My M:I sweet spot. Less interested in long-form storytelling and expanding lore than subsequent entries, and more content to gleefully and mindlessly live inside glorious set pieces than preceding ones. Wild that the franchise's best entry is helmed by a Pixar house director. Fucks so hard.

Puts on a nice slasher dress, but it's covering up a pretty ugly body. ed this being better. Not good, but better. A little more meat on its bones.

Swing heil, bitch.

The deadly olive that shows up on x-ray is a 5-star moment though.