Favorite films

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1963

★★★★★ Liked Rewatched 04 May 2025

And with a single look, she loved him less.”
Le Mépris (1963) isn’t about love ending — it’s about watching love rot in real time, and being too proud to say: stay.

Godard turns a failing marriage into a cinematic Greek tragedy, layered in blue skies, red sofas, yellow staircases — like primary colors painted over a broken heart.
Brigitte Bardot doesn’t just play Camille — she radiates resentment. The kind that’s quiet, then cruel. One scene you’re in love,…

2004

★★★★★ Liked Rewatched 04 May 2025

"He painted her eyes closed because he couldn’t bear to see her cry." isn’t a film — it’s a requiem in brushstrokes and absinthe.

Amedeo Modigliani moves through Paris like a wounded angel, too fragile for the world and too proud to kneel before it. Ennio Morricone’s haunting score floats over every frame like a memory you didn’t know you had.

Yes, the story takes liberties. Yes, it’s messy. But so was he. The film doesn’t aim for accuracy —…

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1995

★★★★★ Liked Rewatched 08 Apr 2025

need to recreate this whole movie with someone ASAP

1965

★★★★★ Liked Rewatched 26 Apr 2025

Holy shit, just realized how insane the symbolism in Pierrot le Fou is. Marianne starts with a white dress, then switches to a white-red striped one, then a completely red one, and then, when they go to Fred, she wears that false cloak of white purity again. Later, she wears a red skirt and a white-blue striped shirt, but it gets stained by the redness of the gunshot wound on her stomach, and then even her face gets marred by…

714

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