dune hype hit me to visit cinema
Kaya Alp Tütüncü
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1967
Elvira Madigan is the story of our hands without lines.
Love that age from Ebert’s review on this film:
“But then he uses a style of moving his camera away from the direction of the movement on the screen. The camera moves left, for example, as Berggren, on the left, es a glass of wine to Miss Degermark, on the right. Conventional camera work, I suppose, would require the camera to follow the action. What Widerberg establishes is both the static beauty of the scene and the subtle sense that the "art" is moving against the "reality”.” -Roger Ebert
link for Ebert's review
Translated from by
1967
Elvira Madigan is the story of our hands without lines.
Love that age from Ebert’s review on this film:
“But then he uses a style of moving his camera away from the direction of the movement on the screen. The camera moves left, for example, as Berggren, on the left, es a glass of wine to Miss Degermark, on the right. Conventional camera work, I suppose, would require the camera to follow the action. What Widerberg establishes is both the static beauty of the scene and the subtle sense that the "art" is moving against the "reality”.” -Roger Ebert
link for Ebert's review
Translated from by
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