It’s safe to say, this lad knew he was film.

I first discovered Dean Blunt through this opera. Dean Blunt’s presence is what I really value in artists who let their work speak for themselves, he is someone who uses whatever he has in his resource to get his message and emotions across, even when he doesn’t have any money or resources. There’s also a big appeal that his work has in satirising the conventions of music. But what I connect to in Dean Blunt’s work and this opera especially…
I have attempted to motivate my penis, educate it, pull it, shape it into an evocative force that could compliment my existence and not humiliate it. Marquis presents one of the most heartfelt cinematic relations, Marquis and his artistically gratifying and ive penis.
If Insect (2018) is Svankmajer's last film, Kunstkamera is his Obituary.
Keeping track of Svankmajer and The Quay's requires one to be of atleast a secretive or fanatical pace. This title popped up within a day, to which I jumped on it, with little information aside from the name of our favourite hermit.
Evans introduced the film, the weight of Svankmajer's legacy crumbling onto him, and all of us ready to see what may be his last film. Or atleast…