Brasileiro.
Escrevo em inglês aqui porque é mais conveniente pra mim mesmo. Longa história
2024
Like many ghost stories (a subgenre I love), this is perhaps more of a family drama than an actual horror film. Framing the narrative through the POV of the ghost itself, in fact, strips it of most of the elements that could be read as scary, and even gives it a bit of a melancholy edge that feels appropriate.
As it often is the case with some late Soderbergh, the screenplay might be a bit thin in of characterization/development, but his treatment of it elevates it into an interesting experiment, and finds the emotional essence here.
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