The clean camera cityscape rulebook of Kadokawa seishun eiga is used to play a yakuza satire, but despite the gleeful silliness in a teen idol schoolgirl becoming a crime boss, it’s never a flatout comedy? The violent reality Izumi now inhabits is never far behind the excellent shooting and sound. With long takes, subtle tricks, and eye-catching experimentation, Shinji Sōmai is a confident contemporary to Obayashi’s own creativity within 80s youth drama. Somber and often pitch black, but energized, and…
