oh ... chilling .... the coins even somehow seem to become breadcrumbs in the air
nicholas
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1991
its an odd thing to latch onto but i think what i loved most about this was a certain formality or even dignity in all of the camerawork and movements of the actors . there's one incredible scene where the central couple is sitting together in bed talking, while the camera slowly pans between closeups of their faces as each speaks . the panning is so slow that there will be perhaps several seconds where neither ones face is really…
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1981
rich and dazzling . from what ive seen this is the most complex of gottheim’s films w iterative repetition . it feels worthwhile to sketch out a reconstruction of its form , tho obviously limited by my memory :
prelude i / prelude ii
after this, image and sound diverge and we have:
images A play twice as the soundtrack, which is twice as long, plays only once . the first time, the two are synchronized, the second, obviously, they…
Translated from by
1991
its an odd thing to latch onto but i think what i loved most about this was a certain formality or even dignity in all of the camerawork and movements of the actors . there's one incredible scene where the central couple is sitting together in bed talking, while the camera slowly pans between closeups of their faces as each speaks . the panning is so slow that there will be perhaps several seconds where neither ones face is really…
Translated from by
1981
rich and dazzling . from what ive seen this is the most complex of gottheim’s films w iterative repetition . it feels worthwhile to sketch out a reconstruction of its form , tho obviously limited by my memory :
prelude i / prelude ii
after this, image and sound diverge and we have:
images A play twice as the soundtrack, which is twice as long, plays only once . the first time, the two are synchronized, the second, obviously, they…
Translated from by
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