Que sí, que muy bonita, pero con lo bueno que está Quim Gutiérrez, lo llevas a un resort paradisíaco y ni una escena sin camiseta, y encima es un amargado todo el rato, yo no entiendo. Carmen Machi reina, Yolanda Ramos, siempre serás famosa.

This was much more my thing than Anderson's last few outings. It's no masterpiece, but there's enough plot and feeling to match against the typical oddness. It's slight and not that complex once you strip the convoluted structuring, but it sure is fun to watch. Mia Threapleton is a welcome addition to the cinephile universe.
This truly is everything it was d to be (and more, and differently). The tone-balancing act is truly impeccable and it always works. It's empathetic melodrama, yet brainy and sophisticated. It treats its central topic with the weight it deserves, yet it's entertaining. It's very well crafted and thought out because each of the three pieces of the puzzle work in harmony with the others and that makes the film work so much better: Melton's side anchors it emotionally and…