Professional dork.

2012
13 years ago I projected the opening-night showing of this film on 35mm at ArcLight Hollywood. Before the screening I chatted with Rian Johnson and Joseph Gordon-Levitt in the lobby about how much I loved “Brick.”
I’m not sure that “Looper” makes 100% airtight sense as a time-travel narrative, but there’s enough awesome here that it doesn’t really matter. Garret Dillahunt’s death scene is one of the sweetest moments in 21st Century cinema. And when I first saw the sequence…