Daniel Pollock’s review published on Letterboxd:
When you knock together a movie that's at least three hours long, you're in David Lean's house, so you'd best come correct. Doesn't quite marry the micro and the macro in the way it intends, but it's a tidal wave of feeling compared to the rest of Nolan's robotic filmography - still doesn't quite know how humans talk to each other, and he's still yet to meet a real-life woman, but he seems to have grown the beginnings of a sense of humour. It's his best, but the bar is on the ground for me.
