Starts out pushing a type of camp I mostly only tolerate, and ends as the type of camp I fucking LOVE, where logic and narrative coherence go out the window and the film becomes a beast of pure aesthetics. Could’ve used more of that looseness in the early going, though—even the visual delights, which are otherwise pleasingly consistent, take their sweet time to begin in earnest. (I get that it’s by design, but I needed the movie to give me…
