If Terrence Malick dropped acid and went on an all-night joyride with Shane Carruth filming the whole thing voyeuristically, the resulting film may look something like this. But let's be real here: nothing else looks like this. Sure, SPRING BREAKERS channels certain singular aspects of other films at times, from its Malick-esque whispered voiceovers to the synth score acting as consort to the high-contrast nighttime light shows ala Nicholas Winding Refn, but the film never stops moving, never stop changing.…