I doubt Creed 3 will go down as a classic, but it’s undeniably got some good elements. I honestly appreciated the lean into the necessary spectacle of the sports genre and Jonathan Majors continues to impress me as an actor with his highly charismatic delivery and magnetic energy. I thought he really stole the show honestly.
I saw Paris, Texas a month ago, and while it is an incredible movie in all aspects, the thing that probably stuck out to me the most about it was the cinematography. I felt that it brought an immense amount of character and personality (to a degree I’ve never seen before) to the settings of Paris, Texas, almost giving the movie a secondary story about the time and place in which is takes place. The cinematographer for Paris, Texas is…
I don’t even know where to start with Mulholland Drive. I feel almost overwhelmed with how much I liked it and I’m not even sure how to express it. I guess it kinda felt like it had everything I liked about Lost Highway and more, a genuinely unsettling tone, amazing visuals, effective sound design, beautiful set design, actually scary moments, satisfying plot points, and dreamlike plot filled with dark mystery. Where I feel like Mulholland Drive goes above and beyond…
Wow. This hands down the most exhilarating movie experience I’ve ever had. Every moment was absolutely gripping and wonderfully raw and aggressive in the best way possible. It manages to be this brutal and viscerally violent while also being extremely beautiful at the same time. About every three or so minutes there would be a shot that floored me. Eggers also pules off the viking aesthetic so so well. Then there are the battle sequences which are all better then…
