Finding herself the victim of a violent monster attack, Jane launches a vigilante campaign to hunt the beast that tried to kill her. Jane's efforts intensify, but her troubling history of drug use and mental illness bubbles to the surface causing her family, community, and authorities to question the authenticity of her . Suddenly alone in her fight, Jane starts to doubt her own memory of the attack...to doubt if Monster exists at all.
Отвоевать ночь, 夺回夜晚, Odzyskać noc, Noční monstrum, Éjjel, Gecenin Kurbanı, Învinge noaptea!, Vítima Noturna
USA USA USA 
UK15 UK15 
16 UK USA
when it comes to horror, pretty much any possible plot/scenario has already been done, so the only way to make your film stand out is to really branch out and give us something that we'll for a long time. you won't get that from this.
Rec by child of Chaos Zay
letterboxd.conexionsite.com/xdude87/
Take back my watchlist
boxd.it/cmQoM
That might have been tasteless.
There will be a lot of talk about sexual assault so discretion is advised.
I've been skimming reviews, which I don't often do before writing these, but something like this I want to get the vibe of what is going on.
This movie is confronting and something this aggressively political is often divisive. And I like to hear the thoughts on both sides. Genreally the vibe I'm getting from the middling scores is that it is too on the nose. Though one reviewer went on about the message being "no one can help you if you are raped." And yeah, but that is…
TAKE BACK THE NIGHT is a call for action in its title that applies to victims of sexual assault and survivors who aren’t believed by society. It’s a film that wears it’s good intentions on its sleeve, and the heavy-hammering of the metaphor could be seen as distracting, it reminded me of the good-will behind the movie that didn’t fully save it for me, but helped me forgive some of the problems with the film.
Jane (Emma Fitzpatrick) is a woman who after a late-night of partying is attacked in a violent manner that evokes images of rape. Before the attack, another male will not allow her to leave the confined alley because he doesn’t like her answer when he…
A woman is attacked by an actual monster after she leaves a party. Noone believes her as she was doing drugs and drinking at the party prior. Which leads us down the all too familar "is she crazy/is she a liar" route. There's an added element of isolation and loneliness as she tries to vlog about her attack but everyone just calls her an attention whore and laughs at her. After another attack by the monster she realizes how alone she really is.
Emma Fitzpatrick makes for an interesting lead. I've seen her in a few films over the years and enjoyed her character in each one. The creature is unique in appearance but thats not necessarily a good thing…
Brutal situation for art gallery artist Jane who comes across this "smog monster" (if the content wasn't unsettling, with tough subject matter from real life horrors facing women, this has the look of something right out of a Scooby Doo or "Supernatural" episode) leaving her badly injured in an alley with her somehow making it to a hospital, a crescent moon scar on her arm. Jane likes to document her life on social media, enjoys a party-hearty kind of night fun, and enjoys the LA scene, but unfortunately that is used against her when retelling of events to a detective have certain deficiencies. The detective's secret lover, a news reporter, sees Jane's attack as a great opportunity for a bump…
Earnest; faltering; gritty; located; low-budget; short; uneven; unsubtle; well-intentioned.
“No means no, motherfucker.”
It is a little shaky in execution and has some real headscratcher moments throughout, but it is a well-intentioned horror movie that tackles a very real issue with sensitivity (unlike The Scary of Sixty-First). The Q&A afterwards showed this was a labor of love, and I respect the creative decisions made in places. I wouldn’t say it’s a great movie, but it’s alright.
Added to:
• 2021 Horror — D Edward Ranks (8 / 23)
• Nightmares Film Festival 2021
I dig what this movie was shooting for and the message it was sending out. It had potential of being more of a psychological horror. But it felt pretty boring in a few scenes.
Gia Elliott makes her directorial debut with this feminist parable that takes an in-depth look into the cultural and political landscape surrounding a mysterious sexual assault.
Emma Fitzpatrick is Jane Doe Does, a semi-famous local artist and influencer who, after a night of chemical and sexual debauchery at a show of some of her artwork, is brutally assaulted by a strange supernatural monster. Going to the police, Jane is met with a barrage of questions about her story, due to her memory being full of holes around the attack. Even worse, her sister begins to question the attack, given Jane’s personal history and family problems of serious mental health issues. And as even the local media descends around the maelstrom…
This was rough due to the sexual assault and trauma and of course no one believing the survivor
In writer-director Gia Elliot's blistering debut, Jane (co-writer Emma Fitzpatrick) is horrifically attacked while she is on the streets alone after hours. Struggling for and to be believed due to her lifestyle and mental health history, Jane sets about seeking her own justice by launching a vigilante campaign.
Streaming now on ARROW.
Eine junge Künstlerin wird nach einer Party überfallen leider möchte ihr so recht keiner glauben
Als ich sah dass das im Zusammenhang steht mit Tiberius Film steht war mein erster Gedanke ob das was wird
Erzählerisch wird das Pferd von hinten aufgezäumt
Glaubt man ihr oder nicht die Karte kann man nicht zu weit übereizen sonst wird es anstrengend für den Zuschauer
Manches war für mich leider ein bisschen zu vorhersehbar als die Schwester sagte dass sie das Wort Monster nicht im Fernsehen sagen sollte wusste ich sie macht es trotzdem und ja es ierte auch so
An der Sache mit der Band Rammstein sieht man nur zu gut dass dies immer noch ein sehr aktuelles Thema ist am besten…
