6u532b

Just an incredibly good time. It blends various genres in a way that surprisingly works well together. It's chaotic, entertaining, and truly unique. The originality is what sets it apart. You're not watching it for perfection; you're watching it because it's a lot of fun, and it definitely delivers on that front.

That's not to say it isn't great, because it is. From dual performances that genuinely impress and keep things dynamic, to some truly great practical effects that ground the more absurd elements in a kind of tactile reality, it all just works. It also absolutely nails the feeling of the time it's portraying. The setting, the attitudes, the look of it all. It feels lived-in and authentic without ever getting too bogged down in being “historical.” Then there’s the part about the music, which frankly makes the whole thing so much better. The blues gives it this infectious energy that’s both soulful and raw, something very rare in films like this. It perfectly fits the mood, elevating scenes, underlining emotion, and sometimes just letting the rhythm carry one through the chaos.

It’s also able to do commentary — whether social, cultural, or otherwise — without making it feel like a lecture. It’s present, but never in your face, and that balance is hard to pull off. Sure, there are a few nitpicks I have here and there, maybe a scene that goes on a bit too long, or a tonal shift that doesn’t quite land, but none of it takes away from how much of an amazing experience this film is. It’s wild, confident, and clearly made with love for the concept.

This could’ve been an absolute banger — but instead, it’s just… fine. It doesn’t do anything outright terrible, but it plays things way too safe for such a wild concept. A unicorn in a horror movie? That idea alone is gold. But the film never fully leans into how weird or bold it could be, leaving so much potential on the table. It’s watchable, sure, but you can’t help but imagine the much crazier, more memorable version it could have been. The CGI was also quite distracting, especially in the back half.

The only part of Mountainhead that’s even remotely fine is the performances. Everything else? Just satirical in the wrong way and a truly boring film. It thinks it’s being clever or edgy, but it’s just painfully dull.

I didn’t quite get Boyhood the first time I saw it. It felt distant, maybe even a little aimless. But on this rewatch, something clicked. Every chapter of Mason’s life felt more relatable, more grounded, like I’d caught up to it. In a lot of ways, I saw myself in him this time around, not just in how he looks but in the way he moves through the world. And that’s coming from someone who originally found him kind of dislikable.

I think I’ve made some kind of peace with life since then, and the film reflects that in a way I wasn’t ready for before. It’s still incredibly specific, which might make it hard to fully connect to for everyone, but that specificity is also what makes it stick out.

A film where nothing really happens, and that’s exactly what makes it special. It’s just teenagers being teenagers, floating through one long night, and somehow that turns into something deeply nostalgic. I didn’t necessarily like any of the characters, but the music, the setting, the entire vibe — it all feels instantly recognizable, like a memory from a time I never actually lived through. And that’s the magic of it. The feelings are real, the moments are relatable, and it makes you feel part of something timeless without trying too hard. It's the Linklater magic at its most powerful.

I graduated yesterday. By all s, I should feel excited—ready to embrace the next chapter, proud of the milestone I’ve just ed. But instead, I feel this strange cocktail of despair, numbness, and uncertainty. It’s not that I loved school—if I’m being honest, I didn’t. Not the noise, not the awkward social rituals, not most of the students. But it gave my life shape. It gave me something predictable, something to move through. And now that it’s over, I’m left with nothing to push against, nothing to hold on to. Just this vast, quiet unknown.

In an attempt to make sense of that feeling, I watched The Graduate. On the surface, it’s not exactly a story that mirrors mine—I’m not rich, not entangled in an affair, and not living in late-60s California. But the emotional undercurrent? That, I recognized immediately. The Graduate captured something I hadn’t been able to name: the hollow, drifting sensation of being pushed out into the world before you know how to walk on your own.

And I’ve come to a conclusion. What I’m feeling isn’t strange, or wrong—it’s human. This ache, this confusion, is what happens when the world suddenly stops telling you what comes next. For years, school gave me structure, routine, even a quiet kind of purpose. Now, all of that is gone—and in its place is a silence I don’t yet know how to fill.

But maybe that’s the point. Maybe part of growing up is learning to sit with that silence, to resist the urge to leap into something just for the sake of certainty. The Graduate didn’t offer comfort or answers, but it did offer honesty. It said: yes, this is what it feels like to step off the edge of something familiar. And somehow, knowing I’m not the first to feel this way made the fear a little less suffocating.

Just as brilliant—maybe even better—than the first. The emotion hits harder, the characters grow, and somehow it all still feels effortless and fun. I’ll always have every single one of these movies close to my heart.

Rewatched with my sister. Buzz has an existential crisis, Woody gets jealous and violent, Sid probably needs therapy—and somehow we were both grinning the whole time. Still as brilliant as ever.

This concept simply works. Time loops, memory shifts, chaos theory, it’s the kind of premise that feels tailor-made for something messy and overly ambitious. But this film commits to it with such focus and darkness that it actually sticks to the landing.

It’s soaked in that early 2000s bleakness. Dim lighting, heavy shadows, and the constant sense that something is off. It’s not just dark, it’s disturbing. There's a rawness to the way it handles trauma and consequences that make it hit harder than you'd expect from a movie like this.

This isn’t comfort cinema for me. But despite all that, it works. It really works. The tone, the structure, the escalation. It’s all disturbingly well-executed. That said, as much as I want to give it a perfect score, I just can’t, at least not yet. Maybe I need another rewatch, or some distance. But the fact that I’m this close says a lot.

Palm Springs just makes me happy. It takes the familiar time loop idea and gives it a refreshing twist—funny, sad, romantic, absurd—and somehow pulls it all together without ever feeling like it's trying too hard. It doesn’t go too big, and that’s exactly why it works. It’s not a huge production, and it doesn’t need to be. That smaller, slightly indie feel gives it this intimacy that makes everything hit a little deeper.

I’ve never really been a big fan of Andy Samberg, but I really like him here. There’s a weariness to his character that feels honest, and he plays it with such warmth underneath all the sarcasm. Cristin Milioti is, as always, just a joy to watch. She's funny, vulnerable and sharp all at once. Their chemistry feels lived-in—like two people who actually see each other, which makes the loop concept land in an emotional way rather than just a narrative gimmick.

And maybe best of all: it’s only 90 minutes. No filler. Just this tight, sweet, existential ride that I could rewatch pretty much any time. It’s also one of the best comedies I’ve seen—not just because it’s funny, but because it understands people. It finds hope and connection in the middle of repetition and apathy.

One of the greatest blockbusters ever made. The atmosphere is eerie and unforgettable, the costumes still impress, and the story is smart, bold, and builds to one of the best endings in film history. It’s sci-fi done right. Entertaining, thoughtful, and timeless.

This movie feels like something you shouldn't be watching. Like some lost snuff film that accidentally became an iconic masterpiece. It's dirty, loud, and chaotic but it works. Entirely.

The atmosphere is relentless. You can almost feel the heat, the sweat, the stink of the rotting house. Everything looks decayed and broken, and the longer it goes on, the more trapped you feel. It doesn’t let up, not with the sound, not with the screaming, not with the tension. It’s exhausting.

It’s easy to forget just how well-made it is beneath all that grime. The camera work, the editing, the sound design, it all feels intentional, like it’s designed to make you squirm. And it does. It might look like a cheap horror film from the outside, but it’s one of the most effective, atmospheric horror movies ever made.

This movie has every reason to feel messy—it's a musical about writing a musical, directed by a musical guy, starring a non-musical guy, wrapped in grief, theater, and '90s angst. It should collapse under its own weight.

But it doesn’t. Instead, it soars.

The tone walks a perfect tightrope between chaotic and heartfelt. The mood swings like a pendulum, yet somehow it all lands. The pacing buzzes with anxiety, and the whole thing pulses like a beating heart. Earnest without being cringe, theatrical without being smug. It’s imperfect in exactly the right way.

Boarding school secrets,
time slips through their tender hands
love cut short by fate.

Mission Impossible Ranked

Although I consider it one of the weaker installments in the franchise, I believe it serves as a well-rounded conclusion. It contains many of the elements we love and expect from a Mission: Impossible experience, but it also feels a bit too predictable and caught up in its own web.

Mission Impossible Ranked

I don’t know if this is a "hot take" or not, but I’d argue that this is the best film in the franchise. Perhaps not by a long shot, but definitely by a meaningful margin. The movie is incredibly consistent, at least once you get past the first 15 minutes or so, and everything after that is a blast. It's emotional, it's action-packed, and it's a well-rounded film. I love Hayley Atwell in this, just as much as I appreciate Rebecca Ferguson, Vanessa Kirby, and Pom Klementieff. They all bring an energy to the franchise that wasn't there before. On top of that, the stunts and set pieces are among the best in the series. I feel very tempted to give this a perfect score, but as much as I enjoy the Mission: Impossible franchise, I don't think it quite deserves it.

Mission Impossible Ranked

It features some incredible stunts, impressive set pieces, and memorable character moments. However, I still prefer the previous installment, Rogue Nation. I appreciate how the character dynamics are further developed, and the addition of Vanessa Kirby is a fantastic choice. While the villain remains somewhat serviceable, the political elements of the plot are presented in such an interesting way. The action-packed moments are undoubtedly memorable, and the film has a strong storyline with impeccable narrative progression (i.e., pacing). Nevertheless, I feel it lacks the distinct feel of the previous film and isn't as memorable at every turn, although it still stands out as one of the top installments in the franchise.

Mission Impossible Ranked

I believe this is one of the best films in the franchise. It's so memorable that even five years after watching it last, I can vividly recall every scene. I love the introduction of Ilsa Faust; the villain is also quite serviceable, and there are plenty of spectacles throughout. It’s a fantastic experience from start to finish—it doesn’t overreach, but it includes everything it needs. Finally, I can definitely see why they chose to continue working with Christopher McQuarrie after this one; he really knows how to create a captivating Mission Impossible film, complete with impressive action set pieces and character dynamics.

Mission Impossible Ranked

Many people view this film as a turning point for the franchise, and I somewhat agree. The environments, set pieces, character development, and storytelling are all top-notch. However, claiming that this installment is far better than its predecessors is misleading. It has both its strengths and weaknesses; at times, it can feel a bit slow, while at other moments, it may be overly action-packed. Still, I appreciate much of what it has to offer, much like I did Skyfall in the James Bond franchise.

Mission Impossible Ranked

This film is another enjoyable spy adventure that shares some of the flaws of the second installment while also incorporating many great elements from the first. What sets it apart among the "early" films is the cast. However, it features a bit too much action and not quite enough espionage. Additionally, there is a strange color hue throughout the film. I appreciate how the story and characters continue to evolve, and it's nice to see a new director take on the project.

Mission Impossible Ranked

While it is definitely redundant, messy, and feels like three distinct films in one based on the style. It's a somewhat enjoyable spy adventure. That being said, this is definitely the weakest entry in the franchise, and much of it is either boring or silly. Additionally, the twist reveals involving the masks are becoming an irritation for me, and I didn't there being so many throughout the franchise. I also don't know that having a director known for his action and gunplay sequences direct a film that fits best without those ingredients. The love interest also didn't quite do it for me.

Mission Impossible Ranked

So quintessential that it has spawned an entire, 30-year-old franchise. It has so much going for it. It's incredibly satisfying to see everything in the plan fall into place, where one wrong move can ruin everything, yet somehow they succeed. While it may be a bit more grounded and focused on the spy elements than some later installments, I don’t see that as a significant problem; it’s just a way to craft a film like this. I also believe that De Palma is among the best directors of the franchise; his style, paired with the spy thriller genre, is just perfect.

I believe there is a meaningful story in this film, but it gets lost as it shifts into a narrative focused on straight awakening. Furthermore, the romantic elements lack believability and chemistry, and the writing feels underdeveloped.

What makes this disappointing is that the concept of seeing your older self and adjusting your decisions based on the hypothetical outcomes is fantastic. Unfortunately, the rest of the film fails to live up to that idea.

I found Megan Park's directorial debut, Fallout, to be much more enjoyable than this film. While I do think the production value is solid and the cast, especially Aubrey Plaza and Stella, is impressive, the positives do not outweigh the pervasive sense of disappointment I feel.

Yes, the concept is worse, the killer uninspired, and the characters archetypical. But in this day and age, I don't think you can expect a slasher any better than this. This does not mean I liked it, because I didn't, but I don't understand the overwhelming hate for this, especially when refraining from considering its place in the Fear Street franchise.

The kills are mostly good, and the writing is generally better than before. However, the comedic undertones are more prevalent, and it feels very similar to the horror films that came before, in a bad sense. Overall, it's another mediocre experience. I don't know why I was expecting anything more from this franchise.

A decent installment, surely better than the first, and it would be better than the second had it not been as confusing in its casting, where the same actors play other characters, but they still have the same characteristics. The level of writing and filmmaking is also at pretty much the same level, so that’s consistency—good. However, I haven't personally liked any particular installment, so I didn't really like this one either.

It's a nice homage to late 70s horror, but I still think it has a lot of problems. The writing is better this time around, and I prefer how this fits into the trilogy. I might almost even say I liked this, but I'm not entirely sure that is true.

Predictable and clichéd, but simultaneously stylistic and enjoyable enough as a slasher. It also captures the vibe of the era well, and the characters aren't as abhorrently horrible as I imagined they would be. However, the writing was still ultimately bad, so I really don't know where I'm at with this.

A great coming-of-age film, represented by an environment that feels lived-in and features characters that feel real. Mud has a history that isn't immediately apparent, and as his past endeavors and mistakes are gradually revealed, we see a different side to him. I believe McConaughey excels in roles like this, where he embodies a sense of mystery while still feeling like a fully fleshed-out character, rather than just an archetype. It is the atmosphere that drives the film home; perhaps it’s the southern, almost primitive society, or maybe it’s the way the characters are portrayed, but something breathes life into this film, and I loved that.

Still really contemplative and brilliantly made.

From one side, I can see how this could be an interesting insight into a more realistic portrayal of the suffering of Jesus Christ, but there was nothing here that kept me hooked. I hate to say I was bored by something, but here, boredom is really the only way to describe it.

I'm not religious, and I've never been, so these stories have always been just stories for me. Where most religious tales are reflective and engaging, I'm looking for something unique or interesting, and here, the unique aspect is suffering, and the interesting aspect is bloodshed.

From a production point of view, I think it's also lacking, especially when comparing it to the rest of Gibson's filmography. It feels like a play; the sets don't feel real, the characters feel too neatly picked, and another thing I dislike mentioning is that the language barrier doesn't help.

Overall, I don't think this is a great film, and it certainly doesn't resonate with me. However, I think that certain religious people might find it amusingly close to the source material, and others might find it interesting due to its gruesome portrayal of the story, so it isn't completely without merit.

This is no gathering of pious sisters, but a congregation of carnality, where pride, lust, and wrath walk hand in hand beneath the cross. In the shadowed halls of the convent, desire festers beneath vows meant to bind the flesh, and visions become weapons wielded to claim power and control. The sacred is cloaked in sin, and the line between holiness and heresy grows ever thinner with each whispered prayer and stolen touch.

Pride crowns false prophets, lust consumes innocence, envy commences jealous fires, and gluttony feeds a hunger beyond appetite. Wrath ignites in sudden violence, while sloth stays in whispered deceits. At journey’s close, the boundary between sanctity and sin grows thin, a fragile veil worn by faith and frailty alike.

Just brilliant all the way through, and a damned good time everything-wise as well. I just love the atmosphere, style, script, and performances. Really, there is nothing here to complain about, and I don't have much more to say than that.

The pacing here was just really inconsistent, and the story beats were missing that umph. Otherwise, I think it was pretty good, especially the concept and themes at the center of it.

I honestly don't blame Richard Gere's character in this. Between this and Streets of Fire, Diane Lane is undoubtedly one of the most beautiful actresses that I know. Also, an interesting thought: this was similar but also the complete opposite of Fatal Attraction, which was interesting. Actually surprisingly good, all things considered.

I went into this skeptical, and the beginning didn't convince me, but as it progressed, it just got better and better. I think that the cast here is brilliant, and although they are quite typical, the combination of roles brings something unique to the film without making it feel redundant or unnecessary. However, although I think the concept of having the central characters grow up together and exploring their separate and unique familial relations is interesting, I believe that part could have been executed better. Still, this was thoroughly intriguing, quite memorable, and unique in its typicality.

A really tense experience; I love the way it takes place in one location and pretty much in real time. Sydney Sweeney manages to express the human mentality in that moment of consequential distress. The little nuances also add to the experience, such as the censored parts. If there is one thing I don't like about it, it would be whenever it goes pretty much psychedelic, but mostly this was great.

I'm surprised to say I didn't hate it. In fact, I didn't hate it at all; I actually kind of liked it. I recognize the flaws in the writing and the predictable nature of it all, but the comedy is there, and then there is also the aspect of Sydney Sweeney and Glen Powell, which should be taken into consideration.

This was, indeed, super bad.

Wow, this still holds up on a rewatch. It's so perfectly and unapologetically 80s (through a 50s environment) in a way that I can't help but ire. The concept is fun, the performances are a bit stale but good nonetheless, and the music segments are unforgettable. It's easy to say something has style over substance, but when the style is the substance, you get this result, and it's glorious all the way through.

This could have so easily been just another failed teen film, but it managed to be so much more than that. I'm really happy that more and more films are discussing and exploring the psychology of young people, whether it be through disorders, bad mental health, or something similar. This one manages to do that so well.

Above everything, it is humane; because of the OCD, the main character has to navigate life differently than a typical person would. It all feels so authentic. Sure, the dialogue, upon closer examination, might not be the most authentic, but the atmosphere, emotion, and themes are relatable, whether you have experience in the subject or not, and that's what I love most about it. It's also light on the romantic part, prioritizing the human aspect of it all, and I think that was important for a story like this. On top of that, the editing and directing were brilliant, and Isabela Merced really sold the character.

A really unconventional romcom in one sense—it starts off depressing, they don't meet until more than halfway through the film, there is no kiss scene, and you can't possibly know if their relationship will end up well in the long run. Yet, it works so well. In the end, it's not a favorite, but another one I really like and wouldn't be opposed to rewatching.

The best version of a film like this. It makes effective and believable use of a real-life story with not a lot of leeway. I like how each part is implemented.

From his confident, careless attitude—enjoying solitude—to the shocked and hopeful state he’s in when first trapped, until he begins to lose his sanity.

Then the way he starts hallucinating, regretting past decisions, and emotionally breaking down. When he becomes desperate to escape, he is determined to do whatever he can and mentally prepared to do what is necessary.

And then, once he escapes, the way he feels relieved, reborn, and grateful, in a state of mind where he begins to value personal relationships more. It’s a story that is niche, that you’re not going to live through, yet it holds humane themes that are relatable and a character progression that is implemented incredibly well.

Even though the film becomes a bit redundant in the third act and requires some suspension of disbelief, it was an overall great watch. It has that classic 90s tone, which is surprising considering it was released in 2005, but I believe that really works in its favor. The performances play a crucial role in making or breaking the film, and in this case, they mostly made it. It's suspenseful without being overly intense, predictable yet not too obvious, and relatable without feeling too realistic. This combination makes it an easy watch and also a film that's friendly for rewatching. I was not disappointed.

Another great action film. Surprisingly, this is the first Patrick Swayze film I’ve seen. The idea of surfing during breaks and robbing banks for work doesn’t sound half bad. And while it’s not a perfect film, it captures a particular mood, style, and tone that makes it feel worthwhile.

Brutally cool! It reminds me a lot of both Blade and Supernatural. The worldbuilding is brilliant, and the cast is amazing. While some of the dialogue and effects may seem cheap, I believe that adds to what makes the film incredible—its tone. I went into this expecting mediocrity, but I ended up finding a new favorite. This is what I love about film (and Keanu Reeves).

This film is still nothing short of incredible. It's truly one of my all-time favorites. Packed with everything you could want from an action movie: explosions, chemistry, tension, Sandra Bullock, and Keanu Reeves in one of his coolest roles. The action sequences, including thrilling moments in an elevator, on a bus, and in the subway, are also unlikely to be topped by anything else like it.

This film puts a fun twist on the tale of Romeo and Juliet. While it almost veers into parody at times, I managed to overlook most of that and focus on the comedic, more family-friendly elements, appreciating it for what it is. Above all, I just love Kaitlyn Dever and Isabela Merced, and I think their respective roles are well implemented. Overall, it's a lighthearted, slightly modernized take on one of the greatest love stories ever told.

I wouldn't necessarily call it a great film, nor would I consider it a remarkable experience. However, it is an artistic piece that manages to showcase the humane sides of animals with such prowess through impressive and inspired animation. The result is not only beautiful but also spellbinding.

This film is brilliant on several levels while still retaining the artistic style of anime that many people appreciate. I usually advocate against this genre, and here it works incredibly well. The concept itself is compelling both thematically and narratively, where the characters swap bodies but do so at different times, allowing them to live a day as the other person as long as they are asleep. This is further complicated by an incident that disrupts their connection.

The animation and visual storytelling are also quite beautiful. There isn’t anything that detracted from my enjoyment, no strange in-world objects that made me dislike it. However, the way the film was written leaves me with mixed feelings. While it mostly works, it includes several exposition dumps in the dialogue, where one character explains concepts or ideas that are meant to be used later. I find this frustrating because it diminishes the film's rewatch value. Still, overall, it's one of the better movies of this style.

This is what I mean by true visual storytelling. The concept and story are executed exceptionally well with this art style. And while the narrative may not be deeply complex or thematically profound, it is often witty and engaging, offering something truly unique. The visuals are also clean and clear, making it easier to immerse oneself in the story and appreciate what it has to offer, rather than getting bogged down by vague elements that don't fit into the world.

For the year of 2025 I'd like to:

1. Watch 365+ Films
2. Review Every Film Watched (even if it's just a sentence or two)
2. Reach a Total of 2000 Feature Films Watched
3. Make a Definitive Top 100 List of my Personal Favourite Movies (after 2000 films watched)
4. Have a Director Review Series With a New One Every Month, Totaling in 12 Director Feature Filmographies Finished
5. Finish Watching Every Oscar Best Picture Winner

Schedule / Planning:

January:
Director Series ( Quentin Tarantino )
Best Picture Winners Watch through (First Half)

Febuary:
Best Picture Nominees 2025 Watchthrough
Best Picture Winners Watch through (Second Half)

March:
Oscar Winner for best picture watched (Anora)
Director Series (David Lynch )

April:
Director Series (Steven Spielberg)

May:
Director Series (Park Chan Wook)

June:
Director Series (Linklater)

July:
Director Series (wes Anderson)

August:
Director Series (robert eggers)

September:
Director Series (Lars Von Trier)

October:
Spooktober 2025
Director Series (Tim Burton)

November
Director Series (Jaques demy)

.

1. Blue Velvet
2. Thelma & Louise
3. Constantine
4. Come and See
5. Ben-Hur
6. The Bridge on the River Kwai
7. The Apartment
8. Rocky
9. The Best Years of Our Lives
10. Hamlet

...plus 123 more. View the full list on Letterboxd.

1. Sinners
2. The Gorge
3. Companion
4. Final Destination Bloodlines
5. Novocaine
6. The Ugly Stepsister
7. Mission: Impossible – The Final Reckoning
8. Mickey 17
9. Death of a Unicorn
10. The Electric State

...plus 6 more. View the full list on Letterboxd.

1. Mission: Impossible – Dead Reckoning
2. Mission: Impossible – Rogue Nation
3. Mission: Impossible – Fallout
4. Mission: Impossible
5. Mission: Impossible – Ghost Protocol
6. Mission: Impossible – The Final Reckoning
7. Mission: Impossible III
8. Mission: Impossible II

1. We Live in Time
2. Heretic
3. Turtles All the Way Down
4. Young Woman and the Sea
5. Nosferatu
6. Conclave
7. The Brutalist
8. Flow
9. Abigail
10. A Complete Unknown

...plus 69 more. View the full list on Letterboxd.

Review Series 7

1. The Dark Knight
2. Batman Returns
3. Batman & Robin
4. Batman Forever
5. Batman
6. Batman Begins
7. The Batman
8. The Dark Knight Rises

1. Final Destination
2. Final Destination 3
3. Final Destination 5
4. Final Destination 2
5. Final Destination Bloodlines
6. The Final Destination

1. Decision to Leave
2. The Handmaiden
3. Oldboy
4. Lady Vengeance
5. Sympathy for Mr. Vengeance
6. Stoker
7. t Security Area
8. Thirst

My Favorite Films of 2022

1. Decision to Leave
2. The Banshees of Inisherin
3. The Fabelmans
4. Top Gun: Maverick
5. All Quiet on the Western Front
6. Avatar: The Way of Water
7. Aftersun
8. The Fallout
9. Everything Everywhere All at Once
10. RRR

...plus 12 more. View the full list on Letterboxd.

1. Mulholland Drive
2. Blue Velvet
3. The Straight Story
4. Twin Peaks: Fire Walk with Me
5. Wild at Heart
6. Lost Highway
7. The Elephant Man
8. Inland Empire
9. Dune
10. Eraserhead

1. Schindler's List
2. Casablanca
3. Titanic
4. Amadeus
5. Ben-Hur
6. The Sound of Music
7. Gladiator
8. The Lord of the Rings: The Return of the King
9. The Bridge on the River Kwai
10. How Green Was My Valley

...plus 87 more. View the full list on Letterboxd.

1. Conclave
2. The Brutalist
3. I'm Still Here
4. The Substance
5. A Complete Unknown
6. Nickel Boys
7. Dune: Part Two
8. Wicked
9. Anora
10. Emilia Pérez

2024 in Review
Total Films Logged: 436 Films (Let's Get That To 500 Next Year!)
Total First Watches: 250 Films
Most Rewatched: None
Favorite First Watch: Another Round
Least Favorite First Watch: Imaginary
--
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Goals
For the year of 2024, I'd like to:
1. Watch 365+ films ✓
2. Review every logged film ✓
3. Have genre months (e.g. Spooktober) ✓
-----------------------------------------------------------
For this list:
1. Only first watches ✓
2. Ranked from best to worst (subject to change) ✓
3. Only movies: no documentaries or shorts ✓
Note that this list isn't complete or fully realized until the end of the year. ✓
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1. Another Round
2. Dancer in the Dark
3. Babylon
4. Streets of Fire
5. Palm Springs
6. Frailty
7. The Nightmare Before Christmas
8. Wristcutters: A Love Story
9. Army of Darkness
10. Love Actually

...plus 240 more. View the full list on Letterboxd.

Review Series 2

1. Return of the Jedi
2. Star Wars
3. Rogue One: A Star Wars Story
4. Star Wars: Episode III – Revenge of the Sith
5. The Empire Strikes Back
6. Star Wars: Episode II – Attack of the Clones
7. Star Wars: The Last Jedi
8. Star Wars: Episode I – The Phantom Menace
9. Star Wars: The Force Awakens
10. Solo: A Star Wars Story

...plus 1 more. View the full list on Letterboxd.

1. Once Upon a Time... in Hollywood
2. Reservoir Dogs
3. Kill Bill: Vol. 1
4. Inglourious Basterds
5. Death Proof
6. Django Unchained
7. Pulp Fiction
8. The Hateful Eight
9. Kill Bill: Vol. 2
10. Jackie Brown

2023 in Review
Total Titles Watched: 396 Films
Total First Watches: 281 Films
Most Rewatched: Tick, Tick... Boom!
Favorite First Watch: Mulholland Drive
Least Favorite First Watch: The Fog (Remake)
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1. Mulholland Drive

   100%

2. The Handmaiden

   98%

3. Wild Strawberries

   95%

4. Decision to Leave

   96%

5. Three Colours: Red
6. Persona

   97%

7. Eyes Wide Shut

   94%

8. Amadeus
9. Fanny and Alexander

   96%

10. In Bruges

    94%

...plus 271 more. View the full list on Letterboxd.

1. Wild Strawberries

   98%

2. Fanny and Alexander

   94%

3. Persona

   97%

4. The Seventh Seal

   94%

5. Winter Light

   92%

6. Autumn Sonata

   85%

7. Scenes from a Marriage

   79%

8. Summer with Monika

   77%

9. The Virgin Spring
10. The Magician

    66%

...plus 4 more. View the full list on Letterboxd.

1. Schindler's List
2. Jurassic Park
3. Raiders of the Lost Ark
4. Hook
5. Indiana Jones and the Last Crusade
6. The Fabelmans
7. Saving Private Ryan
8. The Adventures of Tintin
9. Jaws
10. Catch Me If You Can

...plus 11 more. View the full list on Letterboxd.

My definitive ranking of the Halloween franchise.
Review Series 8

1. Halloween
2. Halloween III: Season of the Witch
3. Halloween Kills
4. Halloween
5. Halloween II
6. Halloween 4: The Return of Michael Myers
7. Halloween II
8. Halloween: The Curse of Michael Myers
9. Halloween
10. Halloween Ends

...plus 3 more. View the full list on Letterboxd.

Review Series 6

1. Spider-Man
2. Spider-Man: Into the Spider-Verse
3. Spider-Man 2
4. Spider-Man: Across the Spider-Verse
5. Spider-Man 3
6. The Amazing Spider-Man
7. Spider-Man: Far From Home
8. The Amazing Spider-Man 2
9. Spider-Man: No Way Home
10. Spider-Man: Homecoming

+ Jurassic World
Review Series 5

1. Jurassic Park
2. Jurassic Park III
3. Jurassic World
4. Jurassic World Dominion
5. The Lost World: Jurassic Park
6. Jurassic World: Fallen Kingdom

Including the non EON produced films
Review Series 4

1. Casino Royale
2. GoldenEye
3. Goldfinger
4. No Time to Die
5. From Russia with Love
6. The Spy Who Loved Me
7. Dr. No
8. For Your Eyes Only
9. Licence to Kill
10. Moonraker

...plus 17 more. View the full list on Letterboxd.

Review Series 3

1. Planet of the Apes
2. Escape from the Planet of the Apes
3. War for the Planet of the Apes
4. Beneath the Planet of the Apes
5. Dawn of the Planet of the Apes
6. Kingdom of the Planet of the Apes
7. Rise of the Planet of the Apes
8. Conquest of the Planet of the Apes
9. Battle for the Planet of the Apes
10. Planet of the Apes

Review Series 1

1. Harry Potter and the Prisoner of Azkaban
2. Harry Potter and the Deathly Hallows: Part 2
3. Harry Potter and the Chamber of Secrets
4. Harry Potter and the Philosopher's Stone
5. Harry Potter and the Goblet of Fire
6. Harry Potter and the Deathly Hallows: Part 1
7. Harry Potter and the Half-Blood Prince
8. Harry Potter and the Order of the Phoenix

This is essentially a way to explore many of the classics within the horror genre. Since finding a perfect order is difficult, I decided to follow the release date approach, starting with Frankenstein (1931) and ending with In a Violent Nature (2024). The goal is to watch one horror movie each day, sticking to the list to celebrate the season and gain a sense of how horror filmmaking has evolved over time. There are no rewatches in this list, so by the end of the month, I’ll have seen 31 films I’ve never watched before.

I plan to make this an annual tradition. Last year, I did something similar with Spooktober 2023, though the list was less organized and mostly made up of rewatches, which is a big contrast to this year.

1. Frankenstein
2. The Haunting
3. Onibaba
4. Rosemary's Baby
5. The Wicker Man
6. Black Christmas
7. Carrie
8. Dawn of the Dead
9. Invasion of the Body Snatchers
10. My Bloody Valentine

...plus 21 more. View the full list on Letterboxd.

1. Friday the 13th Part VI: Jason Lives
2. Friday the 13th: The Final Chapter
3. Friday the 13th Part 2
4. Freddy vs. Jason
5. Friday the 13th
6. Jason X
7. Friday the 13th Part VII: The New Blood
8. Friday the 13th Part III
9. Friday the 13th Part VIII: Jason Takes Manhattan
10. Friday the 13th

...plus 2 more. View the full list on Letterboxd.

1. Christine
2. The Thing
3. Halloween
4. The Fog
5. In the Mouth of Madness
6. Escape from New York
7. Big Trouble in Little China
8. Escape from L.A.

31 horror flicks in 31 days. Both first watches and rewatches.

1. Freddy's Dead: The Final Nightmare

   Watched on the 1st (first time)

2. Deep Red

   Watched on the 2nd (first time)

3. Final Destination 3

   Watched on the 3rd (rewatch)

4. Hellraiser

   Watched on the 4th (first time)

5. Suspiria

   Watched on the 5th (rewatch)

6. Alien: Covenant

   Watched on the 6th (first time)

7. Jason X

   Watched on the 7th (first time)

8. Clock

   Watched on the 8th (first time)

9. Fresh

   Watched on the 9th (first time)

10. You're Next

    Watched on the 10th (first time)

...plus 21 more. View the full list on Letterboxd.

1. The Texas Chain Saw Massacre
2. The Fly
3. Scream
4. Gremlins
5. The Phantom Carriage
6. Twin Peaks: Fire Walk with Me
7. A Nightmare on Elm Street
8. The Witch
9. Alien
10. The Thing

...plus 232 more. View the full list on Letterboxd.

DreamWorks is an animation studio that I have a love-hate relationship with. On one hand, they have some of my favorite films in their collection, but on the other hand, they have produced some movies that I absolutely despised. It's quite fascinating, really. I'd say Disney is probably the only studio that could be compared to them, with really high highs and low lows.

1. The Prince of Egypt
2. How to Train Your Dragon
3. Kung Fu Panda
4. Megamind
5. Shrek 2
6. How to Train Your Dragon 2
7. Kung Fu Panda 2
8. Puss in Boots: The Last Wish
9. Shrek
10. How to Train Your Dragon: The Hidden World

...plus 35 more. View the full list on Letterboxd.

1. Eyes Wide Shut
2. Full Metal Jacket
3. Paths of Glory
4. 2001: A Space Odyssey
5. Barry Lyndon
6. The Shining
7. A Clockwork Orange

Pixar is one of the most successful animation studios, and for good reason. They have always had a quality to them and there are very few that I'd say that I dislike. In fact, I'd argue that they have released some of the best and by extention some of my favorite animated films. So, I'm definately thankful for not only what the films gave me during my childhood but also what they continue to give me.

1. Up
2. Ratatouille
3. Toy Story 2
4. Finding Nemo
5. Monsters, Inc.
6. Toy Story
7. WALL·E
8. Toy Story 3
9. Toy Story 4
10. Soul

...plus 17 more. View the full list on Letterboxd.

The following is a ranked list of all Disney animated pictures, including those of shorts collections. However, the ones that contain shorts will not receive a rating, as shorts and documentaries are difficult to assess fairly since they are quite different from feature films. That being said, I will have them in my ranking, but I think of those as much more objectively placed than the others.

1. Aladdin
2. Tangled
3. Lilo & Stitch
4. Beauty and the Beast
5. The Lion King
6. Treasure Planet
7. Mulan
8. Fantasia
9. Wreck-It Ralph
10. Moana

...plus 52 more. View the full list on Letterboxd.

1. The Lobster
2. The Killing of a Sacred Deer
3. Poor Things
4. The Favourite
5. Dogtooth
6. Alps
7. Kinetta

1. Prisoners
2. Sicario
3. Arrival
4. Blade Runner 2049
5. Dune: Part Two
6. Dune

1. Past Lives
2. The Zone of Interest
3. May December
4. Spider-Man: Across the Spider-Verse
5. Guy Ritchie's The Covenant
6. The Boy and the Heron
7. Anatomy of a Fall
8. Poor Things
9. Guardians of the Galaxy Vol. 3
10. Saw X

...plus 57 more. View the full list on Letterboxd.

1. Pirates of the Caribbean: The Curse of the Black Pearl
2. Rango
3. Pirates of the Caribbean: At World's End
4. Pirates of the Caribbean: Dead Man's Chest
5. A Cure for Wellness
6. The Lone Ranger

1. The Handmaiden
2. Decision to Leave
3. Oldboy
4. Sympathy for Mr. Vengeance
5. Lady Vengeance
6. Stoker
7. Thirst

1. Notorious
2. Vertigo
3. Psycho
4. North by Northwest
5. Rebecca
6. The Birds

1. Ed Wood
2. Batman Returns
3. Edward Scissorhands
4. Sweeney Todd: The Demon Barber of Fleet Street
5. Alice in Wonderland
6. Corpse Bride
7. Batman
8. Charlie and the Chocolate Factory
9. Beetlejuice
10. Dumbo

...plus 1 more. View the full list on Letterboxd.

1. Gladiator
2. Blade Runner
3. Alien
4. Kingdom of Heaven
5. The Martian
6. Napoleon
7. Alien: Covenant
8. The Last Duel
9. Robin Hood
10. Prometheus

...plus 2 more. View the full list on Letterboxd.

1. Fargo
2. Inside Llewyn Davis
3. The Big Lebowski
4. No Country for Old Men
5. The Tragedy of Macbeth

1. The Irishman
2. Taxi Driver
3. Casino
4. Shutter Island
5. The King of Comedy
6. Raging Bull
7. The Wolf of Wall Street
8. The Departed
9. GoodFellas
10. The Last Temptation of Christ

...plus 16 more. View the full list on Letterboxd.

1. Inception
2. Interstellar
3. Tenet
4. The Dark Knight
5. Oppenheimer
6. Dunkirk
7. Memento
8. The Prestige
9. Batman Begins
10. The Dark Knight Rises

...plus 1 more. View the full list on Letterboxd.

1. Thor: Ragnarok
2. Guardians of the Galaxy
3. Captain America: The First Avenger
4. Guardians of the Galaxy Vol. 3
5. Guardians of the Galaxy Vol. 2
6. Avengers: Infinity War
7. Avengers: Endgame
8. Iron Man
9. Captain America: The Winter Soldier
10. Doctor Strange in the Multiverse of Madness

...plus 23 more. View the full list on Letterboxd.

1. Fight Club
2. Gone Girl
3. Se7en
4. Zodiac
5. The Social Network
6. The Killer
7. The Girl with the Dragon Tattoo
8. The Game
9. Panic Room
10. Mank

...plus 2 more. View the full list on Letterboxd.

1. The Suicide Squad
2. Zack Snyder's Justice League
3. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
4. Man of Steel
5. Blue Beetle
6. Wonder Woman
7. Shazam!
8. Aquaman
9. Batman v Superman: Dawn of Justice
10. Wonder Woman 1984

...plus 6 more. View the full list on Letterboxd.

1. The Last Sharknado: It's About Time
2. Sharknado 4: The 4th Awakens
3. Sharknado 5: Global Swarming
4. Sharknado 2: The Second One
5. Sharknado
6. Sharknado 3: Oh Hell No!

1. Once Upon a Time in the West
2. Once Upon a Time in America
3. The Good, the Bad and the Ugly
4. For a Few Dollars More
5. A Fistful of Dollars
6. Duck, You Sucker
7. The Colossus of Rhodes

1. Saw X
2. Saw
3. Saw II
4. Saw III
5. Saw V
6. Saw VI
7. Saw IV
8. Spiral: From the Book of Saw
9. Jigsaw
10. Saw 3D

1. The Beatles: Get Back
2. Moonage Daydream
3. The King of Kong: A Fistful of Quarters
4. The Last Waltz
5. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
6. Joan Baez: I Am a Noise
7. Sly
8. Fleetwood Mac: Destiny Rules
9. Free Solo
10. Sans Soleil

...plus 2 more. View the full list on Letterboxd.