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Watched on Sunday June 8, 2025.

Watched on Sunday June 8, 2025.

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Lillian Hall (Jessica Lange) is a renowned Broadway actress and winner of numerous awards for her performances. She has built a solid reputation, consistently delivering outstanding work and never failing to disappoint anyone. Known to the public as the first lady of American theatre, Lillian's life is about to change in ways she could never have imagined. One day, while rehearsing on stage for her latest Broadway show, Lillian begins to experience strange and unexplainable moments. She starts hearing voices around her that aren't there, feels lightheaded at times, and oddly, begins to forget her lines during rehearsals. When she suffers a dizzy spell and falls, Lillian is required, for insurance purposes, to visit a doctor to investigate these unusual symptoms. Unfortunately, the news is not great for Lillian. While she initially suspects that her newfound issues are related to allergies, she soon discovers that her symptoms indicate an early form of dementia. The shocking diagnosis saddens her, but it does not deter her from acting. Lillian decides that the current Broadway play is far more important to her than anything else. The question remains: will she be able to deliver one final brilliant performance?

The life of American stage actress Marian Seldes loosely inspired The Great Lillian Hall. The film presents a fictional narrative focused on the life-changing effects of dementia on a performer and the profound impact it has on both the individual and those around them. Directed by Michael Cristofer, the film adds to his impressive body of work, which includes titles such as Gia (1998), Body Shots (1999), Original Sin (2001), and The Night Clerk (2020).

The most notable aspect of the film is the incredible performances by the lead actors. Jessica Lange is immensely compelling and convincing in her role as a skilled stage performer. After my first viewing, I truly believed that Lillian Hall must have been a real person. Lange also excels in her mannerisms, including how she uses her hands while speaking, to portray her character’s dementia. In addition to Lange's outstanding performance, I would like to highlight Kathy Bates as Edith. Bates is remarkable in both her comedic and dramatic roles. Lastly, Pierce Brosnan adds a light-hearted and charming element to the film as Lillian's neighbour, Ty.

Throughout the story, Lillian's choices and reasoning for continuing her stage work may not be agreed with by the audience; however, one cannot deny her determination, ion for her craft, and love for all things Broadway. However, I felt that certain moments in the film had an unnecessary documentary-like quality. These instances occur when Lillian and other characters are interviewed at various times, with black-and-white visuals. For example, Lillian is unexpectedly asked, "When did you first know?" and similar questions. I found that these moments detracted from the main narrative and served as an unexpected sidestep that ultimately did not significantly contribute to the story's overall impact.

Overall, actress Jessica Lange deserves a standing ovation for her stunning, dramatic, and profoundly moving performance as Lillian Hall, the first lady of American theatre, as she grapples with the heartbreaking discovery of early dementia. Other notable performances, including those by Kathy Bates and Pierce Brosnan, also enhanced this drama film. I found the story realistic and believable to the point where I believed Lillian Hall could have been a real person in the Broadway arts. While some of Lillian's choices as a character might not always be agreeable, her ion and desire to persevere rather than give up and let go are undeniable. Unfortunately, the biggest issue for me was the occasional introduction of documentary elements, which distracted from the main storyline and seemed unnecessary to the core plot.

Watched on Monday June 2, 2025.

Watched on Sunday June 1, 2025.

Watched on Sunday June 1, 2025.

Watched on Saturday May 31, 2025.

Li Fong (Ben Wang) and his mother (Ming-Na Wen) are currently living in Beijing. Within his community, Li is recognised as a skilled kung fu student, thanks to his teacher, Mr. Han (Jackie Chan). After going through a heartbreaking loss and tragedy, Li’s mother decides to make a change and accepts a new job at a hospital in New York City. As the two of them seek to start again, Li's mother also wants him to stop fighting and focus on his schoolwork instead.

While Li agrees to stop fighting, he soon finds himself in a world of trouble. It all begins when he befriends Mia (Sadie Stanley) and her father, Victor (Joshua Jackson), an ex-boxer. They are doing everything they can to keep their beloved pizza shop afloat, but they owe a large sum of money to the wrong kind of people. To make matters worse, Mia's ex-boyfriend, Conor (Aramis Knight), a karate champion, is filled with rage when he discovers that Li has been spending time with Mia.
When Victor learns that Li is a skilled fighter, he begs Li to train him so he can return to the ring and hopefully clear their outstanding debt, thereby saving the business. However, Li soon realises that to help his friends, Li himself will need to enter an championship known as the 5 Boroughs. Thankfully, Li won't be training for the tournament alone. He will be assisted by his old teacher, Mr. Han (Jackie Chan), as well as Daniel LaRusso (Ralph Macchio), who has a deep understanding of karate.

Karate Kid: Legends serves as the sixth instalment in the Karate Kid franchise and follows the popular television series Cobra Kai. This film is a welcome entry for long-time fans of the franchise, but it also appeals to newcomers and family audiences. This film marks the directorial debut of Jonathan Entwistle, whose previous work includes the short film Human Begins (2012).

As a long-term fan of The Karate Kid, I found myself enjoying the film for several reasons. Many moments of nostalgia resonated with me emotionally, and the film's second half is both enlightening and upbeat. It was great to see key characters come together on-screen. Actor Jackie Chan once again delivers heartfelt moments and comedic gags, particularly in his interactions with Daniel LaRusso. The introduction of Li, played by Ben Wang, is also a welcome addition to the franchise and brings a likeable presence to the screen. I appreciated that this film filled in some narrative gaps and further explained the characters, including Mr. Han's connection and the backstory that led him to Daniel LaRusso's doorstep. While Karate Kid: Legends certainly has many familiar beats, it is still enjoyable, and its positive messaging is welcoming for all ages.

When it comes to the fight sequences in the finale, it’s obvious they have been influenced by fighting video games. The chosen visuals and sound effects cheapen the fights, making them less impactful and less tense. The teen romance in this film features several moments that made me roll my eyes, particularly with the character of Mia. The way she's written and her lines of dialogue often make the film feel more childish and unrealistic, even though Sadie Stanley's performance is great. Another issue I have is that it takes a while for the film to get underway, especially in getting the significant leads on-screen, which feels drawn out. However, if you can stick with it, the payoff is quite rewarding for movie lovers.

Overall, longtime fans of all things Karate Kid and Cobra Kai will find this new film familiar with its core storyline. That said, it's hard not to feel a sense of delight at the film's nostalgia and light-hearted comedy, particularly from actor Jackie Chan. The film shines brightest when its main leads are together on-screen; however, it takes some time for this to happen, and until then, the movie can feel less exciting and quite cheesy, especially with the romantic subplots. In of fighting, this remains an entertaining aspect, and arcade fighting games clearly inspired aspects of the championship finale. The new character, Li, played by Ben Wang, is also likable and brings his own humour, fighting with the same style and cleverness as Jackie Chan. Thankfully, this makes the film enjoyable for family audiences and newcomers to the Karate Kid franchise.

Watched on Friday May 30, 2025.

Embargo

Presented in Dubai's Coca-Cola Arena, Hans Zimmer and his ensemble showcase a selection of great tracks that both cinephiles and music lovers have adored for many years. This performance offers a unique experience that captivates and transports the audience to a new level altogether. The impressive playlist includes tracks from iconic films such as Dune, The Lion King, The Dark Knight, Interstellar, Gladiator, Pirates of the Caribbean (which is my personal favourite), Inception, and many more! Some tracks have been performed in a completely different location, along with a change of atmosphere, clothing, and backgrounds, to make them more fitting and compelling for the music, creating a slice of visual delight. One example of this is the film's opening scene set against the dunes of the Arabian Desert, which is instantly rewarding on the big screen.

Between select tracks, viewers are treated to celebrity interviews in which they sit down with Hans Zimmer on a personal level. During these conversations, they reflect on their achievements, Zimmer's success, and share some fascinating behind-the-scenes trivia. I discovered a wealth of information about Hans Zimmer and the various scores he has composed. However, I can't help but feel that some interviews come across as celebrities simply taking a moment to praise Zimmer's greatness. Still, I find myself agreeing with their compliments and acknowledging the composer's high level of skill, ion, and craft in bringing music to life in a significant way every time.

The overall concept is impressive, and it’s wonderful to see it on the big screen. Each member of Zimmer’s band has their moment to shine, and the lighting is used effectively throughout. During the concert, Zimmer’s joy and ion for music are evident from start to finish. It’s also great to see the legend himself remain humble towards his ensemble, taking time to honour them not just as musicians, but also as friends.

Overall, Hans Zimmer & Friends: Diamond in the Desert offers a spectacular combination of an epic concert and engaging celebrity interviews, featuring notable figures such as Sir Christopher Nolan and Denis Villeneuve. Viewers get to share heartfelt discussions between notable figures and the legendary Hans Zimmer, creating a memorable experience. The concert showcases tracks from iconic films such as Gladiator, Interstellar, Dune, and The Lion King, among others. Not all performances occur on stage; at various moments, Zimmer and his team perform in locations that complement the tracks they are playing. The casual attire and thoughtfully selected surroundings add a brilliant touch to the presentation. This show is a must-see on the big screen for fans of exceptional cinema and music.

Watched on Tuesday May 27, 2025.

Andy (Billy Barratt) and Piper (Sora Wong) are stepsiblings whose lives are about to change forever. When they discover their father dead in the bathroom, they are put up for adoption. Andy, however, wants to care for Piper on his own and does not want a guardian. Due to his age, he has limited options available to him. Fortunately, a woman named Laura (Sally Hawkins) applies to take both in. Laura has already accepted one foster child, whose name is Oliver (Jonah Wren Phillips).
As Andy and Piper arrive at Laura's home, they find her to be kind yet somewhat quirky. It's clear that she is more favourably inclined toward being a guardian for Piper and is less comionate toward Andy. The siblings decide they need to keep a low profile until Andy is of an appropriate age, hoping to eventually move on with their own lives.
However, as they attempt to settle into Laura's home, various strange and unexplainable events begin to take place. Soon, Andy and Piper begin to uncover a horrifying dark secret about their new foster mother.

Bring Her Back is a horror film that incorporates strong elements of the supernatural and mystery. Directed by the Philippou brothers, Danny and Michael—also known as RackaRaka—this film continues the journey they started through their filmmaking on YouTube. Their previous work in cinema includes Talk to Me ( 2022), which was filmed in Australia.
Once again, the duo has created a feature film that is sure to be discussed for years to come!

Interestingly, like Talk to Me, Bring Her Back presents a compelling and dramatic take on loss. In addition to this theme, there are several others that I didn't expect, including fear, grief, desperation, sin, and trust, among many others. For the most part, the story is also unpredictable.
In of horror, this film is filled with tense and unsettling moments. If you find watching brutal and gruesome violence unsettling, you should brace yourself for a wild ride. The moments of violence are often unexpected and shocking; I even found myself looking away from the screen several times due to the effectiveness and realism depicted.
Philippou brothers have created another stunning visual experience with their direction. The film often has a dark tone, and its storyline carries a weight and drama that feels distinct when compared to Talk to Me. The settings play a significant role, and the duo know how to build tension, keeping audiences guessing throughout. The performances are excellent, particularly Sally Hawkins as Laura, who delivers a portrayal that is completely unhinged and unpredictable. The young cast also performs outstandingly. However, some character choices throughout the film are somewhat disappointing or even frustrating at times.

Overall, Bring Her Back (2025) is a new Australian film directed by the Philippou brothers, Danny and Michael. They have once again crafted a captivating story that highlights the genre's best aspects. The film delves into themes such as fear, grief, loss, desperation, loneliness, trauma, sin, and trust, among others. The performances are gripping and exceptional, particularly that of Sally Hawkins, who delivers a role that is both unexpected and a departure from her recent work. Ultimately, Bring Her Back is a chilling experience and is consistently unsettling with its heavy atmosphere and numerous twists. I highly recommend this horror film if you dare!

Watched on Sunday May 25, 2025.

Watched on Saturday May 24, 2025.

Embargo

Watched on Friday May 23, 2025.

Embargo

Watched on Sunday May 18, 2025.

Full Review Coming Soon!

Based on actual events, the story is set in Farling, Iowa, in October 1928 and was transcribed by Father Joseph Steiger. Father Joseph Steiger (played by Dan Stevens) is trying to lead his church and speak confidently about his faith, but it's clear he's struggling since his brother's death. His brother's ing has left Father Joseph heavy-hearted and distracted as he grapples with this life-changing event.

Shortly after speaking at his church, Father Joseph receives psychiatric reports about a troubled woman named Emma Schmidt (played by Abigail Cowen). The reports indicate that doctors have found nothing abnormal about her, and medical and biological theories have been ruled out. Emma's parish has requested an exorcism due to her many years of suffering.

Father Theophilus Riesinger (portrayed by Al Pacino) is assigned to lead the exorcism. Still, the parish approaches Father Joseph because they want to conduct the exorcisms at his church and document each ritual.
Although Father Joseph is not entirely comfortable with the situation and appears hesitant, he feels he has no choice. He arranges for a private car to transport Emma to the church. When Father Joseph meets Father Theophilus for the first time, Father Theophilus outlines how he would like the rituals to be conducted. However, Father Joseph disagrees with some of his requests and demands. The pair enters Emma's room, ed by two sisters, and begin their first ritual. Will they be successful? Does a demon possess Emma? Most importantly, can Father Joseph and Father Theophilus work together effectively despite their disagreements?

The Ritual is a supernatural horror film that incorporates touching moments of drama, along with a slight thriller aspect, particularly through the mystery surrounding Father Joseph and the recent death of his brother. The film was co-written and directed by David Midell, known for his previous works, including The Killing of Kenneth Chamberlain (2019) and Night Lights (2014). Notably, this film is based on actual events as depicted by Father Joseph Steiger. Remarkably, it represents the most thoroughly documented case of demonic possession in American history and continues to be a topic of discussion today. The Ritual is a compelling story.

I’m delighted that Al Pacino still exhibits his greatness on screen. His character is skilled, confident, and knowledgeable about rituals and casting out demons. However, while satisfactory, Dan Stevens’ portrayal of Father Joseph can be exhausting. This character continuously pleads for medical , seeks a modern explanation for Emma's torment, and insists on using no restraints despite witnessing unsettling events.

Thankfully, the film is not just a long series of rituals. Between the multiple rituals, there are other scenes, allowing viewers to breathe and settle after experiencing each scene's tension, suspense, and horror. These scenes provide further character development as the leads share an open heart-to-heart conversation—a highlight of the film. Actress Abigail Cowen also delivers memorable moments on screen, but I can’t share more about her character without giving away spoilers.

While there are plenty of jump scares, this story is more of a compelling drama than a disturbing horror film. I must it that a few jump scares were effective in the film's first act. However, after that, they became more evident and predictable. The various rituals contribute to a tense atmosphere and are horrific as Emma undergoes transformations and commits multiple acts of evil during these rituals.

I want to highlight the film's weakest aspect: the camera style. While I understand that the camera work and stylistic choices were intended to give the film a realistic, raw look, the execution of the cinematography was frustrating and distracting. The shaky camera consistently detracted from the film's most potent moments, meaning scenes of touching drama were weakened as the camera jolted around. This style undermines the film's quality and significantly harms the viewing experience.

Overall, The Ritual is a captivating story inspired by events that continue to be discussed in American history. The plot revolves around two priests who are forced to work together but suffer disagreements that create tension between them. I’m pleased that Al Pacino still delivers a comionate and confident performance. Dan Stevens is adequate; however, his character will likely frustrate many viewers, including me. The film features outstanding horror elements, including effective jump scares and accompanying sound effects. Unfortunately, the film’s score is weaker than expected, and the camera work is somewhat problematic, which I found distressing during the screening. While the camera style may enhance the realism of the supernatural and horror elements, it became too painful and distracting for me, even in some of the film’s more powerful and emotional moments. Since The Ritual deals with themes of rituals and demon possession, opinions about it will vary. I recommend it to those who enjoy films like The Rite or The Exorcist. Be prepared and : always expect the unexpected.

Full Review Coming Soon!

Watched on Thursday May 15, 2025.

Watched on Wednesday May 14, 2025.

Watched on Wednesday May 14, 2025.

The Salt Path is a solid drama with heavy themes and gripping tragedy. The film stars Jason Isaacs and Gillian Anderson, who worked beautifully together, delivering genuine and compelling performances from start to finish. Although I wasn’t familiar with the actual story or memoir on which the film is based, I found myself highly curious and invested in the heavy narrative. Locations and visuals are also stunning to see on the big screen.  The film’s opening and second act are impressive; however, the third act feels dragged out and introduces subplots that I found unnecessary or not integral to the main story. While the conclusions are touching and welcome, they also come across as rushed, leading to a finale that I wish had been more impactful or presented in a far stronger manner.

Full Review Coming Soon!

Watched on Sunday May 11, 2025.

Rob (Robert Taylor), a lawyer, and his partner Pia (Nadia Farès), a talented artist, plan to spend a day together filled with relaxation, romance, and adventure. They arrive at their destination by car, and it's soon revealed that Rob has made special arrangements: he has rented an old-fashioned timber boat and prepared a picnic basket along with a bottle of wine. The couple enjoys their time on the boat so much that they lose track of time. As a storm begins to brew nearby, they urgently need to return to the dock, however; it soon becomes clear that Rob and Pia are lost.

While out on the boat, Rob and Pia spot some land, which fortunately has a large farmhouse on it. They hope to find help and make a phone call, avoiding the nasty storm that is approaching. However, as they make their way to the house, they witness a man being beaten by a mysterious figure and upon arrival at the farmhouse, they are greeted with a total mess. Rubbish is strewn everywhere, suggesting the previous owners abruptly left in a hurry. Unfortunately, this is not the case.

When they recuperate from their trip to the house, the actual owners return. Brett (Mathew Wilkinson) and Jimmy (David Lyons), a pair of brothers, escalate the situation quickly. Now, Rob and Pia are trapped in a house with ruthless men who take pleasure in being rude, harsh, and physically violent while claiming whatever they want. Unfortunately, it's not just Brett and Jimmy in the house—their father, whom they refer to as Poppy (John Brumpton), also lives there. Rob and Pia soon understand that if they don’t comply with the brothers’ demands and if they wake up Poppy, the consequences could be dire. Can Rob and Pia find a way to escape the nightmare they have stumbled into?
Storm Warning is an Australian horror film directed by Jamie Blanks. At this stage in his career, Blanks had already directed several notable horror films, including Urban Legend (1998), Valentine (2001), and Long Week (2008), an Australian remake of the 1978 film of the same name.

There are several positives to highlight about this film. First, I appreciated the setting and location, which I later discovered was a set built specifically for the film. It looks incredibly convincing! The inclusion of heavy rain and a wild storm enhances the film's atmosphere and raises the tension for our leading characters, who are having a terrible evening. Fans of violence and gore will likely enjoy this film as well, particularly the later kills; there’s a mix of shocking moments that are also entertaining. In of performances, I found the actors portraying the villains, especially the character Poppy, played by John Brumpton, much more enjoyable. These actors are having a great time in their roles.

Unfortunately, the main characters, Rob and Pia, are pretty disappointing. Their choices and confident moments often appear silly and unwise. Their reasons for feeling lost as characters are frustrating, and their poor decisions continue throughout the film. The storyline itself is also quite predictable. However, I must it that I enjoyed the film's finale. Despite my lack of investment in the main characters, the violence and specific outcomes felt rewarding.

Overall, Storm Warning is an impressive Australian film that creates a captivating atmosphere. One of the film's standout features is its primary setting: a dark, gritty, and feral farmhouse. The villains' performances are another highlight, particularly that of Poppy, played by John Brumpton, who truly embodies his unsettling role. Fans of horror and violence will enjoy the film, particularly as it reaches its third and final act. However, the leading characters can be challenging to follow due to their baffling choices and often unlikable interactions with one another. While the storyline can sometimes feel predictable, it ultimately provides substantial enjoyment as an Australian horror film.

Crocodile Dumb & Dundee

Full Review Coming Soon!

Full Review Coming Soon!

Rebekka (Ane Dahl Torp) and her two daughters, Elvira (Lea Mathilde Skar-Myren) and Alma (Flo Fagerli), have just enlarged their family. Rebekka has recently remarried to secure a life of wealth and prosperity. Her new husband also brings a daughter with him, Agnes (Thea Sofie Loch Næss). However, during their first dinner together as a new family, tragedy strikes when Rebekka's husband unexpectedly dies, leaving her alone to care for her daughters and Agnes. To make matters worse, Rebekka discovers that her late husband was not wealthy, shattering her dreams of a prosperous life. Faced by these challenges, Rebekka must devise a new plan to find a way forward.

When Prince Julian (Isac Calmroth) announces an ball event in his castle to find a wife, Rebekka sees it as the perfect opportunity. However, when she considers her daughters, she realises it presents another big challenge. Alma is far too young for such an opportunity, leaving only Elvira. Unfortunately, Elvira is deemed unattractive, making it unlikely for any man to consider her for marriage.

Elvira deeply ires Prince Julian and cherishes his most recent book, which is filled with beautiful poetry. Driven by her ionate feelings and lustful desires, Elvira resolves to win the Prince's heart no matter the cost. Achieving this will require a complete transformation; she needs to remove her braces, undergo various body alterations, lose weight, and learn to be elegant in all aspects, especially on the dance floor. However, Elvira is not the only one with high hopes. Not only is she competing against many other young women, but she is also competing against someone in her own home: her new stepsister, Agnes. Will Elvira succeed in her massive transformation and win the man of her dreams, along with the wealth that comes with him, or will she ultimately fail?

The Ugly Stepsister (Den stygge stesøsteren) is a body horror, drama, and satire. Depending on your sense of humour, some moments of horror may even be seen as comedic. The film is a horror adaptation of the well-known fairy tale Cinderella, originally written by Charles Perrault in 1697. If you imagine Cinderella and The Substance attending a ballroom together, The Ugly Stepsister is exactly what you would get.

To be completely upfront, I love this film immensely. Visually, it is impressive, with stunning locations and outstanding costume design that make it feel like a period drama. The horror elements are equally impressive. There are moments of body horror that had me gripping the arms of my chair because they were realistic, gruesome, and downright uncomfortable to watch, especially when Elvira undergoes medical alterations or deals with body-related issues, all while remaining focused on her objective. The story makes a very clear statement about women, beauty and the pain and suffering, both mental and physical, that can come with the pursuit of beauty. It also points out the pressure to be beautiful in society.

I enjoy this new concept that takes the familiar Cinderella story and infuses it with elements of extreme horror, as well as focusing the story instead on the ugly stepsister, Elvira, rather than the traditional protagonist, Agnes. Elvira's journey is filled with surprising twists, shocking reveals, and gruesome horror moments. The film builds wonderfully toward a thrilling third act, culminating in a rewarding climax before the credits roll. Despite being her first time on the big screen, Lea Mathilde Skar-Myren delivers a commendable performance. Additionally, the musical score, composed by John Erik Kaada and Vilde Tuv, features a synth style that I found surprising at first, but ultimately very fitting and enjoyable throughout the film.

Overall, The Ugly Stepsister consists of gruesome moments and disturbing aspects of body horror- I loved every minute of it. Instead of taking a Disney concept and adding a wacky, silly, cheap spin on it, this takes the famous tale and goes far deeper than I could even imagine, not just through its level of horror and gripping tension, but the outstanding use of costumes, set pieces, locations and more. Considering it’s her first time on-screen, I thought Lea Mathilde Skar-Myren’s leading performance here was magical and refreshing. Ultimately, if the beloved Cinderella and The Substance went to the ballroom together, this is precisely what you get, and it’s a sensational and fantastic horror film.

In 1989, a new kind of horror film debuted on the big screen, directed by Brian Yuzna. This movie was entertaining and disturbing, offering a unique experience for horror fans that set it apart from anything they had seen. Many considered it on par with some of the greatest horror films, such as Friday the 13th and A Nightmare on Elm Street. The film revolved around a simple yet powerful concept, highlighting themes of paranoia and a world where the wealthy literally feed off the poor. The movie I’m referring to is Society, one of the most influential films of its time. While you may have seen the film, the question remains: do you know how it was created and what dark secrets surround its production?

This documentary, The Darkside of Society, explores the life of Zeph E. Daniel, the writer of the Society, who penned its first draft in 1988. Daniel's development of the concept was both unexpected and shocking. While this documentary delves into the creation and impact of the film Society, its primary focus is to uncover and reveal Daniel's background and upbringing. We not only hear directly from Daniel, but we are also treated to clips and interviews with other celebrities, including David Gregory (Severin Films), John Gullidge (Journalist), Richard Stanley (Film Director), Screaming Mad George (Special Effects Artist), Tony Timpone (Producer and Former Editor of Fangoria), Lacy Lou (Film Critic and Journalist), Alan Jones (Film Critic), and Patricia Daniel (Daniel's Wife, Actress, and Producer).

While this documentary provides a detailed insight into Daniel's life and tragic upbringing, which is genuinely disheartening, The Darkside of Society ultimately yields disappointing results. After the initial ten minutes of the film, it became clear that the focus shifts from the film's original topic of an exploration of the film Society to exploring the life of Daniel himself. It's evident that Daniel has endured significant struggles, and even now, it is challenging to watch as he tries to explain his past as thoroughly as possible. The film does not hold back as viewers quickly discover that Daniel's world was filled with real horrors and nightmares. His upbringing was marked by disturbing elements, including experiences of satanic ritual abuse during his childhood. Additionally, he faced the harsh reality that those around him were involved with elite groups, organised crime, and suffered many unloving acts within his own family. This emotional journey is heavy-hearted as Daniel reflects on the darkness of his childhood.

More than this shift in the focus of the documentary, there were issues with the videography. Throughout the documentary, some interview segments have focus issues, and several interviews exhibit disruptive continuity issues, with individuals shown at different times and different locations while recounting the same story. The attempt to piece these segments together seamlessly fails; instead, it becomes a distraction and feels clunky and disted. Some interviews contained information that were not relevant to the topic. For example, Daniel mentions early on receiving a phone call about the reality of the Society and also references a Polaroid photograph. This story is incomplete, and these details are never fully explained. I was particularly disappointed with Richard Stanley’s interview, which featured poor audio quality that detracted from the film's overall production value.

Other details detract from the documentary's focus, like when a film critic and journalist are introduced not just once or twice but thrice. Additionally, viewers are treated to random shots of footage, including drone shots around Daniel's home, which serve no clear purpose or impact. Another notable letdown was having the film narrated by the late Julian Sands. His delivery felt more suited for a game show, brimming with energy, which clashed with the documentary’s dark and sombre themes.

Overall, The Darkside of Society presents a dark and depressing narrative centred around a straightforward concept: a man, tormented as a young boy, eventually becomes the creator of one of the most influential films of its era, Society. The impact could have been significantly more substantial if Daniel had spoken directly into the camera for twenty to thirty minutes. This film attempts to be a documentary about Society, but while it addresses serious and heartbreaking topics, it also feels dull as it primarily highlights Daniel's pain and past torment without offering any direction or for viewers who may be struggling with similar issues. Furthermore, the documentary fails to provide any real film education about Society after its first ten minutes, ultimately falling short of its potential. There were persistent issues that detracted from the documentary during interviews, such as questionable audio quality and instances where Daniel himself appeared blurred on screen. While the late Julian Sands as narrator was a commendable choice, his delivery seemed more fitting for a game show and felt out of place in this context. We can empathise with Daniel’s pain and suffering, but it does not change the fact that this documentary could and should have been much more
impactful.

When two workers at the bottom of a ferry boat open a mysterious hatch, they unleash something tiny, horrifying, and mischievous—a mouse called Steamboat Willie. The fate of the two workers is grim and bloody. After the film’s opening, we are introduced to Selena (Allison Pittel), who is boarding a large ferry headed back to the city. The ferry is filled with many engers and crew . As Selena boards, she has a brief conversation with a worker named Pete (Jesse Posey). They quickly establish a connection, and it becomes clear that Selena is looking for a fresh start. Pete kindly advises her on where to sit, as she seeks some solitude.

Outside, a heavy fog blankets the river, prompting the ferry captain to consider cancelling the travel schedule. However, the captain insists everything will be fine and proceeds slowly to avoid potential issues. Yet, there is a more significant threat than the fog looming over the ferry and the river. The same murderous mouse from the movie’s opening lurks on this ferry, intent on picking off the engers individually. This ferry has transformed into the ultimate ‘Screamboat’. The question remains: will anyone survive to tell the tale?

Screamboat is a horror-comedy film, with a fitting title. For those familiar with Disney history, the title and concept draw inspiration from the famous Disney short film, Steamboat Willie. The film was co-written and directed by Steven LaMorte, who has also worked on projects such as The Mean One (2022) and Never Leave Alive (2017). Interestingly, this is Steven’s second time collaborating with the lead actor, David Howard Thornton, who portrayed another costumed villain in The Mean One.

The film playfully mocks the iconic Disney animation, providing fans with numerous Easter eggs, references, and jokes about other Disney properties, all intended for comedic effect. During my first viewing, it became clear that the film doesn't take itself seriously, which I appreciated. Screamboat knows precisely what it is and embraces its playful and outrageous plot. If you're looking for a film brimming with kills and violence, Screamboat has got you covered; it features many gruesome scenes, some hilariously surprising and unexpected.

It's no surprise that David Howard Thornton again excels in portraying a menacing villain. The costume design for the killer mouse is impressive, particularly his headwear and make-up. Much like his performance in the Terrifier franchise, Thornton delivers his role without any dialogue, compensating for this lack with a range of expressive facial expressions and amusing sounds. When it comes to the other performances, though, I have to say it isn't good. The lines of dialogue often carry a campy vibe, and characters frequently appear emotionless, even when faced with tragic circumstances or witnessing a horrible death. The strong campy elements; however, worked well as the film knew what it was. It likely wouldn't have been as effective if the film had taken on a more serious tone. The same applies to the film's visuals, utilising several double exposures to create the illusion that the killer mouse is small. This effect isn't convincing, but it fits the film's fun tone and reminds me of the classic Disney movies I grew up with. Does the mouse always appear in the correct size and aspect ratio? It didn’t matter to me, but opinions on that aspect may vary.

Overall, I can hardly believe I'm saying this, but I feel this is the best campy Disney horror film to date. Don’t get me wrong; it’s highly campy, with corny acting and jaw-dropping dialogue. However, the film works well because it fully embraces its campiness and ridiculousness. Screamboat is quite violent, featuring a high kill count bound to please horror buffs. It’s no surprise that David Howard Thornton delivers an outstanding performance again, introducing a new type of fun, murderous character to the big screen. The double exposures are unrealistic, but again, are extremely fun for the film’s imagination, paying tribute to old Disney films. Disney fans will laugh or cringe at the numerous puns and references sprinkled throughout. While many will likely label this a terrible film, I can’t deny that it had me bursting out in laughter on multiple occasions. To the haters, I say, "let it go."

Crocodile Dundee: The Encore Cut!

Sue (Linda Kozlowski) is a reporter from New York who has heard rumours of a crocodile hunter in a small Australian town called Walkabout Creek. It is rumoured that a massive crocodile recently attacked the hunter, and after being bitten on his leg, he managed to crawl back to his home community. Intrigued by this crocodile hunter and eager to learn more about his encounters with the enormous crocodile, Sue is convinced that this story will make a fantastic article for her newspaper.

As Sue arrives by helicopter and enters the local pub, she immediately notices how different Walkabout Creek is from New York, especially the locals. Shortly after her arrival, she is introduced to Michael, known as Mick Dundee, played by Paul Hogan. Sue feels less than impressed and somewhat uncomfortable during their first interactions, particularly when Mick walks into the pub with a large, completely stuffed crocodile. After a discussion and a hefty fee exchange, Mick agrees to take Sue on a trek to the spot where he was attacked. As Sue gets to know Mick, she discovers there is more to him than just being a cheeky man with gaps in his stories. In fact, Mick is a skilled hunter and has a charming personality. An unexpected romance blossoms between the two.

Mick's life takes an unexpected turn when Sue invites him back to New York to help continue promoting her story. However, living in New York presents its own challenges for him. The city is vastly different from anything Mick has ever experienced. He soon discovers that Sue is currently in a relationship, which adds even more complexity to his new life.
Crocodile Dundee was directed by Peter Faiman, who also directed the comedy Dutch, also known as Driving Me Crazy in Australia. Crocodile Dundee is an Australian cult classic, blending elements of comedy and romance with minor aspects of adventure. For those who may not know, Paul Hogan came up with the original story, and the screenplay was co-written by Hogan, John Cornell, and Ken Shadie. I must confess that I have a deep nostalgia for everything related to Crocodile Dundee. I watched the film countless times as a child, and what I loved about it then still resonates with me after seeing the newest version, titled Crocodile Dundee: The Encore Cut.

Every actor on-screen delivers a likable presence when it comes to the characters in the film, especially the lead character, Mick Dundee, portrayed brilliantly by Paul Hogan. In Australian , Mick Dundee is a cheeky fellow, but it's also clear that he is quite knowledgeable. I have always adored the contrast between the Australian outback and the vibrant lifestyle of New York. The film beautifully showcases both locations, particularly Australia, while allowing the two main characters to make new discoveries about their environments. Amidst this exploration, a touching romance unfolds. The musical score by Peter Best is a significant highlight of the film; to this day, I find it emotionally impactful, especially during the final act.

I’m pleased to share that Crocodile Dundee: The Encore Cut has been fully restored and repaired from the original film reels. The new restoration includes a few minor edits and additions that make it more suitable for today’s standards. One of the removed scenes featured Mick at a dinner party, and the film now opens with an acknowledgment of country, along with a touching tribute to John Cornell at the end of the credits. These changes are all minor, and I’m excited to say that the primary story and all essential elements remain unaffected. The incredible restoration is evident from the start. As someone who has watched the original multiple times, I can confidently say that this release is fantastic and highly recommended for both longtime fans and newcomers alike.

Overall, I had a fantastic experience revisiting a film that holds deep personal nostalgia for me, featuring iconic characters that are etched in Australian history, especially Mick Dundee. The results of the restoration process are outstanding and impressive. Watching this film on a big screen will be a rewarding experience for both long-time fans and newcomers eager to witness one of the greatest—if not the best—Australian films ever made. Crocodile Dundee: The Encore Cut includes some edits, particularly to one scene, as well as a few minor additions, such as country acknowledgments before the film and a heartfelt dedication to John Cornell. However, these changes do not affect the main plot, the heartfelt romance, the outrageous comedic moments, the brilliant emotional soundtrack, or the classic one-liners that many fans continue to quote. For many viewers, including myself, these alterations feel minor, and my love for this film remains unchanged. In conclusion, Crocodile Dundee: The Encore Cut is a welcome upgrade. It’s a delightful experience watching the film in such quality. As movie lovers, we are truly blessed to get such an entertaining film cleaned up for a new generation.

In Sedgwick County, Wyoming Territory, 1882, a young boy named Lucas (played by Patrick Scott McDermott) lives on his parents' property with his younger brother, Jacob (portrayed by Easton Malcolm). After losing both of their parents, Lucas feels the weight of responsibility to provide food and finances for their survival. Despite receiving offers to buy their home from various people, Lucas refuses, even though he desperately needs money.

One day, Lucas and Jacob go into town to sell some livestock, including pigs and one of their horses. During their visit, an altercation occurs, forcing Lucas to repay a debt. Unfortunately, things get worse for Lucas and his brother after this incident. While on his property, Lucas spots a dangerous wolf and attempts to shoot it to protect his home, but accidentally shoots and kills a man. It soon becomes clear that the victim was the same individual seeking fulfillment of Lucas's outstanding debt.

Now, with blood on his hands, Lucas is captured, imprisoned, and sentenced to hang. But while in prison, a mysterious man breaks Lucas out. Lucas’s rescuer is none other than Harland Rust (played by Alec Baldwin), Lucas's grandfather. Now on the run, Lucas and Rust are being pursued by various lawmen and bounty hunters, including the most charming and dangerous of them all, Fenton "Preacher" Lang (played by Travis Fimmel).

Rust is a western film that features brief, minor moments of action, primarily consisting of shootouts. For those who may not be aware, the film is written and directed by Joel Souza, whose previous works include Crown Vic (2019), Christmas Trade (2015), and Ghost Squad (2015), among others. The story was developed by both Joel Souza and Alec Baldwin.

I have some great praises for this film. Firstly, its visuals are a major strong point; everything is stunningly beautiful, with incredible, sharp shots throughout the film's runtime. Performance-wise, Alec Baldwin stands out as the most significant highlight, delivering the strongest and most compelling performance among the entire cast. At the same time, Travis Fimmel also has a few memorable moments. Rust's musical theme (soundtrack by Lilie Bytheway-Hoy and James Jackson) is a great fit, especially during Rust’s introduction, conveying a sense of mystery and danger. The biggest reward of the story comes in the final thirty minutes, which ties together various plot points and characters in a gripping and heartfelt conclusion. It serves as an excellent ending, even if some elements were predictable.

While Rust has its merits, I found a few aspects disappointing. The film's runtime is excessively long. It introduces various characters eager to earn rewards for discovering and capturing Rust and Jacob's, but unfortunately, too much screen time is dedicated to these many side characters. As a result, several scenes felt disconnected from the core storyline and felt uninteresting, especially after the one-hour mark. With so many characters introduced and so much time spent on them, I felt that Rust might have been better suited as a television series. Without being too harsh, I also found some performances from the younger actors unconvincing and often unrealistic.

Overall, Rust is an engaging Western film that showcases strong performances from Alec Baldwin, who commands the screen with confidence and authenticity, and Travis Fimmel, who delivers many memorable moments as a charming yet deadly bounty hunter. Visually, the film is impressive and well-crafted. However, its lengthy runtime includes introducing various side characters and subplots that may have been better suited to a TV series. Despite this, the film's saving grace is the final thirty minutes, which offer a satisfying conclusion filled with exciting action sequences, including shootouts and emotional moments. For fans of the Western genre, this film is definitely worth watching!

Watched on Saturday April 26, 2025.

Watched on Monday April 21, 2025.

Full Review Coming Soon!

Watched on Saturday April 19, 2025.

Watched on Friday April 18, 2025.

Watched on Wednesday April 16, 2025.

To avoid spoilers, readers should note that the plot details of this film will remain very vague.

In the 1930s, we follow twin brothers, Smoke and Stack (both portrayed by Michael B. Jordan), as they return to their hometown in the Southern United States. After being away for some time, the twins have returned with newfound determination, wealth, and dreams. Smoke and Stack plan to launch a brand-new club featuring dancing, drinking, and, most importantly, excellent blues music.

When Smoke and Stack arrive in town, they reach out to various community who can help ensure that their first night at the club is a significant success, regardless of the cost. While various in the community are happy to assist where possible and earn money, at the same time, not everyone in the community is happy to see the duo return and harbour suspicions about Smoke and Stack's true intentions.

Despite this, the evening unfolds according to their plans—until an unexpected evil threat disrupts their night at the club.
Sinners features a diverse range of mixed genres, including horror, thriller, and a significant amount of drama. Fans of horror will appreciate this film, mainly because it incorporates a supernatural element too. The film was written and directed by Ryan Coogler, whose previous work as both a writer and director includes notable titles such as Black Panther (2018), Creed (2015), and Fruitvale Station (2013). Interestingly, all three films also starred actor Michael B. Jordan in a leading role.

When it comes to performances in this film, they are all sensational.

First, I loved seeing Michael B. Jordan take on a double role; he was highly convincing as both characters, and once again commands the screen. The ing performances by Hailee Steinfeld, Wunmi Mosaku, Miles Caton, and Delroy Lindo were also outstanding. The film features characters you genuinely care about and root for throughout its duration. Each character is unique, facing different stakes and personal dramas. Additionally, the film provides a substantial setup and background, which I appreciated.

The characters and performances in this film are impressive, and the soundtrack, composed by Ludwig Göransson, is outstanding—arguably his best work to date. The music plays such a significant role that it feels like a character, adding a crucial element to the film and its narrative. Without Göransson's contributions, the film would be notably different and less impactful.

In of storytelling, there are undeniable parallels to the 1996 film From Dusk till Dawn. This film also features a substantial and unexpected shift, introducing high stakes, unpredictable events, and numerous tragic moments. While the film ends on an epic note, my main complaint is that it takes a while to get in motion, and I wished for a tighter runtime, especially during the opening scenes.

Overall, Sinners is hot and smokin'! It may take some time to get fully going, much like the 1996 film From Dusk Till Dawn, but it delivers a satisfying and entertaining experience through its thrilling finale and climax, wild action and heartbreaking tragedy. Once again, Michael B. Jordan's performance is nothing short of incredible, and the same can be said for most of the ing cast, including Hailee Steinfeld, Wunmi Mosaku, Delroy Lindo, and others. The soundtrack by Ludwig Göransson is also a vital component of the film; it’s sensational, and many scenes wouldn’t be the same without it. Lastly, watch the end credits, as they add to the overall experience.

Peter Greste (Richard Roxburgh) is an Australian journalist covering for another team member in Cairo, Egypt, in December 2013. Although Cairo is currently filled with high risks and dangers, it doesn't stop Peter from fulfilling what's been asked of him; however, he plans to be in Cairo for only a short time. Peter has a strong ion for all things relating to journalism. One day, Peter is unexpectedly visited in his hotel room by men who begin to question him and search through all his belongings. Shocked by these visitors, Peter is subsequently arrested. When he gets the chance, he presses for an explanation regarding his arrest. He soon discovers that he has been accused of terrorism, along with other charges.

Now, Peter finds himself in a different kind of war zone, trapped in prison and falsely accused of crimes he did not commit. To make matters worse, he receives no or assistance and instead is surrounded by individuals who are corrupt or have other interests at heart. Can Peter find a way to prove his innocence using only his skills as a journalist and ultimately regain his freedom? The Correspondent is a drama film based on the real-life events surrounding Peter Greste. It is directed by Kriv Stenders, who is known for his works, including Red Dog (2011), Kill Me Three Times (2014), Danger Close (2019), and Australia Day (2017).

I have always ired Australian actor Richard Roxburgh and his performances. His portrayal of Peter Greste showcases several irable qualities, including his mannerisms, expressions, and body language. Unfortunately, while Roxburgh attempts to adopt Greste's way of speaking, I found it somewhat mismatched for him and distracting at various points throughout the film.

The entire journey of the story is truly captivating, fascinating, and heartbreaking. When Peter is arrested on false charges in the first act, I found myself eager to discover the outcome—whether he will gain his freedom and, if so, how he will achieve it. While the story itself is powerful and important to share, I noticed that the pacing often felt slow, particularly during the second half of the film. Here, the runtime seemed much longer than it is.

Watching Peter navigate different prisons while trying to form new connections and cope with the overwhelming noise was compelling.

However, the trial scenes became tedious and sluggish due to the film's visual style and camera work. Additionally, some of Peter's flashbacks felt like a missed opportunity, as their outcomes were obvious. The film's ending was also disappointing and lacked impact. Although the facts and details were hard-hitting and shocking, the film struggled to conclude and summarise the story effectively.

Overall, The Correspondent is undeniably a film that tells a mind-blowing, fascinating, and heartbreaking true story about Peter Greste, who was imprisoned based on false claims. I felt many elements worked well, while other aspects seemed slow or tedious. Actor Richard Roxburgh delivers a compelling performance as Peter, especially in his mannerisms, reactions, and dramatic moments. However, I found the voice work to be distracting and somewhat unsuitable. Those who appreciate true stories, Australian cinema and history are encouraged to seek this film out. I enjoyed it, but wished it had been more impactful as a motion picture.

5.8/10

Watched on Sunday April 13, 2025.

In the year 1970, two government officials attempted to remove Aboriginal children from their families. The children managed to escape, one by hiding in a cave. While inside the cave, strange and unexplainable noises were heard, causing the frightened child to scream. Jumping ahead to the present day, the audience follows Sarah (played by Shari Sebbens), a successful lawyer at the peak of her career. She is about to give birth to her second child with her partner, Fergus (played by Meyne Wyatt). Her birth mother, Ruth (portrayed by Tessa Rose), comes to help her prepare for the new arrival. Despite Ruth's good intentions, it’s clear that Sarah struggles to see her as her birth mother due to a tragic past.

One day, after returning home from work, Sarah goes into premature labour and is rushed to the hospital. While doctors attend to her, Sarah experiences strange visions and tragically dies on the birthing table as her child is born. Miraculously, she is revived, but her doctor gives strict instructions to her and her husband for them to focus on her recovery.

Once back home and adjusting to life as a mother of two, Sarah begins to have haunting visions and frightening dreams of a monster that seems to want her newborn baby. When she shares her experiences with those around her, they assume she is overtired and needs more rest. The only person who appears to understand Sarah's troubling visions is Ruth, but her approach to helping is not ideal and leads to further conflict. Will Sarah be able to uncover the truth behind her terrifying visions and protect herself and her family?

The Moogai is a horror film written and directed by Jon Bell, who is known for his earlier work, including the original short film of the same name released in 2020. Due to the high praise and recognition of the short film, the creation of a feature-length version was inevitable. The Moogai effectively captures many elements of horror and excels in several areas. Visually, the film is quite strong, and the horror depicted on screen is often creepy and unsettling, especially during Sarah's unexpected visions day or night. The film’s audio is even more impressive, featuring an outstanding soundtrack (composed by Steve Francis) and remarkable sound effects. The performances are likable and enjoyable, particularly Meyne Wyatt as Fergus and Shari Sebbens as Sarah, who gradually descends into madness and terror.

As a story, I was thoroughly engaged with most of this film. I felt hooked, scared, and deeply invested in the main characters and the horrifying situations they faced. However, while most of the film is captivating, it struggles significantly in the final act, presenting outcomes that are not fully explained. As an audience member, I was left with more questions than answers. The finale also feels much slower and clunkier than the rest of the film, which was disappointing considering how much enjoyment I derived from it.

Overall, I found a lot of enjoyment in The Moogai. With a simple premise, this horror film had many practical elements, such as its sound design, jump scares, and uncomfortable, disturbing moments. A creepy presence that is trying to steal a newborn baby from its family added to the tension. The film took viewers on an incredible journey, with a strong beginning and a solid build-up in the second act leading to the climax. However, I was disappointed by the finale, which felt underwhelming compared to the rest of the frightening experience. Instead of a fantastic conclusion, it was safe, vague, and flat.

In Portland, a mysterious broadcast is launched on the dark web. The broadcast consists of a game show titled Russian Roulette, and is hosted by a mysterious man who wears a mask, only showing his mouth. This man is known as ‘The Presenter' (Andrew P. Stephen). However, this is not your typical game show- it's a sadistic, sickening game where lives are at stake. The unwilling players of this game have been kidnapped and electrocuted with a cattle prod until they submit and cooperate. The first round ends with a horrifying death, satisfying the viewers who can also sway the results with their cash.

After the film's opening, we are introduced to a police detective named Ben (Ed Westwick). In his most recent bust, Ben and his trusted colleague Officer Cathy Burnett (Lola Wayne) successfully rescued a pair of young children. At the same time, several criminals were gunned down in the process. When Ben returns home, he is comforted by his partner, Lisa (Rose Reynolds), who is pregnant with their first child. Ben is understandably concerned about bringing a newborn into a world of crime and chaos. However, Lisa reassures him, knowing his ion for his work and commitment to keeping them both safe.

The next day, Ben is urgently ed about a mysterious game show. He and his team begin to question whether what they are seeing is authentic. Although Ben can seek from their cyber division, the staff in this department are still relatively inexperienced. Due to the complexity of the situation, Ben is forced to reach out to a criminal serving time in prison, Larch (Rick Yale), to gain his expertise.
Meanwhile, the mysterious crew from the show has kidnapped a woman named Katia (Natalya Tsvetkova), who is to become the newest contestant in a deadly game where players share a common goal: to stay alive. The clock is ticking. Can Ben discover the location of ‘The Presenter’ and rescue the contestants before it's too late?

DarkGame is a horror and thriller film. It shares vibes and themes similar to popular movies such as Se7en, Saw X, The Purge, and Hostel. The film was directed by Howard J. Ford, who has also worked on projects like The Ledge (2022), The Lockdown Hauntings (2021), The Dead (2010), and Escape (2023), among others.

As a story, this film is a mix of hits and misses. I loved the concept, especially the mysterious broadcasting introduced at the beginning, and I enjoyed the journey of the lead character, Ben. Ed Westwick's performance in the film is acceptable, though not particularly exciting. He portrays a tough detective who consistently demonstrates his determination, and as the story unfolds, we learn more about his character. He has a respectful reputation and a haunting past, which serves as a significant motivation for his work. However, as the film progresses, the focus shifts from Ben to character reactions and minor obstacles, such as the difficulty Ben faces in finding someone knowledgeable enough to help him determine the source and location of the broadcast.

Interestingly, there seems to be very little police work depicted throughout the film, and a few actions taken by characters can be quite disagreeable. The challenges presented by ‘The Presenter’ are relatively weak. The games, which include Scissors Paper Rock, Dodgeball, and of course, Russian Roulette, come across as rather childish. I can understand that this could be attributed to potential budget constraints of the film. Andrew P. Stephen, who plays ‘The Presenter’, does a decent job, but his character is excessively over the top. His dialogue throughout the games was filled with puns and gags that, unfortunately, did not resonate with me. Nor did this dialogue help him come across as menacing. A fair amount of screen time is devoted to the character of Katia, who is kidnapped and forced to participate in a dark web game. Her perspective adds depth to the story, and I found Katia to be the most likable character in the movie.

Overall, DarkGame is entertaining enough to help the time, featuring solid and impactful reveals in its finale. The story is decent, but be prepared for some baffling and frustrating character choices, particularly since the detectives do very little given the extreme circumstances. The side characters add more depth to the narrative, while the film's villain and the torturous games come off as childish, detracting from the overall quality. The same can be said for the score. Although the film shares vibes like Saw X and Se7en, it doesn't offer anything particularly revolutionary in the horror and thriller genres, despite containing a few enlightening elements.

Watched on Friday April 11, 2025.

Jody (Forest Whitaker) was enjoying a date with a woman at the fairgrounds until he found himself alone with her on the beach and was unexpectedly attacked and kidnapped. Upon awakening, Jody discovers that he is being held captive by a group of IRA , including the woman from the fairground, named Jude (Miranda Richardson). The group also includes their leader, Fergus (played by Stephen Rea). We soon learn that Jody is a British soldier, and the purpose of his capture is related to the group's demand for the release of IRA within three days. If the British government fails to comply, they plan to execute Jody.

Fergus is assigned to keep an eye on Jody for most of the time. Initially, Fergus is focused on his task and shows little interest in the small talk Jody offers. However, as time es, they manage to strike up several conversations. They discover shared interests despite their differences, and an unlikely friendship begins. As their bond develops, Jody starts to accept his fate and opens up to Fergus about his girlfriend, Dil (Jaye Davidson). He also asks Fergus for a favour: to find Dil for him in London. Unfortunately, Jody soon suspects that Fergus has been tasked with killing him. Faced with this dilemma after getting to know Jody, Fergus hesitates. In the end, Jody makes a desperate attempt to escape but is tragically killed by an armoured car driven by British soldiers.

While the IRA continue to carry out attacks and explosions, Fergus manages to escape and flees to London to fulfil his promise to Jody. He changes his name to Jimmy and begins working as a labourer. Once he settles into his new life, he starts searching for Dil. However, Fergus soon discovers that his former IRA associates are still alive, and Dil herself is hiding a secret.

The Crying Game is a psychological thriller that blends elements of drama and romance. Written and directed by Neil Jordan, the film is noted for its intriguing plot and character development. Jordan is also known for his previous works, which include Interview with the Vampire (1994), The End of an Affair (1999), and Michael Collins (1996), among others.

The performances in this film are compelling, particularly those of the leading actors, Stephen Rea and Forest Whitaker. Many moments in the story are deeply impactful, memorable, and powerful. One notable scene occurs when Jody, played by Forest Whitaker, shares the story of the Scorpion and the Frog, which speaks to the theme of one's inherent nature, an essential aspect of the film. Fergus, portrayed by Stephen Rea, also delivers a remarkable performance as his character undergoes significant shifts and transformations throughout the story.

Although the film is best known for its major twist and reveal, I must it that I already knew the twist before watching it for the first time. Despite this, I still enjoyed the film immensely. While many viewers may find the twist unpredictable, I found the entire storyline quite unexpected. I often questioned the film's outcomes due to all the stakes introduced throughout, which consistently surprised me. After the first act, the film takes on a dark and cold tone, and a pervasive sense of tragedy adds depth to the overall experience.

Overall, The Crying Game is an intriguing film. Even though I was aware of its famous twist before watching, I still found many positives upon my first viewing. Aside from the major twist, the film maintains a strong sense of unpredictability, especially concerning the characters and their fates. The performances by Stephen Rea and Forest Whitaker stand out significantly, as both actors deliver powerful and memorable dialogue. Visually, the film is also captivating, especially after the first act, which has a tone that often feels heavy, dark, and tragic.

• The Evil Dead
• Evil Dead II
• Evil Dead Rise
• Army of Darkness

List of films that Walkden Publicity has worked on within Australia & Zealand! Walkden Publicity is a sub-brand of Walkden Entertainment, owned by Peter Walkden from Queensland, Australia.

👨‍💻 For all PR inquiries in Australia and New Zealand*, please get in touch with [email protected]

Website: www.walkdenentertainment.com

1. Daughter
2. Living with Chucky
3. Outpost
4. Welcome to the Darkness
5. Control
6. The Stolen Valley
7. Corner Office
8. Delia's Gone
9. Deadland
10. Breakwater

...plus 23 more. View the full list on Letterboxd.

• Crocodile Dundee
• Love of an Icon: The Legend of Crocodile Dundee
• Crocodile Dundee II
• Crocodile Dundee in Los Angeles
• The Very Excellent Mr. Dundee

• Screamboat
• Peter Pan's Neverland Nightmare
• Winnie the Pooh: Blood and Honey
• Winnie-the-Pooh: Blood and Honey 2
• The Mouse Trap
• I Heart Willie
• Alice in Terrorland

• High Tension
• Anatomy of Hell
• Frontier(s)
• Martyrs

• Scobie Malone
• Goodbye Paradise
• The Empty Beach

• Three Paths to the Lake
• Lemmings
• The Seventh Continent
• Benny's Video
• The Rebellion
• 71 Fragments of a Chronology of Chance
• The Castle
• Funny Games
• Code Unknown
• The Piano Teacher

...plus 4 more. View the full list on Letterboxd.

• 12 Angry Men
• 1917
• Air
• Anora
• Apocalypse Now
• Avengers: Endgame
• Back to the Future
• The Banshees of Inisherin

  10/10

• The Batman
• Belle

...plus 85 more. View the full list on Letterboxd.

• Hell House LLC
• Hell House LLC II: The Abaddon Hotel
• Hell House LLC III: Lake of Fire
• Hell House LLC Origins: The Carmichael Manor

1. The Odd Couple

   10/10

2. The Wicker Man

   9.6/10

3. Dersu Uzala

   9.1/10

4. The Warriors

   9.0/10

5. The Field

   9.0/10

6. The Straight Story

   9.0/10

7. Hard Eight

   8.5/10

8. Last Train from Gun Hill

   8.5/10

9. The Haunting of Julia

   8.3/10

10. Bloody Sunday

    8.3/10

...plus 74 more. View the full list on Letterboxd.

• Peter Pan's Neverland Nightmare
• Winnie the Pooh: Blood and Honey
• Winnie-the-Pooh: Blood and Honey 2

• Razorback
• The Man from Hong Kong
• Lady, Stay Dead
• Dead End Drive-In
• Turkey Shoot
• Crosstalk
• Coda
• The 13th Floor
• Final Cut

  4.0/10

• Desolation Angels

...plus 2 more. View the full list on Letterboxd.

• Alice in Terrorland
• The Black Demon
• The Requin
• Out of Death
• Sky Sharks
• Wounds
• Deep Blue Sea 2
• Gun Shy
• The Disappointments Room

1. The Wild Robot
2. Late Night with the Devil
3. The Substance
4. Anora
5. Civil War
6. Hundreds of Beavers
7. Longlegs
8. Super/Man: The Christopher Reeve Story
9. You'll Never Find Me
10. Inside

...plus 122 more. View the full list on Letterboxd.

• The Wild Robot
• Air
• Belle
• Nine Days
• The Trial of the Chicago 7
• Joker
• Green Book
• Blade Runner 2049
• La La Land

• Terrifier 3
• Terrifier 2
• Terrifier

1. Sonic the Hedgehog 3
2. Sonic the Hedgehog
3. Sonic the Hedgehog 2

• Dollman
• Demonic Toys
• Dollman vs. Demonic Toys
• Demonic Toys: Personal Demons

• Lady, Stay Dead
• Final Cut
• Crosstalk

• Desolation Angels
• Coda
• The 13th Floor

1. Dollman
2. Demonic Toys
3. Dollman vs. Demonic Toys
4. The Gingerdead Man

• Fear Below
• Azrael
• Grafted
• Hellboy: The Crooked Man

• Anora
• Inside
• Tatami
• The Colors Within
• In Vitro
• Flathead
• The Nature of Love
• Nightbitch
• Piece By Piece
• We Were Dangerous

...plus 5 more. View the full list on Letterboxd.

1. Beverly Hills Cop
2. Beverly Hills Cop II
3. Beverly Hills Cop: Axel F
4. Beverly Hills Cop III

1. Smokin' Aces
2. Smokin' Aces 2: Assassins' Ball

• My Fair Lady
• Cliffhanger
• Birdeater
• The Book of Solutions
• The Emu War

1. Don't Breathe
2. Don't Breathe 2

1. Alien
2. Aliens
3. Prometheus
4. Alien³
5. Alien: Covenant
6. Alien Resurrection

• Sidonie in Japan

  6.4/10

• The Book of Solutions

• Happy Death Day

  6.1/10

• Happy Death Day 2U

  5.9/10

• Speed
• Speed 2: Cruise Control

• The Expendables 2
• The Expendables
• The Expendables 3
• Expend4bles

1. Air

   10/10

2. Oppenheimer
3. Spider-Man: Across the Spider-Verse

   10/10

4. The Holdovers
5. Past Lives

   10/10

6. Women Talking

   9.7/10

7. You Hurt My Feelings

   9.6/10

8. John Wick: Chapter 4

   9.5/10

9. The Royal Hotel

   9.5/10

10. Red, White & Brass

    9.5/10

...plus 162 more. View the full list on Letterboxd.

• Psycho
• Psycho II
• Psycho IV: The Beginning
• Psycho III
• Psycho

• Avengers: Endgame

  10/10

• Spider-Man: No Way Home

  9.8/10

• Avengers: Infinity War

  8.8/10

• Thor: Ragnarok

  8.7/10

• Deadpool 2

  8.5/10

• Spider-Man: Homecoming

  8.5/10

• Black Panther

  8.1/10

• Guardians of the Galaxy Vol. 2

  7.9/10

• Doctor Strange in the Multiverse of Madness

  7.8/10

• Doctor Strange

  7.7/10

...plus 10 more. View the full list on Letterboxd.

• Uproar
• May December
• Perfect Days
• Combat Wombat: Back 2 Back
• Bring Him to Me
• Shortcomings
• Anatomy of a Fall
• Robot Dreams
• Birth/Rebirth
• Birdeater

...plus 2 more. View the full list on Letterboxd.

• Star Trek: First
• Star Trek: Nemesis
• Star Trek: Insurrection

1. Incredible But True

   8.6/10

2. Revoir Paris

   8.1/10

3. Smoking Causes Coughing

   8.0/10

4. Final Cut

   7.9/10

5. The Origin of Evil

   7.1/10

6. Everybody Loves Jeanne

   6.9/10

7. Forever Young

   4.9/10

• Deerskin

  9.0/10

• Incredible But True

  8.6/10

• Smoking Causes Coughing

  8.0/10

• Mandibles

  7.6/10

• Unbreakable

  9.5/10

• Split

  8.5/10

• Signs

  8.3/10

• The Village

  7.9/10

• Old

  7.4/10

• Glass

  7.2/10

• The Visit

  6.8/10

• Knock at the Cabin

  6.7/10

1. The Gentlemen

   8.9/10

2. Wrath of Man

   8.4/10

3. Operation Fortune: Ruse de Guerre

   7.3/10

4. Aladdin

   6.0/10

• The Boy Behind The Door

  9.3/10

• PG: Psycho Goreman

  8.6/10

• Vicious Fun

  8.2/10

• Shook

  8.1/10

• Deadstream

  7.9/10

• Fried Barry

  7.7/10

• The Advent Calendar

  7.6/10

• The Amusement Park

  7.5/10

• Lucky

  7.0/10

• Violation

  7.0/10

...plus 28 more. View the full list on Letterboxd.

1. Escape Room: Tournament of Champions

   5.6/10

2. Escape Room

   5.1/10

1. Belle

   10/10

2. The Quiet Girl

   10/10

3. The Banshees of Inisherin

   10/10

4. The Stranger

   10/10

5. Top Gun: Maverick

   9.9/10

6. Drive My Car

   9.8/10

7. Everything Everywhere All at Once

   9.5/10

8. Murina

   9.5/10

9. The Batman

   9.5/10

10. Marcel the Shell with Shoes On

    9.3/10

...plus 151 more. View the full list on Letterboxd.

1. Halloween

   7.8/10

2. Halloween Ends

   6.9/10

3. Halloween Kills

   6.6/10

• Armageddon Time

  6.6/10

• Incredible But True

  8.6/10

• Greenhouse by Joost

  7.3/10

• Seriously Red

  4.5/10

• Something in the Dirt

  6.3/10

• Mass

  8.5/10

• The Tunnel: The Other Side of Darkness

  7.9/10

• TÁR

  EMBARGOED

• She Said

  8.1/10

• The Banshees of Inisherin

  TBA

...plus 4 more. View the full list on Letterboxd.

1. Joker

   10/10

2. The Batman

   9.5/10

3. Wonder Woman

   8.9/10

4. Zack Snyder's Justice League

   8.5/10

5. The Suicide Squad

   8.5/10

6. Aquaman

   8.0/10

7. Batman: The Long Halloween, Part One

   7.5/10

8. Batman: The Long Halloween, Part Two

   7.3/10

9. The Lego Batman Movie

   7.1/10

10. Justice League

    7.1/10

...plus 6 more. View the full list on Letterboxd.

1. Nine Days

   10/10

2. Spider-Man: No Way Home

   9.8/10

3. Dune

   9.6/10

4. A Quiet Place Part II

   9.5/10

5. Licorice Pizza

   9.5/10

6. Boiling Point

   9.4/10

7. The Boy Behind The Door

   9.3/10

8. Titane

   9.2/10

9. Blue Bayou

   9.1/10

10. The Dry

    9.1/10

...plus 124 more. View the full list on Letterboxd.

1. Out of Death

   1.0/10

2. Embryo

   1.0/10

3. Rogue Hostage

   1.0/10

4. Vanquish

   1,4/10

5. Cosmic Sin

   1.8/10

6. Breach

   2.0/10

7. Money Plane

   1.6/10

8. Songbird

   2.0/10

9. Beyond the Law

   2.5/10

10. Paradise Cove

    3.0/10

• Die Hard

  9.5/10

• Unbreakable

  9.5/10

• Split

  8.5/10

• Glass

  7.2/10

• Mortal Thoughts

  6.5/10

• Motherless Brooklyn

  6.4/10

• A Good Day to Die Hard

  4.8/10

• Hudson Hawk

  4.1/10

• Death Wish

  3.4/10

• Fortress

  3.2/10

...plus 11 more. View the full list on Letterboxd.