Luke has reviewed 6 films tagged ‘homework’ during 2022.

Candyman: Farewell to the Flesh

1995

★★ Watched

Typical diminishing-returns horror sequel which happens to have three of the most racist jump scares of all time in its opening 20 minutes. Bill Nunn and one or two good gore effects can’t save this one.

Us

2019

★★★ Liked Watched

Mostly great concept, mostly great performances, mostly great visuals, mostly great visceral scares; I wish the overall impression was of the positives adding up instead of the negatives. If it weren’t for a series of phenomenally weird/weirdly phenomenal images toward the end (in a scene most consider to be the film’s biggest misstep, funnily enough), I might have outright disliked this? (Oh, I guess the score’s good. Extra points for the score. The score brings up the score.) More than…

The Great Gatsby

2013

★★½ 2

No better director of 5/10 maximalism than Baz, not even Aronofsky. Leonardo DiCaprio is many things, but he is not a man who can make “old sport” sound natural (and those men do exist). I’ve still never read The Great Gatsby.

Top Gun

1986

★★★ Liked Watched

You can’t stand here and say you don’t have the ability to get a top score on the exam…not a “Top Gun,” goddamn it!

Jupiter Ascending

2015

★★½ Rewatched

Totally forgot I'd even reviewed this back in 2019, and it turns out I stand by most of it, except the bit where I say Speed Racer is better than The Matrix Reloaded (and that the latter is a "misfire"), and more importantly, the subsequent bit where I say "Jupiter Ascending doesn’t feel like a movie that only the Wachowskis could have made". It's more generic than their typical directorial output, this is true, but that feels more like a…

Cloud Atlas

2012

★★½ Rewatched

Liked this ever so slightly more than last time (way back in high school), if only because the book wasn’t as fresh in my mind. I could easily write several thousand words on the deep-rooted problems with Cloud Atlas as a movie, as well as the struggle to reconcile those with its myriad, undeniable successes, but I think I’ve solidified my main issue with the adaptation. David Mitchell’s novel is, underneath all its structural knottiness, not all that interested in being…