ParmeetSingh

1,102Films

253This year

7Lists

107Following

145Followers

Frankly, my dear, I don't give a damn.

Favorite films

  • Gone Girl
  • Blade Runner
  • Chinatown
  • Blue Velvet

All
  • Dark City

    ★★★★½

  • The Lighthouse

    ★★★★

  • Crawl

    ★★★

  • Anna Karenina

    ★★★★

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Dark City

1998

★★★★½ Liked Watched

A brooding, visionary sci-fi noir, Dark City is a dazzling meditation on memory, identity, and control—one that beat The Matrix to many of its ideas and arguably did them with more visual poetry. Alex Proyas constructs a surreal urban maze where day never breaks and architecture bends to unseen will, creating a nightmarish dreamscape soaked in German Expressionism and philosophical dread.

Rufus Sewell is solid as the disoriented everyman, but it’s Jennifer Connelly who emerges as the film’s aching soul.…

The Lighthouse

2019

★★★★ Liked Watched

Robert Eggers’ descent into isolation and madness is as hypnotic as it is grotesque. Shot in boxy 4:3 black-and-white and lit like a long-lost nightmare, The Lighthouse feels like a relic from another era—unearthed, cursed, and somehow alive. It’s a story of two men, a storm, a light, and the slow, maddening collapse of all boundaries between them.

Willem Dafoe is utterly deranged brilliance—sputtering sea curses and farting with Shakespearean gusto—while Robert Pattinson matches him note for note, all seething…

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Mission: Impossible – The Final Reckoning

2025

★★★★½ Liked 2

ABSOLUTE CINEMA!
Anyone who’s worried about the exposition clad first hour, don’t be. Go watch it with the amazing second half in mind.

Mission Impossible has been one of the formative film franchises of my childhood and I think I had been more excited to watch the final outing of one of the greatest actors of the past 40 years, Tom Cruise, than anyone else.
A man who has incredible acting prowess as evidenced by his work in Magnolia, Eyes…

Spring Breakers

2012

★★★★ Liked Watched

Harmony Korine’s Spring Breakers is a hypnotic, trash-glam fever dream—half critique, half indulgence. Its candy-colored nihilism and looping editing create a trance-like rhythm that seduces and repulses in equal measure. James Franco delivers a career-best performance as Alien, absurd and magnetic, while the cast of former Disney stars dive headfirst into chaos. It’s an audacious, provocative descent into American excess—both poetic and grotesque.

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