An absurdly gorgeous movie. The puppets look so good; I love the grayscale of the land of the living, the Technicolor pop of the land of the dead. Every character's absolutely on point, a perfect piece of design. And the movement of the stop-motion is really lush and smooth, without losing its hand-crafted feel. Visually, it's a beautiful treat, a labour of love.

So I wish it was ed by a more coherent plot and world-logic. I guess this is…

There are a lot of problems I could complain about: the first 40 minutes is a barely-disguised recap of the first movie, which they obviously didn't trust anyone to have seen; it's undistilled series hagiography, with too many clips from early films and *far* too many call-backs and coincidences (Shea Wigham why!?); the vague romance between Cruise and Atwell is tacked on and totally unearned; it's so intent on being serious it totally forgets to be funny - there's no…

Incredible how Miller manages to keep up so much sustained frenetic action without it becoming meaningless or dull - it's marvellously juggled, just enough talking to cover the gaps between chase sequences without ever losing momentum. That he's pulled it off twice is witchcraft.

Hemsworth's utterly captivating, bringing a kind of inept grandstanding villainy we don't see nearly enough of outside of cartoons. Tiny Anya Taylor-Joy doesn't really appear to be playing the same character as Charlize Theron's imposing Furiosa…

What a truly bizarre premise: Homeward Bound meets The Truman Show. But Truman believes he has super powers.

Going in, I thought this was about a dog who is super fast. Possibly in some sporting context - I think I had it mixed up with Air Bud. I did not know it was a film about a dog who is gaslit by everyone in his life into believing his owner is in constant peril and he's the only one who…