Genuinely still rewarding with each rewatch, its craftsmanship revealing new layers every time. A perfect Hollywood movie. Should be taught in high school English classes.

Good precisely because of how average it is. This movie should have come out in April 1997. You’d see the box at Hollywood Video every weekend as you walked the catalog aisles. I wonder if that’s any good. It has people I like in it. I like a good courtroom drama. And that’s what you get: a solid, very-definition-of-workmanlike movie that’s perfectly pleasant and engaging and even a little exciting without ever going above the speed limit or making sudden lane changes. Not remotely in Eastwood’s list of great movies. Comforting nevertheless.
This is great. It's a true spiritual successor to FIRST BLOOD: like that movie, this one is a mix of tense action, escalating stakes, and grim honesty about the dirt in the structures that run the world. These things are not farfetched, or not that farfetched. Small-town cops turning counties into fiefdoms, civil forfeiture a legalized highway robbery, the death of freedom through paperwork and bullshit.
Aaron Pierre doesn't seem to be doing much at first, which is the whole…