot Army of the Dead positively in relation to it. the beating heart of his iration for his collaborator and muse is maybe rawest here than it’s ever been (which is saying something) and i find that quite beautiful, but its been explored in better looking, better paced, more interesting films. i’m a Lover so it really pains me not to get into what is essentially a fairy tale with the color palette of resident evil 5 (the game, not the much better film) about how your wife is so badass she can take down organized religion and the government but sometimes something is made so fully for a few people and it’s okay if you’re not one of them. also it’s insane that his video game movies look like real (absurd, post new millennium) movies and his non-adaptations look like PS3 games. all the train related set pieces in this are cool though, and the political intrigue is broad but you feel the GRRM touch. i don’t know, i feel like a sourpuss for being so down on this but it is just so fucking ugly guys

rebuild backward until infinity, various childhoods revisited through the shifting but consistently fascistic frames of the 20th century onward. i had fun and i think this is kinda fascinating (i have never seen anything gundam related in my life so take this with a grain of salt) but anno brother we need another contemporary live action film stat—revising the old may be the only consistent work in the crumbling halls of mainstream film but surely the man has the cache to push beyond? GQuuuuuuX lmao

insane how much the epidemic of man children (the costumed youth) forced into situations untenable and unprepared for, nestled but disturbed within the backdrop of cold, purposeful-to-the-point-of-purposeless industrialism has only grown and grown and grown in the near fifty years since this released. the goth with the child works at the home depot and shares shrek 5 memes in a state of muted but raging self awareness which overstimulus and financial burden crush, flatten, pave over into numbness without the freedom of silence. none of us are exempt, only striving to be

i am in love with don lee i want to be held by don lee i want him to pick me up and throw me against the roof of a train i want to feel don lee’s big arms around my chest i would do anything to accomplish these dreams of mine

a little stagnant, especially compared to the charm and momentum of the previous films, but i did cry because i love hanging out with that furry bear so goddamn much. olivia colman……one of our finest living actors. not because of anything she does here (though she does sing a whole song about paddington) but because sometimes i would zone out and think about how i want to watch the lost daughter again. 2018 was so long ago but i’m glad someone decided to combine the two bookends of it (paddington 2 and the favourite) into one pleasant little stew. llamas <3333

to consume we must be consumed. is anything ever enough? about as direct a follow up project to end of evangelion as possible: our world may not have faced extermination, but perhaps our humanity has

everyone is so mean to me bc i can’t roll my r’s :,(

found myself completely caught off guard by the final ten minute stretch of this, which begins with, after months of having swapped bodies, our protagonists return to their binary forms, only for the boy (kazuo) to immediately turn his back on the girl (kazumi) who spent that time in states of suicidal paralysis and fear and take a twenty three second celebratory standing up piss. this is not out of place with the sensibilities of the film prior, which blends relatively broad gender comedy with harsh portrayals of adolescent cruelty and tender moments of blooming youthful cognizance, but the coldness and length of the moment has lingered with me for weeks still. the more pressing aspect of this finale comes after, where kazuo’s family moves out of onomichi (obayashi’s hometown) and onto another chapter of their life, forcing kazuo and kazumi to say goodbye to each other just as they had come to fully understand their bond. throughout this farewell, they refer to each other as “me.” “goodbye, me,” they wish each other in his bedroom, a room that trapped and isolated her, a room once littered with film paraphernalia, now barren. narratively kazumi has become both freed from crisis and excommunicated by kazuo and the film itself, transitioning into a symbol of onomichi, of a phase of femininity, of a life left behind. as kazuo’s family takes off in their moving van, she chases it, while kazuo films until the hooks of their bond cannot bare any longer, and she putters out, looks around, and wanders off, growing smaller and smaller on the boy’s 8mm black and white film.

“goodbye me.”

while kazuo as kazumi ends up with more dedicated screen time during the bulk of the film, this is largely due to narrative drive, where kazumi as kazuo falls into an unrelenting depression caused by her physical imprisonment and disappears for a period—regardless, they feel well balanced before this final ten minutes. to pivot so hard into these assertions of masculinity, reestablishment of control in juxtaposition to her, it felt tinged, knowing, personal. as if something unspoken and maybe unseen had been abandoned in onomichi, abandoned in the face of a cruel, grade school boy led world. what obayashi’s intentions with this finale were don’t really matter to me; through my stupid, queer eyes, the image of giving up on your female “self” as you roll frame after unblinking frame on her pursuit is so cynical it reads as The Fabelmans for a trans-questioning post-war teenager. i don’t expect anyone to think this takeaway is “accurate” by any means; rather, all this extraneous, belabored summarizing was for the purpose of attempting to put to page (i pray not for the final time, considering i wrote all of this in five minute chunks on my phone at work) the reasons i will be thinking of the final shot of this slight comedy until the day my final muscles cease to function and my consciousness evaporates from the earth. i just hope at some point in that time i find a finer way to express the entirety of what it means to me.

where are the bananas........

this was my art school experience tbh

I want to summarize memory. I know that to summarize memory is the most important task in the world. I know that if I do not do this I will die. […] Memory is an organization of what I . I write to organize what I ; I write to disorganize what I have organized. Memory has no “proper” organization: disorganization is re-organization. Disorganization (reorganization) inspires me to what I have organized and how I have organized it. To organize what you have already organized is to disorganize it; to disorganize is to reorganize. Through this disorganization, I can re- my original memory. My memory includes my re-memory; my re-memory includes my memory. To re- is to ing. To re- is to . 

 At our ultimate moment, our memory is our life’s work.

lovers reduced to paper, that paper to pixels, for light moves on an uncompromising path towards the end of existence

kinda the greatest movie ever made

Watched on Wednesday December 18, 2024.

“i thought jack the ripper disappeared ten years ago, when did he become chinese?”

i have the same dream, every night…….

"and death shall have no dominion - dylan thomas" - steven soderbergh (2002)

was not particularly prepared for this to be as plugged into the modern teen americana as it is; perhaps i can blame it on the gap between soderbergh's theatrical releases, but two dudes born in 1963 are theoretically not supposed to be this acquainted with the pressures and nightmares of the iphone high schooler, naturalism be damned. then again, what has truly changed in the ensuing years? a home cannot be obtained without some form of amoral dealings or existing wealth, yes, but the dark heart of the neglected male, the incestous nature of isolation, the ostracization of the non-conformists, these have been simmering below the suburban soil since the colonization of this country–the only difference now is their exacerbation in specific areas. as all modern soderbergh projects, this is more an exercise in immersion within the contemporary than an out and out treatise on them, but i still walked away pretty stunned at what it was willing to prod at and for how long it stared unblinking at the squirming infestations beneath our uniform suburbia. i think the cinematography here is brilliant, even if in technical means it boils down to running around a house with a steadicam; it's all in the use of that perspective, the feeling of witnessing something you shouldn't and inhabiting a lens you feel so close to controlling yet (seemingly) unable to influence. between this, nickel boys, and anora, cinematic point of view and its relation to character agency is hot hot hot–maybe i'll have more coherent thoughts on that at some point, maybe the moment has ed. really took me awhile to feel like i had anything meaningful to add to this (i still don't think i have) as what doesn't speak for itself takes a sort of long form probing life has not provided me the opportunity for. the movie rocks tho

to beat upon the drums of death knowing that one day their artistry will outlive the evils of nationalism that co-opt and consume all great accomplishment, all feats, all progress. the music begins instantaneously, momentum established, the viewer propulsed, and cannot relent until the scale of the horrors schemed on and stemming from America's tainted, blood soaked soil has been vibrated into each of their hearts. i can see where some would find the largely textual and music based form of information relay here to be video essay esque, particularly in some of the aesthetics of the text, but to me the scope of this collage and exhaustive use of source audio and materials break through and reach far beyond the flaccid, lifeless and anti-revolutionary infographic style and culture, to the extent it could be argued any aesthetic similarity is to critique and elevate. the rage felt during my viewing of no other land persisted here but alongside it were waves of empowerment, of art and unity and will banding together to lift and instill a never-diminishing fire in the crowds both depicted and bearing witness. i suppose this arose during no other land as well, but the unresolved and actively worsening nature of the palestinian genocide smothered those moments of triumph, where here the sheer weight and scale of the civil rights movement on the horizon is used to keep the revolutionary spirit alive, in spite of the unrelenting, despicable, and soulless actions of the C.I.A. if nothing else, they make a good pairing in depicting the forms evil manifests in the not so distant past and present. long live the legacy of patrice lumumba, through music, through communities, through spirit, through our collective power. may his dream become reality within my lifetime!!!!

i’ve never felt more angry in my life than i did watching this. i wish it was unfathomable to me that a force this purely evil exists within our miracle of a world but unfortunately i am a citizen of the united states. some dudes sat next to me five minutes before it started with individual bags of popcorn (i cannot imagine eating during this) and performatively gasped and reacted to every little thing to the extent i had to get up and move further back. i’ve never done that shit before!! not to mention bro had to take a pic of the first few frames on his phone for social media posting ofc; this country has such a rotten culture and i can’t stand it any longer, we gotta get a general strike to happen in the next two months or i might crumble to ash. anyway, to critique the structure or pacing of this feels pedantic—i don’t think it’s perfect, largely due to the pervasive qualities of its lead perspective, but i do think it’s the ideal document for the current moment, a work of intense actualization and mobilization that especially at month seventeen of the (current iteration of the) genocide is deeply deeply necessary and rage inducing. in the face of all we’ve had to witness not even two months into this year, i personally found it deeply inspiring to be reminded where our voices need to be used and directly focused. be loud, never surrender never give up, burn in hell fascists. the ineffective nature of a letterboxd review proclaiming this is not lost on me, but a voice raised is a voice raised regardless. the palestinian flag is such a glorious symbol, may it wave forever!!!!!

pop-art masterpiece? i guess this isn't common consensus so idk if it's just that this is the second obayashi i've seen or what but i found the mixing of his experimental, expressionistic special effects and heart-on-sleeve emotional leanings with a more mass appeal narrative structure to be really powerful, largely through of his focus on recurring images and the mental weight of external and internal expectation. plus there's so much love here, love carrying people through time and the cosmos and the infinite slight variations on either. cried at a close-up of people holding hands, searching through each others scars. the final time travel stretch? to through time is a repetitive dismissal of the comforts of the past, whether we're willing or not. also that tall boy was HOT and they really should just have the english title for this be the girl who leapt through time (the subtitles for the title card read as such!!) even though that refers to multiple different movies, idc like i am not saying i watched "the little girl who conquered time" those are not words that will ever leave my mouth

abominable. at least theme park rides still have some sense of creative input, even if it’s just “we should put a drop here so people jump!” did not jump or move or smile or gasp or react to anything over the 90 minutes i watched of this (walked into a dolby showing after one of them days, i don’t think i could morally justify even an a-list ticket used on this especially after seeing moana 2). just two hours of uncanny safari themed wallpaper, broken up by the musical stylings of a truly defeated and broken lin manuel miranda and seth rogan’s live action pumba, maybe the most detestable character ever put to film. only artistic merit is from the (likely overworked and underpayed) animators, who seem to have truly studied lion anatomy for hours and hours and hours and it payed off: where every piece of context failed to spark even the idea of life from a mute audience, my eyes could not look away from the false skin and fur pinching and loosening against invisible, intangible bone. i would have watched this team earnestly present their anthropological study and creations to me for this length of time and found joy in hearing their ions; instead their work has been relegated to an excuse for new lion stuffed animals for the gift shop at animal kingdom. i will write long form about this whole nightmare in the near future but needless to say corporate america cannot be reduced to ash fast enough

one of the best looking movies i’ve ever seen? which to be honest is kind of the weir specialty—i had a few flashbacks to the enveloping gold and elemental qualities of dead poets society during my watch, and hanging rock only furthers that connection with nature, elevating it into its own uncontrolled, unknowable force enveloping everyone and everything within it. the central section is spellbinding of course, in all senses of the word, but i really found myself wrapped up in the ensuing fallout more than i expected to be, the futility of manmade systems and rationality being slowly peeled back and revealed in the face of the unexplainable. honestly this is a slice of world you find yourself wanting to come back and sit in, even in its tragedy; swept up in the impossibility of nature despite (and because of) the tree branches in your face, the bugs endlessly swarming around you, the dirt slowly caking and consuming your flesh. probably better exploration of institutional failure than dead poets, though that is the Most Important Movie Ever to a depressed middle schooler. i’ll revisit it one day. <3 a film for those who long to live sprinting barefoot towards the uncharted….

what’s done is done

1. Grand Tour
2. The Shrouds
3. Seven Veils
4. Caught by the Tides
5. The Phoenician Scheme
6. Final Destination Bloodlines
7. Presence
8. Black Bag
9. Mission: Impossible – The Final Reckoning
10. Sinners

...plus 11 more. View the full list on Letterboxd.

1. Moonrise Kingdom
2. The Grand Budapest Hotel
3. Fantastic Mr. Fox
4. Asteroid City
5. The Royal Tenenbaums
6. The Phoenician Scheme
7. The French Dispatch
8. The Life Aquatic with Steve Zissou
9. Rushmore
10. Bottle Rocket

...plus 1 more. View the full list on Letterboxd.

cease and desist, sorry guys

1. A.I. Artificial Intelligence
2. The Fabelmans
3. Schindler's List
4. Indiana Jones and the Last Crusade
5. Lincoln
6. Close Encounters of the Third Kind
7. Jurassic Park
8. War of the Worlds
9. Raiders of the Lost Ark
10. Empire of the Sun

...plus 12 more. View the full list on Letterboxd.

when’s that damn mbv album coming out

1. Do Not Expect Too Much from the End of the World
2. Evil Does Not Exist
3. Hard Truths
4. Nickel Boys
5. Janet Planet
6. Challengers
7. La Chimera
8. Furiosa: A Mad Max Saga
9. Stress Positions
10. Last Summer

...plus 66 more. View the full list on Letterboxd.

idk. seems fine to me

1. Showing Up
2. Priscilla
3. Are You There God? It's Me, Margaret.
4. The Boy and the Heron
5. Asteroid City
6. Enys Men
7. Killers of the Flower Moon
8. Maestro
9. John Wick: Chapter 4
10. Skinamarink

...plus 56 more. View the full list on Letterboxd.

in flux

1. Moonrise Kingdom
2. Mulholland Drive
3. Inside Llewyn Davis
4. A.I. Artificial Intelligence
5. Eyes Wide Shut
6. Speed Racer
7. Rififi
8. Thief
9. TRON: Legacy
10. 2046

...plus 40 more. View the full list on Letterboxd.

we cant keep this going

1. Crimes of the Future
2. All the Beauty and the Bloodshed
3. The Fabelmans
4. TÁR
5. Elvis
6. Three Thousand Years of Longing
7. Decision to Leave
8. Return to Seoul
9. The Novelist's Film
10. Ambulance

...plus 50 more. View the full list on Letterboxd.

👑👑👑👑👑👑👑👑👑👑👑

1. The Village
2. Old
3. Glass
4. Unbreakable
5. The Happening
6. Knock at the Cabin
7. Trap
8. The Sixth Sense
9. Split
10. The Last Airbender

all godly

1. Thief
2. The Insider
3. Heat
4. Public Enemies
5. Manhunter
6. Ferrari
7. Miami Vice
8. Blackhat

   only seen directors cut

9. Collateral

probably the worst list i'll ever make

1. Killers of the Flower Moon
2. The Zone of Interest
3. Maestro
4. Anatomy of a Fall
5. Oppenheimer
6. Poor Things
7. Barbie
8. American Fiction
9. The Holdovers
10. Past Lives

chicken and ranch

1. Zodiac
2. The Social Network
3. The Girl with the Dragon Tattoo
4. Gone Girl
5. Mank
6. Se7en
7. The Curious Case of Benjamin Button
8. The Game
9. The Killer
10. Alien³

...plus 1 more. View the full list on Letterboxd.

the worst

1. Brazil
2. Time Bandits
3. The Fisher King
4. Monty Python and the Holy Grail
5. Fear and Loathing in Las Vegas
6. Jabberwocky
7. Tideland

love da corona

1. Furious 7
2. Fast Five
3. 2 Fast 2 Furious
4. F9
5. The Fast and the Furious: Tokyo Drift
6. The Fate of the Furious
7. Fast & Furious 6
8. The Fast and the Furious
9. Fast X
10. Fast & Furious

WOOOOOO!

1. Annette
2. Memoria
3. The Matrix Resurrections
4. The Lost Daughter
5. The Card Counter
6. Old
7. Wife of a Spy
8. Barb & Star Go to Vista Del Mar
9. In Front of Your Face
10. Malignant

...plus 66 more. View the full list on Letterboxd.

tha peak of film

1. Speed Racer
2. The Matrix Reloaded
3. Jupiter Ascending
4. The Matrix Resurrections
5. The Matrix
6. The Matrix Revolutions
7. Cloud Atlas

king of swag

1. Pan's Labyrinth
2. The Devil's Backbone
3. Pacific Rim
4. Hellboy II: The Golden Army
5. The Shape of Water
6. Crimson Peak
7. Mimic
8. Cronos
9. Nightmare Alley
10. Hellboy

...plus 1 more. View the full list on Letterboxd.

1 and 2 will always go back and forth in my head. none of the others tho

1. Return of the Jedi
2. Star Wars: The Last Jedi
3. The Empire Strikes Back
4. Star Wars: Episode III – Revenge of the Sith
5. Star Wars
6. Star Wars: Episode I – The Phantom Menace
7. Star Wars: Episode II – Attack of the Clones
8. Star Wars: The Force Awakens
9. Star Wars: The Rise of Skywalker
10. Solo: A Star Wars Story

...plus 2 more. View the full list on Letterboxd.

i have to watch don't look up now (UPDATE: jesus christ)

1. The Power of the Dog
2. Drive My Car
3. Dune
4. West Side Story
5. Licorice Pizza
6. King Richard
7. Nightmare Alley
8. Belfast
9. Don't Look Up

Good Dinosaur sucks big dick

1. Up
2. Toy Story 2
3. Monsters, Inc.
4. Coco
5. Ratatouille
6. Toy Story 4
7. Finding Nemo
8. WALL·E
9. A Bug's Life
10. The Incredibles

...plus 15 more. View the full list on Letterboxd.

we are all lost to the seas of time

1. The Irishman
2. Ad Astra
3. Long Day's Journey into Night
4. A Beautiful Day in the Neighborhood
5. The Farewell
6. The Beach Bum
7. Honey Boy
8. Little Women
9. Us
10. Marriage Story

...plus 65 more. View the full list on Letterboxd.

I also could have called this “The Virgin Villeneuve vs. the Chad Wachowskis”

• Cloud Atlas
• Blade Runner 2049

it is happening again

1. Lovers Rock
2. Da 5 Bloods
3. Monster Hunter
4. David Byrne's American Utopia
5. The Last Dance
6. Let Them All Talk
7. The King of Staten Island
8. Mank
9. First Cow
10. Another Round

...plus 43 more. View the full list on Letterboxd.

Not that it matters but if you wanna know

• The Irishman
• Little Women
• Marriage Story
• Once Upon a Time... in Hollywood
• Parasite
• Ford v Ferrari
• 1917
• Joker
• Jojo Rabbit

how did this happen

• Justice League
• Call Me by Your Name
• Star Wars: The Last Jedi
• Lady Bird
• Blade Runner 2049
• Twin Peaks: The Return
• Thor: Ragnarok
• mother!

Every! Single! Movie! I saw! That was released! In 2018!

1. If Beale Street Could Talk
2. The Rider
3. Hereditary
4. The Favourite
5. Paddington 2
6. First Man
7. Shoplifters
8. Eighth Grade
9. Mission: Impossible – Fallout
10. Aquaman

...plus 54 more. View the full list on Letterboxd.

i'm cracking up

1. The Call of the Wild
2. Brittany Runs a Marathon
3. White Boy Rick
4. Downsizing
5. The Infiltrator
6. Trumbo
7. The Nut Job
8. Parker
9. Liberal Arts
10. Big Mommas: Like Father, Like Son

...plus 10 more. View the full list on Letterboxd.

also his performance is bad

• Interstellar
• Rise of the Planet of the Apes

for anyone feeling down this summer. you are not alone <3

• Call Me by Your Name
• Diary of a Wimpy Kid: Dog Days

get this shit the fuck outta here, unranked but The Lorax might be genuinely the worst movie ever made

some are more reprehensible than others obviously

(I made this on Christmas Day when I was drunk as fuck, but A Thousand Words pushed me over the edge, I hate movies)

• The Lorax
• Man of Steel
• Star Trek Into Darkness
• Bright
• Bohemian Rhapsody
• Pirates of the Caribbean: On Stranger Tides
• The Danish Girl
• Fantastic Beasts and Where to Find Them
• Deadpool 2
• Insurgent

...plus 17 more. View the full list on Letterboxd.

• Under the Skin
• Pan's Labyrinth
• ParaNorman
• Long Day's Journey into Night
• The Rider
• If Beale Street Could Talk
• Okja
• Mother
• Tekkonkinkreet
• Boy

...plus 15 more. View the full list on Letterboxd.

Katie and Ian go hard

• Reign of Fire
• White Boy Rick
• A Time to Kill
• Ghosts of Girlfriends Past
• Free State of Jones
• The Paperboy
• Failure to Launch
• The Sea of Trees
• Fool's Gold
• The Gentlemen

...plus 11 more. View the full list on Letterboxd.

Movies people on Twitter said to watch before the end of the decade

names of the people who recommended are in the notes

• American Honey

  Kyle Donovan (https://twitter.com/Kylein25fps)

• Margaret

  Laura (https://twitter.com/soIaris1972)

• On the Beach at Night Alone

  Laura (https://twitter.com/soIaris1972)

• High Life

  Laura (https://twitter.com/soIaris1972)

• Holy Motors

  Laura (https://twitter.com/soIaris1972)

• Cemetery of Splendor

  Laura (https://twitter.com/soIaris1972)

• Nocturama

  Laura (https://twitter.com/soIaris1972)

• Happy as Lazzaro

  Laura (https://twitter.com/soIaris1972)

• No Home Movie

  Laura (https://twitter.com/soIaris1972)

• Like Someone in Love

  Laura (https://twitter.com/soIaris1972) and Yijian (https://twitter.com/cuckfiction)

...plus 44 more. View the full list on Letterboxd.

Movies we peepin until halloween hopefully, I have other people with me so this one might actually happen this time

• Suspiria
• Climax
• Eraserhead
• The Evil Dead
• Train to Busan
• The Texas Chain Saw Massacre
• Don't Breathe
• The Night of the Hunter
• The Fly
• House

...plus 35 more. View the full list on Letterboxd.

Movies are all I have left

1. Call Me by Your Name
2. The Shape of Water
3. World of Tomorrow Episode Two: The Burden of Other People's Thoughts
4. Logan
5. Coco
6. Get Out
7. Phantom Thread
8. A Ghost Story
9. Personal Shopper
10. Dunkirk

...plus 39 more. View the full list on Letterboxd.

except one has far more entertainment value

• Interstellar
• Serenity

My plan for July: Finish these, watch all of my horror month movies

Sorry for not doing much the last couple weeks I've been coming down from a rough school year

Also might add stuff over time if I it woo woo

• Dancer in the Dark
• Ikiru
• The Red Shoes
• Dekalog
• Jabberwocky
• Twin Peaks: The Return
• Solaris
• Shut Up and Play the Hits
• Sucker Punch
• Lost Highway

...plus 9 more. View the full list on Letterboxd.

sure

1. The Lobster
2. The Witch
3. Moonlight
4. Hereditary
5. A Ghost Story
6. Ex Machina
7. Swiss Army Man
8. The Disaster Artist
9. The Killing of a Sacred Deer
10. Lady Bird

...plus 2 more. View the full list on Letterboxd.

I love horror movies! However, I've seen like, 5 horror movies! Here's my goal to fix that by at least a little bit by the end of June. Hopefully.

• The Exorcist
• Halloween
• The Thing
• The Fly
• Psycho
• Rear Window
• The Shining
• Rosemary's Baby
• A Nightmare on Elm Street
• The Silence of the Lambs

...plus 26 more. View the full list on Letterboxd.

Suggestions recommended! I stole these from my friends top 10’s and based on what I think I’d like and I’d really hate to love something and not have it in a video of mine

• Mudbound
• It Comes at Night
• Night Is Short, Walk On Girl
• The Lost City of Z
• A Cure for Wellness
• Okja
• Wind River
• Brigsby Bear
• Wonderstruck
• The Beguiled

...plus 12 more. View the full list on Letterboxd.

Facebook/Siri/death/drugs/Google Maps/Freddy Krueger is my new girlfriend

• The Social Network
• Her
• A Ghost Story
• Side Effects
• Lion
• A Nightmare on Elm Street

I stole this from here

this is just for me to keep track on the LB but feel free to spread this cuz it's mighty cool

I guess it's my first hooptober

1. Tales from the Crypt: Demon Knight
2. Gothika
3. Sugar Hill
4. The Girl with All the Gifts
5. The Blood of Jesus
6. Abby
7. Hollows Grove
8. Vampira
9. Shadow: Dead Riot
10. Demons

...plus 21 more. View the full list on Letterboxd.

i'm so mad right now

god I hate this man

• The King's Speech

  Colin Firth

• A Single Man

  superior firth

• Les Misérables

  Anne Hathaway

• Hoodwinked!

  god tier hathaway

• The Danish Girl

  Alicia Vikander

• Ex Machina

  "stabby stab" vikander

Zara called me a chicken, so now I'm doing this

- There is no time limit on the challenge, as long as you complete the challenge you've succeeded, even if it takes you a week or two years!

- You must pick only one film for each 50 categories

- Each film you select must be a film you've never seen, to aid your discovery of new and exciting films!

- Tag each log entry/review + your list with this tag: time wasters challenge

- Most importantly have an absolute ton of fun!

✔️ = watched

Here's her list with all the categories and shit, and I'm excited to go on this...long...journey.

1. Pocahontas
2. The Fly

   science is magic

3. Hamlet
4. Hellboy II: The Golden Army
5. Dragon Wars: D-War
6. Dial: Help
7. District 9
8. Princess Mononoke
9. The Great Gatsby
10. Mermaids of Tiburon

...plus 40 more. View the full list on Letterboxd.

This gonna move around a bunch.

Plus half the movies of the year haven't been announced so

1. The Killing of a Sacred Deer
2. mother!
3. Valerian and the City of a Thousand Planets
4. Only the Brave
5. Mute
6. John Wick: Chapter 2
7. Guardians of the Galaxy Vol. 2
8. War for the Planet of the Apes
9. A Cure for Wellness
10. Baby Driver

...plus 22 more. View the full list on Letterboxd.

GAYYYYYY

• Blade Runner
• Hot Fuzz
• Furious 7
• Fast & Furious 6
• Fast Five
• The Fast and the Furious
• The Fate of the Furious
• 2 Fast 2 Furious
• The Fast and the Furious: Tokyo Drift
• Fast & Furious

...plus 60 more. View the full list on Letterboxd.

Plot is unimportant; all that matters is the trip

suggest me baby

I can't pick between Mad Max versions because they both look so GOOD visually and are different enough in that way that they're both on here

Mulholland Drive is on here for specific scenes only but godDAMN are they good scenes

• Suspiria
• Ponyo
• Fantasia
• Fantasia 2000
• Mad Max: Fury Road
• Interstellar
• 2001: A Space Odyssey
• Mulholland Drive
• TRON: Legacy
• Happy Feet

Friendly reminder: Score and soundtrack are not the same thing!

So like Inside Llewyn Davis has a fantastic soundtrack but there isn't really a score. Sadly I can't put Where The Wild Things On here for that reason. Tron: Legacy is really on the edge for me but I'd say it's a score.

Also this is music that has SHOOK me. Very personal.

1. Requiem for a Dream
2. Suspiria
3. TRON: Legacy
4. The Lord of the Rings: The Fellowship of the Ring
5. Interstellar
6. Moonrise Kingdom
7. The Grand Budapest Hotel
8. Star Wars
9. Creed
10. Pacific Rim

...plus 5 more. View the full list on Letterboxd.

suggestions plz

ALSO IF SOMETHING ON HERE IS INCORRECT PLEASE TELL ME I CANT CHECK EVERYTHING

• Swiss Army Man
• Sing Street
• The Little Mermaid
• Waterworld
• News from Home
• Point Break
• Children of Men
• The Truman Show
• Seashore
• The Lord of the Rings: The Fellowship of the Ring

...plus 9 more. View the full list on Letterboxd.

These little scamps

• Scott Pilgrim vs. the World

  The end doesn't work for me, sorry. "Power of self respect" BITCH HE'S ALREADY A DOUCHEBAG HE DIDNT NEED MORE SELF RESPECT

• La La Land

  Weird John Legend shit

• Kubo and the Two Strings

  Weird line delivery every now and again

• Birdman or (The Unexpected Virtue of Ignorance)

  EMMA STONES FUCKING TWITTER RANT OR WHATEVER IS CRINGE

I cried. You did too, don't lie to me.

• Monsters, Inc.

  I think my basement classifies as a swamp now

• The Godfather
• Moonrise Kingdom
• Fight Club
• Rocky
• Gattaca
• A Talking Cat!?!