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Surprisingly good!  The perfect balance of knowing the strengths of the franchise but also never taking itself too seriously. One of the best in the franchise

I definitely respect the ambition in this film. With a franchise and genre that’s become so tired and monotonous, I think a movie like this could’ve been a fantastic refresher and a bold new direction to take. This film was almost a really good movie. A really great movie at that. However it was unfortunately written and directed by Rob Zombie who notoriously sucks fucking monkey butt at writing and directing. I’ve seen multiple people compare this to Twin Peaks Fire Walk With Me 😭 (David Lynch and Rob Zombie in the same sentence 🥀🥀🥀)

I’ll start with the good. This is one of the best shot Halloween films, with some very bold wide shots and uniquely stark lighting. I also appreciate the themes of ptsd and trauma, and the highlights of the film were when those aspects were explored.

However I don’t think they were explored well enough or deep enough here. Zombie felt like he was trying to do too much, showcasing Laurie’s PTSD, Sam Loomis’ subplot of profiteering off of true crime, and the inner workings of Michael’s psyche. There were aspects that were good in each of those, but none were fleshed out enough.

There weakest aspect of this film is by far its writing and dialogue. Rob Zombie still writes movies like an edgy 12 year old. The two guys that were transporting Michael’s corpse started a long and annoying riff about necrophilia. This doesn’t make you a provocateur Mr Zombie, it makes you an asshole. Every character in this is so detestable to an almost cartoonish degree. I’m all for nihilistic and cynical cinema, but I couldn’t enjoy any person in this film. Yes I know that’s partially the point, but I’d rather watch a Zulawski film if I want a frenetic experience where everyone is awful.

It’s ambition is irable, but Robert Zombie needs refinement

Just like all of Bresson’s work, I love it even more on rewatch. Feels like such a coalescence of Bresson’s whole body of work. It has the quest-for-transcendence qualities of early Bresson like A Man Escaped and Diary of a Country Priest, it has the qualities of mid-Bresson where you are a prisoner of the screen, watching injustices you can’t control like in Au Hasard Balthazar and A Gentle Woman, and then has the almost post-modernist cynicism of late stage Bresson like The Devil Probably. 

Great film from one of the greats

I really wanted to like this because I felt like a reboot was exactly what this messy franchise needed, but unfortunately this movie is really bad.

Gone is the subtlety of the original film. Instead of “The Shape” being a mysterious entity of evil, Rob Zombie decides to give Michael Myers a backstory explaining why Michael is evil. Overall I don’t think that decision is necessary, I think it could’ve been an okay set up. But Zombie’s ingenious backstory for Michael is that his dad is abusive and he gets bullied out school. (Wow, so profound!) I suppose there are themes of class in his backstory as well, but it’s never explored any more than the surface level.

While I do like Michael’s physical prowess in this film, I think I still prefer the originals more ominous vibe rather than this films brutal physicality. However Michael is definitely very imposing and terrifying in this film and that is definitely a highlight. 

I think the writing in this film is really atrocious. Horror is the genre that allows for some of the most extreme and provocative expressions, but this film doesn’t handle them very well. A lot of this dialogue just feels disturbing just to be disturbing. “I’ll come over there and skullfuck the shit out of you” cmon dog why did you write that line? There’s also the scene of Michael escaping depicting the ward guards graphically raping a woman in Michaels room? This isn’t artistically provocative, that’s a scene written by an edgy middle schooler who thinks they understand horror movies

One of the worst movies I’ve ever seen in my life, however Busta Rhymes does a Kung Fu kick onto Michael Myers, defenestrating him. Then later he electrocuted Michael in the balls. So can it really be THAT bad?

Really not much here to enjoy at all. It’s kind of amazing that Paul Rudd has a career after this film because his performance is truly horrendous. Honestly not much more to say besides this movie is pretty bad

Oh it’s so bad. Dr Loomis is genuinely more insane and dangerous to Jamie than Michael Myers is at this point, but Donald Pleasance’s overdramatic flair and Danielle Harris’s genuinely good child acting (too good acting for this movie) are the only things keeping this from being one of the worst movies I’ve ever seen

Every 2 things this movie did amazing it did 1 thing bad, so overall I still liked it but it has its issues. I love that these Halloween films still focus on actually trying to be scary. The way they build tension in these using Michaels stalking style will always make these better than more run and gun slashers where the kills are quick and constant. LL Cool J was absolutely the highlight of the film.

However I felt like Laurie’s son (played by Josh Hartnett in his film debut) was so annoying and we spent way too long with him for him to serve little purpose by the end of the film. I also don’t like Michael’s look here. Idk it looks like his mask is balding? And it doesn’t fit on his face as well? Idk it just didn’t really look good enough for me. Also apparently Michael’s actor is 6’2 but he didn’t feel as physically imposing. Maybe it’s the way he’s shot, maybe it’s the way the actor carries himself, but maybe I’m thinking too deep into it.

Fine movie!

This had a lot of good in it and honestly better than I ed, but it loses a few points for being a bit slow in the middle. Still clears the majority of the Friday the 13th franchise

I find the phrase “it’s not just a film, it’s an experience” to be annoyingly overused and hokey.

With that being said this film isn’t just a film, it’s an experience. An indescribably, frenetic descent into terror. This being a debut feature is incredible, since many debut films are more “safe.” But this is anything but safe. This was a crazy fever dream that will stick with any viewer for a long while.

I got invited onto a podcast to discuss this film, so if you’re reading this in the future I’ll post the link to the pod episode below

I think The Life of Chuck is almost an incredible movie. It’s themes are rich and could’ve been profound, but every time there was an amazing scene it was followed with another scene hamfistingly explaining the previous scene and what it meant, even though it was readily apparent what the scene was getting across. Mixing its incessant hand holding with a tendency to lean too far into the sappy, overly sentimental, I feel torn on this film because I think there was a ton of potential

Giulietta Masina is one of the most magnetic and electrifying performers of all time. I’m so enamored by her ability to create joy from simple movements while surrounded by hate and darkness. She felt like she carried the jovial slapstick-esque style of silent Chaplin into sound pictures, and also was able to capture that dark melancholy within the whimsy.

I didn’t expect this film to be as grim as it was. Knowing it’s about the circus and seeing Giulietta Masina’s joyful performance for the first half set me up for failure watching the ending of this film that truly broke me.

Hold up, this was good actually? Sure a step down from the original, which is one of my all time favorite horror movies, but this was a really solid follow up that I expected to be bad. I like this series focusing on Michael Myers’ ability to insight fear when you don’t see him. He’s like a spider, you’re scared when you see one but you’re even more scared when you no longer see it. That effect was used better in the original, but it still was relevant in this film.

Also that little kid dying by getting hit by the car and then it exploding was possibly the funniest thing I’ve ever seen in my life

Girl do NOT bang your uncle, he’s a walking red flag (also he’s your uncle)

One of the greatest, most monumental epics in all of cinema. A grand tragedy pointing at the heart of human hatred and deceit. The boiling pot of treachery, lies, and greed that force the world into a Sisyphus esque cycle of torment and bloodshed.

Have the Gods abandoned us because they revel in watching us die like worms? Or have they abandoned us because they can’t save us from ourselves?

Watching this in theaters was such a one of a kind experience. I drove 4 hours to see this and I would’ve driven even farther if I had to. One of the greatest films ever by one of the greatest directors ever.

Watched on Monday May 26, 2025.

Definitely upping the ante in the best ways. Exhilarating set pieces, fantastic practical stunts, and just an electrifying movie all the way through. This is what blockbuster filmmaking is all about

Oh I was so wrong about this when I first watched it. I think having a better understanding of Bresson and this films intentions helped me appreciate it this so much more. What an astounding film.

I’m concocting a YouTube video about Bresson right now so I’ll go more in depth on my thoughts there. If you’re reading this review in the future after I made the video, ill link it below.

I really liked that Brandt character, I wish there was an app I could use to talk about how much I liked him and his actor

The climactic fight is wild and crazy and a lot of fun. But I think I’d enjoy this film more of the attacks had more weight to them. Getting hit by one of them just means you get flung across the room rather than having an actual real impact. I know that seems like a small gripe but the feeling of impact of a kill is the most important part and this would’ve been much better with that.

It also would have been much better if it had a competent script and good actors, which it has neither

This is Tarkovsky’s favorite film so of course I’m gonna love it too, but on rewatch I found even more to appreciate.

This, alongside Andrei Rublev, are in my opinion the two greatest theistic films, although you don’t have to be religious to appreciate them at all. I’m not religious myself anymore but I found great profoundness in this film regardless.

Being a young priest struggling to connect makes us wonder how any of us have authority, especially when it comes to God. The clergy are the closest to God and people turn to them for guidance in their faith, but what of a priest whose faith is deteriorating? How can a priest be the authority of God when God is the real authority? But in that case that means God has abandoned us, leaving us alone with the scraps of understanding that the clergy try to piece together.

But like they say in this film, God is not a torturer. The torment we feel is our own doing, but even so, it still feels as if God has abandoned us. 

What a profoundly rich and thematically prolific film. It’s one that you think about for weeks after watching.

Bresson truly was one of the greatest

Perhaps the greatest movie ever made?

Oh BROTHER this guy STINKS!

There’s a split diopter shot that’s rad as hell and also a POV shot of a bullet which was genuinely so cool. Those two shots are so cool that it makes no sense that they’re in this utter dogshit movie and they stick out like a sore thumb. Did the filmmakers randomly get a ion for cinematography in two shots of the whole movie?

With the previous installments being directed by Brian De Palma and John Woo, having this one be directed by JJ Abram’s is a bit of a step down for me. I don’t think he’s a bad director but his frenetic and chaotic style with the annoying backlighting just doesn’t hold up against De Palma and Woo’s much better style. Also I find the secret-agent-has-a-wife trope to be so tired and annoying. Part of me knows this is better than Part 2 but honestly I think I’d rather watch Part 2 on rewatch than this.

Phillip Seymour Hoffmann is still goated with the sauce though

It’s so dumb.

It’s so dumb it’s brilliant!

No! It’s just dumb!

This was quite silly at times and Ethan Hunt is kind of a major jackass for most of this film, but Brian de Palma’s slick and exciting style mixed with Danny Elfmans iconic score elevate this to be an absolute blast.

From the very start, Hitchcock was the master of suspense AND had a weird thing for blondes.

The Lodger is a really well shot and engaging early thriller from Alfred Hitchcock that has aspects of his style from the very beginning and honestly holds up favorably even against Hitchcock’s later, more well known works. 

Great film!

Even lesser Hitchcock films are still this entertaining

Oh this was just abysmal. There’s 10 seconds here that were cool where the camera spins around Jason standing in Times Square. Outside of those 10 seconds this film is just asinine fuckery. Why is it called Jason Takes Manhattan? It should be called Jason Takes a Fucking Boat for an hour and then runs through the New York sewers for 20 minutes.

“Thank you Grace Kelly” we say in unison for her allowing us to perceive her

I’m surprised this franchise waited until the 7th movie before they got into absurd, telekinesis mumbo jumbo. The entire plot and characters are so stupid, HOWEVER this is one of the coolest Jason’s we’ve gotten. I really liked the waterlogged and decomposed look they gave him, especially how his spine pokes out of his back. I also see why Kane Hodder is so beloved as Jason, he brings a great physicality to his movements.

Still kinda bad though lol

Just a beautiful and tender film from Alice Guy Blache that displays the images power in eliciting emotion in the early days of cinema. Wonder why more people don’t talk about her. Maybe if she made some dumbass 3 hour movie about how great the KKK was, then she would be heralded as the mother of cinema 🤔

It’s crazy that it’s taken 6 movies for this franchise to make a marginally good movie. I appreciated the self aware humor but it actually blended well with the actually scary parts and it just made the whole film very enjoyable. There was even some scenes where I went “hey that was actually kinda scary” for the first time in the franchise.

I also love that Jason is just aura farming for half the movie. The dramatic turn when he puts his mask on? Him slowly following the woman while standing outside the window? He KNEW he looked tuff as FUCK on top of the burning RV.

Definitely my least favorite Malick film. It has aspects of his greatness but really didn’t impact me in the way his other films have

This was actually SO much fucking fun! It’s a campy 70 action film that combines Martial Arts, Blaxploitation, and espionage into one of the most entertaining and exciting films I’ve seen in a while. I adored every second of this and feel like I could watch it 100 times and never get bored. An absolute classic!

The worst one in the franchise so far. Obviously extremely formulaic like all of the films in this franchise are, but this one stands out for [i suppose this is a spoiler but you really shouldn’t care about the fifth Friday the 13th movie being spoiled] not actually having Jason as the real killer. That’s literally the only thing cool about this franchise.

Now I could go on and talk about the questionable and potentially dangerous depiction of mental health, showing people with mental illnesses as dangerous, violent, and erratic, but honestly that’s a common problem with many horror films and I guess I shouldn’t be surprised that the fifth Friday the 13th movie doesn’t have a positive depiction of mental health.

But what I can say is that the group of characters were SO LAME except for like 2 of them. I know all of these movies have bad characters that are just there to die, but these were probably the worst batch.

Also this film is SO sleazy. It’s not surprising at all that the director of this movie also directed porn. Like why did she take her shirt off and then the camera lingers on her topless for like 5 minutes and then she dies.

Also that ending was stupid as fuck.

Why am I writing so much about this movie.

Terrence Malick has never been the most accesible filmmaker, but particularly his post-Tree of Life films like this and Knight of Cup’s are particularly esoteric with their fragmented and disted edition style, lack of narrative through-line, and formed with Malick’s unabashedly singular style, knowing that many people would dismiss these films at trivial and pretentious hogwash. 

But Malick seems to be tapping into a form of filmmaking that hasn’t been explored enough. Exploring the lives of the characters through fractals of memory crudely coned in the edit. Catching dozens of glimpses of scenes that allow us to feel those moments so deeply and extrapolate an entire life from those fragmented scenes. And despite the lack of a solid narrative, that extrapolation is the narrative. The story of our lives is understood by ourselves only through the memory fractals, pieced together and broken down and then taped back together by our own brains, trying to find that meaning it had through our subjective biases and understanding of both the world and ourselves

SAMMIE 👹👹👹👹👹👺👺👺👺👺

Marvel fatigue has really set in heavily as of late. I used to be a rapid fan of the MCU, seeing every single one of them in theaters up until endgame. The original Iron Man came out when I was 8 years old and it’s one of my favorite early theater experiences. It’s been hard growing up and watching the franchise I was so obsessed with devolve into a corporate slop machine. But it always made me wonder what changed, if the films themselves degraded in quality, if I just got older and more mature, or if my general film tastes have changed so much in the past few years that I don’t view them as highly anymore. It makes me wonder if how I feel about the old movies is entirely clouded by my nostalgia.

Does Thunderbolts show us being back? Not really, but it’s definitely not a bad movie by any means. I had a whole lot of fun. The highlight of this film was definitely the comedy. The comedic timing, especially of Florence Pugh and David Harbor is incredible and gave a lot of charm to this film. There were many parts where I was genuinely laughing out loud. The action was solid too, as in enjoying the more grounded approach as opposed to the incessant multiverse mumbo jumbo. It’s always fun seeing a ragtag group of characters come together. And while the cinematography wasn’t groundbreaking, it generally had better shots than many marvel movies which look like empty parking lots half the time.

I don’t think this film does anything bad really, more just mediocre at times. When it’s not being funny, the emotional moments felt too by the numbers. Like yes the themes were present and the emotion was there, but it just felt relatively safe and surface level for the themes presented. Oooo the villain turned kinda evil because they were abused as a kid, so groundbreaking! And not that you can’t make a villain origin like that, but I wish they delved into the themes a little bit more. The films resolution left me wanting more. The resolution being sentry facing the void is good in concept but felt relatively lackluster and surface level.

Although it has its pitfalls into mediocrity at times, I still had a good time watching this movie. It didn’t make me feel like the first few MCU phases made me feel, but it makes me wonder if that’s just a fact of my cynicism towards the franchise as whole now rather than the individual movies issue.

I think what sets this film apart from Disney’s Pocahontas in of its portrayal of indigenous peoples is for 2 main reasons.

Firstly, unlike the Disney film, The New World is not a film striking a moral stance. It’s not a parable teaching right and wrong, it’s a complex tapestry of love, nature, and humanity. Disneys Pocahontas on the other hands is a parable about how both white people and indigenous people can be bad (Both sides-ing genocide is crazy work disney)

The other reason is that I think Terrence Malick has mastered the cameras eye so well that he somehow has unlocked a third perspective in film. Normally there’s using film to portray a characters perspective (comparable to writing in first person in a book) and then there’s an omniscient camera (comparable the third person in literature). But Malick somehow has this third, difficult to describe perspective. It’s omniscience but also doesn’t know anything. Rather than an all-knowing objective view of god or an in-universe subjective human view, it’s this curious view that’s neither in, nor above the film. It observes in the most unique way and detaches itself from black and white morality and taking sides

It’s not the worst movie I’ve ever seen

I love how surprisingly anti establishment Charlie Chaplin is. His films so often ridicule police officers and authority figures and uses gags to portray them as ineffective fools that stand in the way of his character and the tramp is usually an underdog, poor, and social outcast.

The paradox of modernity

Modern technologies have made us more connected than ever, both physically in our use of modern transportation that allows any person to traverse the world at historically unmatched speeds, from cars to boats to planes to trains, and digitally we are in an overbearingly connected globalized world where we can and track any person around the entire globe with what is in our pocket. We are more connected than we could have ever dreamed, and yet we couldn’t be more alienated from each other.

This is the first Malick film I’ve seen where it’s set in modern times. All of his works previously have been set in the 1950s or earlier, and it felt like Malick’s signature style of sweeping, engrossing nature shots and transcendently spiritual connection with the land and each other was perfectly suited for period pieces. So it’s interesting to see Malick’s style being portrayed in our hyper modern world, a world seemingly so devoid of what makes his style so noteworthy.

We have utilized technologies to make our lives earlier since the inception of civilization. From the plow, to the wheel, to irrigation systems, even our earliest ancestors utilized tools to speed up tedium and improve our lives. Now technology has advanced to the point where all our basic needs are met with excess and at instant speeds. We have solved the issue of our struggle for survival to a point where we don’t have to think about it on a daily basis. Technology has given us all the opportunities to explore our own existence because we no longer need the physical and mental energy for survival. Our ability to find meaning in the world and in our lives should be more apparent with modern comforts covering all our bases. But now that we have all the time in the world to find meaning, we created a world that lacks any meaning.

Our muted, concrete world has alienated us from each other and from the world. Our feet don’t touch the ground, our hands don’t touch the dirt. How can we find meaning in our humanity without a connection to each other and our world? We’ve created a world where we are endlessly lost in the city where we live and found while looking out at the endless expanse of ocean. The natural world is more foreign than ever and yet it may be the only place we feel at home. 

Our dissociation has driven away any chance of human connection to the point where sex has become vapid. Our most intimate act, driven by a primal desire to survive and live on, one of our most powerful ways of connecting with another person, has become a shallow and hollow act that is so readily available and commodified. Any attempt at connection is shrouded in a sleek, post modern beige box with a price tag. 

With all the information in the world, with all of the people in the world at our disposal, we have never been more lost.

It was kinda uninteresting until that rad ass monkey showed up

... for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.

I think this film works best because it’s based on a true story. Without the historical verity, this film would lack a lot of depth, but since it is based in truth, A Hidden Life is deeply moving and sorrowfully inspiring.

The aspect of this film that really stuck with me was them telling Franz that he won’t be ed. Being a conscientious objector isn’t a flashy and memorable thing that would necessarily make a memorable story, but Franz was steadfast and brave because he stood for what was right. It’s an inspiring idea that yes we stand on the shoulders of the great historic figures that shaped the world, but we also stand on the unmarked graves of those much braver than any recognizable name. It’s a powerful thought that we have the power to shape the world even with our seemingly hopeless, limited, and unremarkable impact. 

I do feel like this film is a tad too long, and would’ve worked better as a 2hour film, however there is much to be said about the longevity of the film strengthening the feeling of never ending torment and elevating the impact of Franz’s unwavering rigidity.

It’s only Days of Heaven, because an eternity in Heaven doesn’t exist for man.

The landscape of this film is evocative of freedom. An expanse of beauty, a horizon of endless roaming. And yet that very expanse was what locked them into both a paradise and a cage. Sticking out of that endless horizon is the farmers house, pervading every shot, and jutting out as an ivory tower of the expansive ocean of wheat. 

Beneath the boot of capitalism, this is a prison. While the love between Bill and Abby is strong, the desire to break from that cage forces them to pervert their love and claw their way to the money. And once they have that money the cage becomes a paradise. The wheat fields are no longer a cage, but an ocean of freedom and joy.

But that joy was founded on prioritizing coin over love, and humanities desire for selfish love causes paradise to crumble. As if a biblical punishment for their evils, a swarm of locust engulfs their heaven, but that’s not what destroys it. The continued jealousy and insecurity causes man to destroy is own palace, and heaven burns down.

They don’t make this genre of movie (like Bonnie and Clyde or Thelma and Louise) anymore and it’s unironically because of 9/11

This was so much fun and so engaging. Hitchcock’s 30s films seem to be much more fun (not necessarily better, just more fun) than his later more well known works. Even though there were gunshots and espionage and murder, this film is so funny and just a lot of fun throughout trying to unravel the mystery.

But what really stole the show was the two gay guys who were annoyed with all the murder because it made them late for a cricket game.

Crazy that it took 3 dogshit movies to finally get the iconic hockey mask.

Also if youre walking around on your hands nonstop like a jackass, Jason deserves to kill you

When people say that all old movies are boring, this is the type of movie I want to show them. It has everything you want, fast pace, interesting drama with lots of twists and turns, engaging action and chase sequences, a surprising amount of comedy, a romance subplot that doesn’t take away from the main plot, all wrapped in a short and sweet runtime that blows by quickly.

Hitchcock doesn’t miss

1. Final Destination 5
2. Final Destination Bloodlines
3. Final Destination 3
4. Final Destination
5. Final Destination 2
6. The Final Destination

1. L'Argent
2. La Strada
3. The Third Part of the Night
4. The Life of Chuck
5. Halloween H20: 20 Years Later
6. Final Destination Bloodlines
7. Halloween 4: The Return of Michael Myers
8. Halloween II
9. Halloween
10. Halloween 5: The Revenge of Michael Myers

...plus 2 more. View the full list on Letterboxd.

1. Halloween
2. Halloween II
3. Halloween H20: 20 Years Later
4. Halloween 4: The Return of Michael Myers
5. Halloween II
6. Halloween
7. Halloween 5: The Revenge of Michael Myers
8. Halloween: The Curse of Michael Myers
9. Halloween: Resurrection

A list of the best 10% of the movies I’ve seen ordered chronologically. Every 10 movies I log I will add another movie to this list.

• Nosferatu
• Battleship Potemkin
• Faust
• Metropolis
• The ion of Joan of Arc
• M
• Bride of Frankenstein
• Citizen Kane
• How Green Was My Valley
• Casablanca

...plus 172 more. View the full list on Letterboxd.

I like to be picky with what I give 5 stars, so here is every movie that has been bestowed the honor of a Sinjun Certified 5 Star (in Alphabetical order)

• 2001: A Space Odyssey
• Andrei Rublev
• Apur Sansar
• The Ascent
• Au Hasard Balthazar
• The Beaches of Agnès
• The Big City
• Chungking Express
• Come and See
• Diary of a Country Priest

...plus 39 more. View the full list on Letterboxd.

1. Ran
2. Diary of a Country Priest
3. Pickpocket
4. Knight of Cups
5. Days of Heaven
6. The Thin Red Line
7. Sinners
8. Enter the Dragon
9. Shadow of a Doubt
10. The New World

...plus 28 more. View the full list on Letterboxd.

1. Psycho
2. Rear Window
3. Dial M for Murder
4. Strangers on a Train
5. Vertigo
6. North by Northwest
7. Rebecca
8. The Lodger: A Story of the London Fog
9. The 39 Steps
10. Rope

...plus 6 more. View the full list on Letterboxd.

1. Ikiru
2. Ran
3. Seven Samurai
4. Dreams
5. Red Beard
6. High and Low
7. Yojimbo
8. Throne of Blood
9. Kagemusha
10. Sanjuro

...plus 20 more. View the full list on Letterboxd.

1. Mission: Impossible – Rogue Nation
2. Mission: Impossible
3. Mission: Impossible – Ghost Protocol
4. Mission: Impossible II
5. Mission: Impossible III

Only for years I’ve seen 4+ movies obviously. They are loosely ranked left to right, so the left most film on each row is my favorite of that year.

1. The Cabinet of Dr. Caligari
2. Within Our Gates
3. One Week
4. Convict 13
5. The Phantom Carriage
6. The Kid
7. Hard Luck
8. The Haunted House
9. Battleship Potemkin
10. Strike

...plus 366 more. View the full list on Letterboxd.

1. Au Hasard Balthazar
2. Diary of a Country Priest
3. Pickpocket
4. A Man Escaped
5. L'Argent
6. The Devil, Probably
7. A Gentle Woman
8. The Trial of Joan of Arc
9. Mouchette
10. Lancelot of the Lake

...plus 3 more. View the full list on Letterboxd.

1. Friday the 13th Part VI: Jason Lives
2. Jason X
3. Friday the 13th: The Final Chapter
4. Friday the 13th Part VII: The New Blood
5. Freddy vs. Jason
6. Friday the 13th Part 2
7. Friday the 13th
8. Friday the 13th
9. Friday the 13th Part III
10. Friday the 13th: A New Beginning

...plus 2 more. View the full list on Letterboxd.

1. The Tree of Life
2. Knight of Cups
3. Days of Heaven
4. The Thin Red Line
5. The New World
6. Song to Song
7. A Hidden Life
8. Badlands
9. To the Wonder

1. Godzilla
2. Godzilla Minus One
3. Shin Godzilla
4. Godzilla vs. Destoroyah
5. Godzilla: Final Wars
6. Godzilla vs. Hedorah
7. Godzilla vs. Biollante
8. The Return of Godzilla
9. Mothra vs. Godzilla
10. Godzilla vs. Mothra

...plus 28 more. View the full list on Letterboxd.

1. The Tree of Life
2. Phantom Thread
3. In the Heat of the Night
4. The Florida Project
5. The Master
6. Tenet
7. Punch-Drunk Love
8. The Killing
9. Moonrise Kingdom
10. Emma.

...plus 23 more. View the full list on Letterboxd.

Could change order any time honestly they’re all amazing

1. You Were Never Really Here
2. We Need to Talk About Kevin
3. Ratcatcher
4. Morvern Callar

I will add them as I watch them

1. Casablanca
2. The Bridge on the River Kwai
3. On the Waterfront
4. The Best Years of Our Lives
5. How Green Was My Valley
6. Lawrence of Arabia
7. In the Heat of the Night
8. The Sound of Music
9. All Quiet on the Western Front
10. The Apartment

...plus 30 more. View the full list on Letterboxd.

1. Lawrence of Arabia
2. In the Heat of the Night
3. The Sound of Music
4. The Apartment
5. West Side Story
6. My Fair Lady
7. A Man for All Seasons
8. Tom Jones

1. 2001: A Space Odyssey
2. Paths of Glory
3. Barry Lyndon
4. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
5. Full Metal Jacket
6. Eyes Wide Shut
7. The Shining
8. Spartacus
9. A Clockwork Orange
10. The Killing

...plus 3 more. View the full list on Letterboxd.

1. Phantom Thread
2. There Will Be Blood
3. The Master
4. Boogie Nights
5. Magnolia
6. Punch-Drunk Love
7. Hard Eight
8. Licorice Pizza
9. Inherent Vice

1. Oppenheimer
2. Tenet
3. Inception
4. The Dark Knight
5. Memento
6. Dunkirk
7. Insomnia
8. Batman Begins
9. Following
10. The Dark Knight Rises

...plus 2 more. View the full list on Letterboxd.

1. The Royal Tenenbaums
2. Fantastic Mr. Fox
3. The Grand Budapest Hotel
4. Moonrise Kingdom
5. Isle of Dogs
6. Asteroid City
7. Bottle Rocket
8. The Life Aquatic with Steve Zissou
9. The Darjeeling Limited
10. Rushmore

...plus 1 more. View the full list on Letterboxd.

1. The Beaches of Agnès
2. I'm Still Here
3. You Were Never Really Here
4. Mickey 17
5. We Need to Talk About Kevin
6. Faces Places
7. Thelma & Louise
8. Sicario
9. Tomboy
10. The Royal Tenenbaums

...plus 18 more. View the full list on Letterboxd.

Truly one of the greatest ever

1. The Beaches of Agnès
2. Le Bonheur
3. Cléo from 5 to 7
4. The Gleaners and I
5. Jane B. by Agnès V.
6. Vagabond
7. Faces Places
8. One Sings, the Other Doesn't
9. The Creatures
10. Jacquot de Nantes

...plus 7 more. View the full list on Letterboxd.

1. Parasite
2. Memories of Murder
3. Mickey 17
4. The Host
5. Okja
6. Snowpiercer

1. I'm Still Here
2. Dune: Part Two
3. Nickel Boys
4. Anora
5. The Brutalist
6. The Substance
7. Conclave
8. A Complete Unknown
9. Wicked
10. Emilia Pérez

1. I'm Still Here
2. Dune: Part Two
3. Queer
4. I Saw the TV Glow
5. Challengers
6. Nickel Boys
7. Anora
8. Look Back
9. The Brutalist
10. The Substance

...plus 26 more. View the full list on Letterboxd.

1. Mangrove
2. Nickel Boys
3. If Beale Street Could Talk
4. West Indies
5. Black Dynamite
6. Eve's Bayou
7. Deep Cover
8. Hunger
9. Crooklyn
10. Lovers Rock

...plus 12 more. View the full list on Letterboxd.

1. Stalker
2. Godzilla
3. Mulholland Drive
4. Embrace of the Serpent
5. Emitaï
6. Devi
7. Ghost Dog: The Way of the Samurai
8. Ratcatcher
9. Thief
10. Inland Empire

...plus 33 more. View the full list on Letterboxd.

1. Equinox Flower
2. Tokyo Story
3. Tokyo Twilight
4. An Autumn Afternoon
5. Good Morning
6. Early Summer
7. Late Spring
8. The Flavor of Green Tea Over Rice
9. Floating Weeds
10. Late Autumn

...plus 3 more. View the full list on Letterboxd.

Countries covered so far: (they’re ranked in order that I watched them so you can find the number with the corresponding country)
1. Canada
2. USA
3. Mexico
4. Guatemala 
5. Belize
6. El Salvador
7. Honduras
8. Nicaragua
9. Costa Rica
10. Panama
11. Hawaii
12. Cuba
13. The Bahamas
14. Haiti
15. The Dominican Republic
16. Jamaica
17. Puerto Rico
18. Antigua and Barbuda
19. Guadalupe
20. Colombia
21. Venezuela

1. Rhymes for Young Ghouls
2. Mekko
3. I Dream in Another Language
4. La Llorona
5. 2012: Curse of the Xtabai
6. Unforgivable
7. Olancho
8. La Yuma
9. Clara Sola
10. Plaza Catedral

...plus 11 more. View the full list on Letterboxd.

1. GoodFellas
2. Raging Bull
3. Killers of the Flower Moon
4. The King of Comedy
5. Taxi Driver
6. Silence
7. The Departed
8. The Irishman
9. After Hours
10. Hugo

...plus 4 more. View the full list on Letterboxd.

1. Twin Peaks: Fire Walk with Me
2. Mulholland Drive
3. Lost Highway
4. The Elephant Man
5. Eraserhead
6. Inland Empire
7. Wild at Heart
8. Blue Velvet
9. The Straight Story
10. Dune

1. Naked
2. Ratcatcher
3. Nashville
4. Stalker
5. Thief
6. Divorce Italian Style
7. Pandora's Box
8. King Lear
9. Scarface
10. Brazil

...plus 42 more. View the full list on Letterboxd.

1. Y Tu Mamá También
2. August in the Water
3. Queer
4. Anatomy of a Fall
5. It's a Wonderful Life
6. Gamera 3: Revenge of Iris
7. Stand by Me
8. Yearning
9. The Shop Around the Corner
10. The Hero

...plus 35 more. View the full list on Letterboxd.

1. Gamera 3: Revenge of Iris
2. Gamera: Guardian of the Universe
3. Gamera 2: Attack of Legion
4. Gamera vs. Gyaos
5. Gamera vs. Guiron
6. Gamera the Brave
7. Gamera vs. Barugon
8. Gamera, the Giant Monster
9. Gamera vs. Jiger
10. Gamera vs. Viras

...plus 2 more. View the full list on Letterboxd.

1. The Big City
2. Godzilla
3. Beau Travail
4. Tokyo Twilight
5. Jane B. by Agnès V.
6. When a Woman Ascends the Stairs
7. Irma Vep
8. A New Leaf
9. Shame
10. Rome, Open City

...plus 31 more. View the full list on Letterboxd.

Elaine May you deserved so much better

• A New Leaf
• Mikey and Nicky
• The Heartbreak Kid
• Ishtar

1. Persona
2. Scenes from a Marriage
3. Cries and Whispers
4. Autumn Sonata
5. Shame
6. The Virgin Spring
7. Through a Glass Darkly
8. Fanny and Alexander
9. The Seventh Seal
10. Wild Strawberries

...plus 3 more. View the full list on Letterboxd.

1. The Bridge on the River Kwai
2. On the Waterfront
3. Ben-Hur
4. Marty
5. All About Eve
6. An American in Paris
7. From Here to Eternity
8. Around the World in Eighty Days
9. The Greatest Show on Earth
10. Gigi

This is not exhaustive

• The Battle of Algiers
• Judgment at Nuremberg
• Malcolm X
• Au Hasard Balthazar
• Dreams
• Nostalgia
• Do the Right Thing
• American Psycho
• One Sings, the Other Doesn't
• The Green Ray

...plus 2 more. View the full list on Letterboxd.

• The Iron Giant
• In the Mood for Love
• Mulholland Drive
• The Lord of the Rings: The Two Towers
• Memories of Murder
• Before Sunset
• Brokeback Mountain
• Pan's Labyrinth
• No Country for Old Men
• Still Walking

...plus 16 more. View the full list on Letterboxd.

A list of the 31 Horror (or Horror Adjacent) films I’m watched in October in viewing order

• Possession
• Let the Right One In
• Peeping Tom
• Suspiria
• Black Christmas
• Ring
• Jennifer's Body
• Misery
• Invasion of the Body Snatchers
• Evil Dead II

...plus 21 more. View the full list on Letterboxd.

1. Possession
2. Kuroneko
3. Demons
4. Bram Stoker's Dracula
5. Beauty and the Beast
6. Black Christmas
7. Evil Dead II
8. Videodrome
9. Daguerréotypes
10. Nosferatu the Vampyre

...plus 28 more. View the full list on Letterboxd.

1. Faust
2. I Saw the TV Glow
3. The Host
4. Bride of Frankenstein
5. The Virgin Spring
6. One Sings, the Other Doesn't
7. The Invisible Man
8. Bringing Up Baby
9. Fantasia
10. Okja

...plus 20 more. View the full list on Letterboxd.

1. Alien
2. Alien: Covenant
3. Aliens
4. Prometheus
5. Alien: Romulus
6. AVP: Alien vs. Predator
7. Alien³
8. Alien Resurrection
9. Aliens vs Predator: Requiem

1. Twin Peaks: Fire Walk with Me
2. The Gleaners and I
3. The Princess Bride
4. On the Waterfront
5. La Pointe Courte
6. Daisies
7. The Village
8. A Gentle Woman
9. Alien: Covenant
10. Unbreakable

...plus 30 more. View the full list on Letterboxd.

1. Twilight
2. The Twilight Saga: Eclipse
3. The Twilight Saga: Breaking Dawn – Part 2
4. The Twilight Saga: Breaking Dawn – Part 1
5. The Twilight Saga: New Moon

• 2001: A Space Odyssey
• Andrei Rublev
• Before Sunset
• Chungking Express
• Do the Right Thing
• Everything Everywhere All at Once
• Full Metal Jacket
• The Green Knight
• The Human Condition III: A Soldier's Prayer
• In the Mood for Love

...plus 17 more. View the full list on Letterboxd.

1. Signs
2. The Village
3. Unbreakable
4. Glass
5. The Sixth Sense
6. Old
7. Knock at the Cabin
8. The Happening
9. Lady in the Water
10. Split

...plus 3 more. View the full list on Letterboxd.