Based on Robert Harris’ airport novel of the same name, Edward Berger’s elegant and absorbing Conclave is Dad Cinema™ at its finest. Its premise is rather straightforward: a cardinal experiencing a crisis of faith is tasked with managing the ancient ritual of electing a new pope. Rather quickly, however, Conclave reveals itself to be not so much a film about the Vatican as it is a parable about the failure of traditionalism to uphold the purported functions of the archaic…
