6u532b

Watched on Saturday June 14, 2025.

Let me watch my Netflix true crime slop in peace

Has a very chill, lovely energy to it, just a lovely little bus ride with all these quirky characters, really liked it :)

This is the Funny Games (2007) of live action remakes.

goofy ahh movie

Views the 18th century upper-class French customs through late 90's teenage rebellion. Able to show how sad and invasive being in this lifestyle can be, while also being completely blinded and engulfed in the opulence of it all. I think this is easily Sofia Coppola's best film.

Also, the bird makes the Bird Up sound effect at one point which made me giggle.

Actually really sick. Like it's just an anthology film of 3 short stories about people fighting Predators, but like the animation and the staging of these fights is just so cool that it totally justifies it existence.

Don’t think this holds up against the other John Wick movies, you do lose a bit of the magic without Stahelski and Keanu fully locked in, but Ana de Armas with a flamethrower is undeniably sick so I let it slide.

My assumption with The Idol was that it was bad purely due to the influence of Sam Levinson, mixed with The Weeknd's own narcissism and the shows massive shakeups it underwent. But Trey Edward Shults is a filmmaker who actually has talent and skill behind the camera, and a strong creative vision and voice. And like I do enjoy The Weeknds music generally (I mean the album this movie is based on is pretty bloated, but that's besides the point). So I had a bit more hope and expectation behind this one, there was a chance for something cool here.

But this thing is just so messy and dull and poorly conceived. The problem with this movie isn't it's technical elements, because the team behind this movie is super strong. It looks good, it sounds amazing, the music is good. The problem is purely in its acting, the writing, and just the very core of the film itself. It’s lives in this very stale state of being a fairly surface level examination of being this huge popstar, and struggling to do anything intresting with that. It manages to say next to nothing while trying to appear like it’s breaking new ground. It’s aiming for this facade of an arthouse A24-core movie, but it’s completely hollow once you get into the meat of it.

But also a lot of it serves as ego stroking by a guy who’s already the biggest artist in the world right now. His music has always lived in that zone of being “ohh i’m super fucked up and destructive and have all these toxic relationships” and part of this movie is attempting to interrogate that, or at least that’s what it claims it wants to say. I think The Weeknd wants to come off as being very vulnerable and damaged with this movie, but the movie really doesn’t do anything to make him an interesting character or genuinely tackle these kind of flaws and struggles without just outright saying it. So it feels less like a vulnerable introspective look inward, and more of a performative act. This movie decides to spell everything out, having Jenna Ortega spend like 20 minutes dancing to Weeknd songs and explaining why they’re so brilliant and amazing and deep. He’s referred to as a god and as amazing, and has this manic pixie insane girl instantly fall for him. It’s so narcissisticly constructed as a screenplay that any of the atmosphere that Shults and team try to create around it isn’t enough for it to work. 

He also sucks as an actor, like he’s comically bad, and no amount of fake crying is able to fix that (despite how much of it is in this movie). Ortega and Keoghan are at least attempting but again they both suck and aren’t given any character beyond their one dimensional service to making The Weeknd seem more cool. 

Like it’s almost impressive just how amazing of a team was assembled around this, and how easy of a slam dunk it should’ve been, and yet it totally misses the mark.

would be totally fucked up in straight person , but this is just how it be.

The no budget, hazy video camera aesthetic to this whole thing, plus Arraki’s purposeful editing, just really makes this film feel so unique and influential in the queer cinema canon.

This being a “Karate Kid” movie, that has to tie things into the prior 5 movies plus the TV show, it does get a bit bogged down in that reference and nostalgia baiting. Having Chan and Macchio show up is pretty cool, don’t get me wrong, but how they’re both used here does feel really reductive to the film overall. Like they barely contribute anything and only show up really in the back third of the movie. The relationship and dynamics don’t feel the same and it kinda takes away from the story they’re telling now.

Like it does play pretty closely to the standard rulebook of how to do a movie like this, which can make it feel a little generic at points, but it still works. The cast is pretty fun and likeable, and I think Ben Wang really kills it in the lead role. 

The fights here are really fun. It all feels really fast and fluid, able to communicate these story beats and even some Jackie Chan style comedic gags. The action is shot with quick handheld movements that accentuate everything while still being able to visually track it all.

However, the edit on this thing feels totally botched. It moves at the pace of a tiktok, flying through moments and plot beats within the blink of an eye, through some badly edited montage scenes with the worst tiktok ass H&M soundtrack possible. They also try do all these stylised kind of text effects and it’s so inconsistently done that it feels tacky and jarring when they use it.

It’s a pretty enjoyable movie overall, and worth seeing for some of the action alone, but I think it does come across as quite messy, despite how strongly it abides by the tried and tested formula of these movies.

This log on letterboxd should also count as like 5 rewatches of the Untitled (How Does It Feel) music video. 👁️👁️

I just think at this point doing satire of AI techbros doesn’t really work because of how openly ridiculous they are anyways. Just feels kinda flat, Succession-lite, not terrible or wrong, just doesn’t have the same kind of bite that it wants to have.

banger, slayed

Watched on Sunday June 1, 2025.

Watched on Sunday June 1, 2025.

I’m disappointed that this movie didn’t build up to Bruce Willis baby flying a plane, like all the seeds were there for it to happen, but this dream was plucked away from my life

Despite how tired some people seem to be with Wes Anderson nowadays, it still feels like he’s at the top of his game, and the fact that he gets to essentially keep making these weird, quirky films in near perpetuity is really exciting. And while it still looks and feels like a Wes Anderson movie, he has been trying to evolve his style and filmmaking in smaller ways with each new film. This time we have Wes Anderson’s take on a conspiracy thriller, filtered through his own weird sensibilities.

The downfall of more recent Anderson films is that they become more ensemble pieces than anything else, where the central characters get lost in the shuffle of quirky Wes Anderson regulars. This pairs things down to a more focused group of three characters, going around meeting all the crazy Wes Gang one by one, while tying in a narrative about capitalism, family, religion. It’s a more conventional narrative, but it still does feel bizzare and wordy and all over the place.

I feel like I need to watch it again to fully sink into what’s really at play with this, but I can say right now that this was a ton of fun. Still maybe not one of his best, but definitely delivers on what you want a Wes Anderson film to do.

Kore-eda getting the chance to make an Apple “Shot on iPhone” short, so of course makes something warm and metatextual about art and life itself, as ever. And as ever, he’s really really good at it.

Shame it means it has to be shot on an iPhone, because it still looks good, but the flat iPhone camera look doesn’t fit this vibe super well and feels more like a tech demo.

So this is (allegedly) the final mission impossible movie. I say allegedly even though this movie really makes itself clear that it's a love letter to the entire franchise, from the very first movie, all the way up to now. It attempts to wrap everything up in a neat bow, up the ante on the insane stunts the series is known for, and complete this decades long story with a bang. And I'm pretty happy to say it pretty much succeeds in that. 

I think the action sequences are obviously incredible. The entire submarine section RULES, The biplane stuff is genuinely pretty shocking how well that's pulled off, and all the usual car chases and fist fights are all very solid.

This movie is just massively overlong in many ways. I don't think this needed to be almost 3 hours long. Like I love that the runtime allows for moments to slow down for emotional scenes, or slowly build tension within these action scenes, but at the same time there's a lot of this movie that feels like it's repeating itself constantly. 

It's much much heavier than the previous M:I films, they do truly heighten the stakes massively, to where having this be the final one does feel fitting. The mission does seem very impossible this go around, which makes it an unrelentingly tense film from frame 1.
I do also love the idea of the big villain basically being an AI. Not for any topical reasons, but I feel like the biggest foil to have for Ethan Hunt in these films is an algorithm that can predict and knows his every move. For such an unpredictable character and series, predictability is the enemy. I can see how the McQuarrie tried to tackle that idea and theme, although maybe it needed to land a little more for me. And that ending, I just... don't like how it resolves itself.

As a film overall, I still think the series completely peaked with Fallout, but I do think this and Dead Reckoning serve to end the series on that high and despite having a couple issues with it, I can't deny these movies still absolutely rule.

Cinema is an illusion, a bag of tricks being exploited to evoke emotions, and A Short Story pushes the language to it's limits, constantly presenting you with new ideas and magical deception in it's imagery and fable-like structure. I can already tell from this 15 minute short that Bi Gan is the real deal and I look forward to now binging all of his work.

genuinely insufferable. Like a ten year old playing with action figures going “what if dinosaur race in outer space with loads of nudity and gore, and what if Mr Beast was there”

it’s fun, it’s cute, basically doing a riff on Creature Comforts but with smart appliances, which is kinda fun for a bit, and then overstays its welcome a bit too long.
Also again another one of these where they could’ve actually done a unique art style for real, but just chose to recreate it in CGI, weird.

Essentially this is Fincher returning to doing a music video, but this time it’s animated (although not real puppetry it seems, sadly). Still, kinda fun and silly, and obviously well edited and assembled

If Martin Campbell’s entire career now is just doing his own fairly generic spins on action movie classics, that’s fine by me. Doesn’t necessarily mean I like them though. 

I will give it this, this film does have a genuine curveball twist that I did not expect… but again doesn’t mean it makes the movie good.

It still has some of that Spielberg magic and gravitas to it, but this movie just feels very confused in itself. It fires in this scattershot manner in of talking about growing up and fatherhood and it becomes this hodgepodge of ideas and gags.

Thud Butt innocent tho.

God damn, I love Jacques Demy so much. He’s able to make a fairy tale about a king wanting to marry his own daughter where, in retaliation, she wears a skinned donkey carcass and flees, and he made that into such a whimsical, pastel drenched classic musical. What a guy, what a movie, colour will never look the same to me again

you just know that Armie Hammer enjoyed getting to pretend to be a dog and really lean into his inner animal… which makes this movie ten times worse.

Aesthetically this film rules, but it is also just a very 2012’s studio reimagining of Snow White

Men will literally wander through the desert aimlessly than go to therapy huh?

Wenders slow, reserved style just embodies these very real emotions, of feeling lost and unfulfilled, having these memories of what has been and having to confront what happened to move on. All this quiet anxiety and fear is slowly bubbling in the background, until it all seeps out in that final scene. An all-timer.

In the opening credits, Chevy Chase's name being immediately stamped out with a big "CANCELLED" stamp feel like a fitting moment

Actually went in a very different direction than what I thought. Thought this would be a more zany comedy about having to pretend to be straight, and lots of silly antics around that, but it’s way more of a dramedy about two queer relationships and the inadequacies and fears surrounding that. Very dramatic and emotional, while still being pretty sweet.

Also Youn Yuh-jung, holy shit just give her the Oscar again, fuck it why not?

God bless the All-Hamster

Holy shit he said “I’m talking nonsense” sabrina carpenter reference! that’s that me espresso!

also, the plastic hammock needs to make a comeback, because why the hell William Holden caked up like that???

Nic Cage going crazy in a parking lot at the hands of this Andrew Tate surfer bro is really a sight to behold

Simon & Garfunkel created a banger so powerful that they had to run it back like 8 fuckin times, incredible.

Dude I just really wanted this to be good, for Ke Huy Quan to have a great leading man action vehicle, but man this isn’t it. 

So sick of these John Wick-core action movies at this point, it’s super played out and getting continually worse and worse.

Massively let down with this one. Gareth Evans returning to do a big cop action film with Tom Hardy should be a slam dunk.

The action is crazy and insane, but it doesn’t feel like an unrelenting rush of insanity like The Raid. For a majority of the front half of this film there’s no action, just pure plot. And the plot is really uninteresting and generic, which wouldn’t be a problem if there wasn’t so much of it. Again, The Raid wasn’t heavy on plot, what was there functioned, and Evans visual storytelling through action did the rest of the heavy lifting.

It also feels a bit less practical and gritty, the opening car chase in particular feels incredibly digital and weightless. The hand to hand fights haver very cartoonish physics and movement to them, which in that case really works, but again it’s sandwiched in-between this bland crime story, where the wacky insane nature of the action feels like a shock to the system.

Such a shame that 25% of this movie is the coolest shit I’ve ever seen, but then there’s a whole 75% of movie attached to it.

Enter the Void is this slow decay into death, the reflection between the life and tragedies building to that moment, and the eventual fragmentation in its aftermath. And all this is told from a very subjective view that creates this trippy, disturbing perspective on death, from realistically experiencing that in a first person perspective, to then becoming this ive observer, viewing your past and future as this out of body experience.  

Gaspar Noé is so great at being able to prompt a physical response to his work, locking you into this tense, hypnotic state through the stories he tells and how he presents them, to just assault your senses at nauseam. I think I prefer the insane, spiralling chaos of Climax, but Enter the Void has this weird ethereal energy to it that makes it such a wild experience.

Feels like something between Mel Brooks genre parody that’s just entirely bits, but idk it’s pretty fargin’ funny. 

Also the fact that Pope Francis rocked with this movie hard is also hysterical, if only we could get Dom DeLuise as the actual new Pope.

It's super refreshing to have a Marvel movie that is actually about stuff, and looks and feels like a movie when taken outside of the Marvel machinery. It's a really fun time that's able to have these snarky, comedic characters with big fun action moments, while not undercutting any of the very real things the movie has to say about depression, loneliness and finding purpose and connection in life. 

Really good stuff, more of this please.

This is like Knives Out if instead it didn’t make sense by the end and if it was weirdly chill with incest

It’s so insane to see just how delusional these Israeli settlers are in claiming superiority and openly celebrating and actively condoning the murder and suffering of millions of Palestinians, all while actively stripping them of any humanity. Fucking disgusting stuff, free Palestine.

Judge Reinhold driving around in a pirate costume is a total vibe.
Really fun, really well written, great ensemble cast, kinda a defining 80’s teen comedy.

The neurodivergent portrayal is kinda not the greatest in many ways, but also can’t help but cheer and throw popcorn at the screen whenever Ben Affleck uses his ing powers.

Cute. It is pretty funny and silly, while still doing all the slasher & rom-com type stuff. I don't know if it necessarily does the rom-com elements super well, it's just that these two actors have really good chemistry and bounce off each other well.

Nothing crazy but a decent time.

Oh yeah, this is a big massive steaming mess from Spielberg here, but I do kinda miss flat out comedies like this having budgets of $150 million (adjusted for inflation) to use on like 1000 extras kicking the shit out of each other with an insane amount of explosions and chaos.

Listen… I’m all for calling shit out if it’s clearly pandering to nostalgia… but when that opening music to Animal Crossing: Wild World started, this movie had me in a chokehold going “OH MY GOD IT’S THE THING I KNOW!!”

Low key of the best video game adaptations ever made.

Did not realise before watching that this film is starring Mickey Rourke, pretty bad timing on my part.

That being said tho, he is really fucking good here.

bro where tf is my magical autism maths and killing people powers, all i know how to do is avoid social cues and stim 24/7

(for real tho, this is a perfectly decent dad action movie that I expected to be Good doctor levels of insufferable, but it’s pretty solid)

RIP Francis, my guy, can’t wait to see which one of these cunty divas will take up the mantle next 🙏💅

As ever, the things I count as 2021 or 2022 movies are weird, but just roll with it okay

1. Aftersun
2. Everything Everywhere All at Once
3. The Banshees of Inisherin
4. Decision to Leave
5. Nope
6. Guillermo del Toro's Pinocchio
7. TÁR
8. Babylon
9. Marcel the Shell with Shoes On
10. The Novice

    *Released in the UK in 2022*

...plus 135 more. View the full list on Letterboxd.

1. Sinners
2. Mickey 17
3. Black Bag
4. Companion
5. On Falling

   *Released in 2025*

6. The Phoenician Scheme
7. The Wedding Banquet
8. Presence

   *Released in 2025*

9. Thunderbolts*
10. One of Them Days

...plus 34 more. View the full list on Letterboxd.

1. Modern Times
2. Safety Last!
3. Sherlock Jr.
4. The Kid
5. The General
6. Nosferatu
7. The Wizard of Oz
8. City Lights
9. The Cameraman
10. Steamboat Bill, Jr.

...plus 5 more. View the full list on Letterboxd.

1. The Muppets
2. The Raid
3. Arthur Christmas
4. The Adventures of Tintin
5. Rango
6. Jiro Dreams of Sushi
7. Attack the Block
8. Kung Fu Panda 2
9. Contagion
10. Mission: Impossible – Ghost Protocol

...plus 32 more. View the full list on Letterboxd.

1. In the Mood for Love
2. Memento
3. Sexy Beast
4. American Psycho
5. Crouching Tiger, Hidden Dragon
6. Gladiator
7. O Brother, Where Art Thou?
8. Cast Away
9. Barking Dogs Never Bite
10. Charlie's Angels

...plus 15 more. View the full list on Letterboxd.

1. Children of Men
2. The Prestige
3. Marie Antoinette
4. Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan
5. Little Miss Sunshine
6. Pan's Labyrinth
7. The Pink Panther
8. Casino Royale
9. This Is England
10. Paprika

...plus 41 more. View the full list on Letterboxd.

1. Marie Antoinette
2. Priscilla
3. The Virgin Suicides
4. The Bling Ring
5. The Beguiled
6. Lost in Translation
7. On the Rocks

1. 10 Cloverfield Lane
2. Prey
3. Predator: Killer of Killers
4. Black Mirror: Playtest

1. Waves
2. It Comes at Night
3. Krisha
4. Hurry Up Tomorrow

1. Home Alone
2. Falling Down
3. GoodFellas
4. The Shawshank Redemption
5. Aladdin
6. The Muppet Christmas Carol
7. Crumb
8. JFK
9. Jurassic Park
10. Point Break

...plus 60 more. View the full list on Letterboxd.

1. Smiley Face
2. Nowhere
3. Totally F***ed Up

1. Dead Poets Society
2. Kiki's Delivery Service
3. Do the Right Thing
4. Cinema Paradiso
5. Ferris Bueller's Day Off
6. Back to the Future
7. My Neighbor Totoro
8. The Princess Bride
9. Midnight Run
10. Clue

...plus 45 more. View the full list on Letterboxd.

1. Clueless
2. Fast Times at Ridgemont High
3. Look Who's Talking
4. Johnny Dangerously
5. National Lampoon's European Vacation

1. Fantastic Mr. Fox
2. The Grand Budapest Hotel
3. Moonrise Kingdom
4. The French Dispatch
5. Asteroid City
6. The Royal Tenenbaums
7. The Life Aquatic with Steve Zissou
8. The Phoenician Scheme
9. Isle of Dogs
10. Bottle Rocket

...plus 2 more. View the full list on Letterboxd.

1. Mission: Impossible – Fallout
2. Mission: Impossible – Ghost Protocol
3. Mission: Impossible – Rogue Nation
4. Mission: Impossible – Dead Reckoning
5. Mission: Impossible – The Final Reckoning
6. Mission: Impossible III
7. Mission: Impossible
8. Mission: Impossible II

1. The Mask of Zorro
2. Casino Royale
3. The Foreigner
4. Cleaner

1. The Fabelmans
2. Jurassic Park
3. Raiders of the Lost Ark
4. Jaws
5. West Side Story
6. Indiana Jones and the Last Crusade
7. The Terminal
8. Catch Me If You Can
9. Close Encounters of the Third Kind
10. The Adventures of Tintin

...plus 9 more. View the full list on Letterboxd.

1. The Muppet Movie
2. Dog Day Afternoon
3. One Flew Over the Cuckoo's Nest
4. The Godfather
5. Network
6. Eraserhead
7. Apocalypse Now
8. Rocky
9. Fantastic Planet
10. Close Encounters of the Third Kind

...plus 45 more. View the full list on Letterboxd.

1. The Young Girls of Rochefort
2. The Umbrellas of Cherbourg
3. Donkey Skin

1. PlayTime
2. Mon Oncle
3. Trafic
4. Monsieur Hulot's Holiday
5. Jour de Fête

1. It's Such a Beautiful Day
2. Moonrise Kingdom
3. Amour
4. s Ha
5. Django Unchained
6. Seven Psychopaths
7. The Act of Killing
8. 21 Jump Street
9. ParaNorman
10. Chronicle

...plus 35 more. View the full list on Letterboxd.

1. The Shining
2. The Elephant Man
3. Paris, Texas
4. The Empire Strikes Back
5. The Thing
6. Raiders of the Lost Ark
7. Amadeus
8. Blow Out
9. My Dinner with Andre
10. Raging Bull

...plus 32 more. View the full list on Letterboxd.

1. 12 Angry Men
2. Singin' in the Rain
3. Rear Window
4. Rashomon
5. Paths of Glory
6. Sunset Boulevard
7. Mon Oncle
8. Some Like It Hot
9. Vertigo
10. The Seventh Seal

...plus 16 more. View the full list on Letterboxd.

1. Double Indemnity
2. Sunset Boulevard
3. Some Like It Hot
4. Sabrina

1. Le Samouraï
2. The Umbrellas of Cherbourg
3. The Face of Another
4. The Young Girls of Rochefort
5. PlayTime
6. The Sound of Music
7. West Side Story
8. The Producers
9. The Graduate
10. 2001: A Space Odyssey

...plus 19 more. View the full list on Letterboxd.

1. The Raid
2. The Raid 2
3. Apostle
4. Havoc

1. Fantastic Mr. Fox
2. Up
3. Coraline
4. Mary and Max
5. A Town Called Panic
6. Inglourious Basterds
7. Thirst
8. Jennifer's Body
9. Brüno
10. Mother

...plus 32 more. View the full list on Letterboxd.

1. Climax
2. Enter the Void
3. Lux Æterna

1. Guardians of the Galaxy Vol. 2
2. Spider-Man: Homecoming
3. Avengers: Infinity War
4. Guardians of the Galaxy Vol. 3
5. Black Panther
6. Thunderbolts*
7. Guardians of the Galaxy
8. Avengers: Endgame
9. Captain America: The Winter Soldier
10. Iron Man 3

...plus 26 more. View the full list on Letterboxd.

1. Unaccompanied Minors
2. A Simple Favor
3. Another Simple Favor
4. Spy
5. Ghostbusters
6. The Heat

1. Swing Girls
2. The Incredibles
3. Shaun of the Dead
4. The SpongeBob SquarePants Movie
5. Before Sunset
6. Napoleon Dynamite
7. The Terminal
8. Spider-Man 2
9. Mean Girls
10. Eternal Sunshine of the Spotless Mind

...plus 27 more. View the full list on Letterboxd.

1. The Empire Strikes Back
2. Star Wars: The Last Jedi
3. Star Wars
4. Star Wars: The Force Awakens
5. Rogue One: A Star Wars Story
6. Return of the Jedi
7. Star Wars: Episode III – Revenge of the Sith
8. Solo: A Star Wars Story
9. Star Wars: The Rise of Skywalker
10. Star Wars: Episode II – Attack of the Clones

...plus 1 more. View the full list on Letterboxd.

Because this'll be the first year where I'm using Letterboxd from the get go, I will try to write a review for every 2018 movie I see, which should be fun

2018 Shorts Ranked

1. Eighth Grade
2. Hereditary
3. Spider-Man: Into the Spider-Verse
4. The Miseducation of Cameron Post
5. Blindspotting
6. Minding the Gap
7. First Reformed

   *Released in UK cinemas June 2018*

8. Sorry to Bother You
9. The Favourite
10. Shoplifters

...plus 151 more. View the full list on Letterboxd.

1. La La Land
2. Paterson
3. Raw
4. Hunt for the Wilderpeople
5. Moonlight
6. Jackie
7. Tickled
8. Popstar: Never Stop Never Stopping
9. The Handmaiden
10. Arrival

...plus 79 more. View the full list on Letterboxd.

1. Despicable Me
2. Minions: The Rise of Gru
3. The Super Mario Bros. Movie
4. Despicable Me 2
5. Despicable Me 3
6. Despicable Me 4
7. Sing 2
8. Sing
9. The Secret Life of Pets 2
10. The Lorax

...plus 4 more. View the full list on Letterboxd.

1. Synecdoche, New York
2. WALL·E
3. Still Walking
4. The Dark Knight
5. In Bruges
6. Speed Racer
7. Bronson
8. Kung Fu Panda
9. The Wrestler
10. Ponyo

...plus 24 more. View the full list on Letterboxd.

1. Black Swan
2. The Wrestler
3. The Whale
4. mother!

1. Black Mirror: San Junipero
2. Black Mirror: Eulogy
3. Black Mirror: Fifteen Million Merits
4. Black Mirror: Shut Up and Dance
5. Black Mirror: White Christmas
6. Black Mirror: The National Anthem
7. Black Mirror: USS Callister
8. Black Mirror: Common People
9. Black Mirror: Hang the DJ
10. Black Mirror: Bandersnatch

...plus 22 more. View the full list on Letterboxd.

1. Before Sunrise
2. Ratcatcher
3. The Truman Show
4. Toy Story 2
5. Trainspotting
6. Good Will Hunting
7. Fargo
8. But I'm a Cheerleader
9. After Life
10. The Iron Giant

...plus 78 more. View the full list on Letterboxd.

for the record, the Community paintball episode is my real number 1 pick

1. Avengers: Infinity War
2. Avengers: Endgame
3. Captain America: The Winter Soldier
4. Captain America: Civil War
5. The Electric State
6. Cherry
7. The Gray Man

1. Sinners
2. Creed
3. Fruitvale Station
4. Black Panther
5. Black Panther: Wakanda Forever

1. I Saw the TV Glow
2. Nickel Boys
3. Hundreds of Beavers

   *Released in 2024*

4. Sing Sing
5. I'm Still Here
6. No Other Land
7. Nosferatu
8. Dune: Part Two
9. Look Back
10. Challengers

...plus 122 more. View the full list on Letterboxd.

Their best work is when Joel co-wrote Garfield

1. Inside Llewyn Davis
2. Fargo
3. No Country for Old Men
4. O Brother, Where Art Thou?
5. True Grit
6. Burn After Reading
7. Hail, Caesar!
8. The Ballad of Buster Scruggs
9. Miller's Crossing
10. Blood Simple

1. Knives Out
2. Glass Onion
3. Star Wars: The Last Jedi
4. Brick
5. The Brothers Bloom
6. Looper

1. Ex Machina
2. Annihilation
3. Civil War
4. Warfare
5. Men

1. Parallel Mothers
2. Women on the Verge of a Nervous Breakdown
3. Pain and Glory
4. The Skin I Live In
5. The Room Next Door

1. Mad Max: Fury Road
2. Room
3. World of Tomorrow
4. The Revenant
5. Anomalisa
6. Creed
7. The Lobster
8. Son of Saul
9. The Martian
10. Magic Mike XXL

...plus 62 more. View the full list on Letterboxd.

1. Challengers
2. Call Me by Your Name
3. Bones and All
4. A Bigger Splash
5. Queer
6. Suspiria

1. The Social Network
2. Scott Pilgrim vs. the World
3. Black Swan
4. How to Train Your Dragon
5. Inception
6. Who Killed Captain Alex?
7. Toy Story 3
8. Tangled
9. True Grit
10. Kick-Ass

...plus 31 more. View the full list on Letterboxd.

1. Napoleon Dynamite
2. Nacho Libre
3. A Minecraft Movie